poetic techniques Flashcards

(60 cards)

1
Q

Part of a poem that makes the reader or audience feel sorrow or pity.

A

PATHOS

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2
Q

PUN

A

A play on words

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3
Q

A play on words

A

PUN

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4
Q

Conjoining (putting together) two contradictory terms ex. deafening silence

A

OXYMORON

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5
Q

OXYMORON

A

Conjoining (putting together) two contradictory terms ex. deafening silence

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6
Q

RHYTHM

A

The arrangement of words in a poem with stresses on different syllables or parts of the poem.

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7
Q

The arrangement of words in a poem with stresses on different syllables or parts of the poem.

A

RHYTHM

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8
Q

RHYME

A

Using words that sound the same.

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9
Q

Using words that sound the same.

A

RHYME

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10
Q

SYLLABLE

A

An unbroken sound that is part of a word and is used to make up a word.

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11
Q

An unbroken sound that is part of a word and is used to make up a word.

A

SYLLABLE

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12
Q

Playing around with words such that the meaning implied by a sentence or word is actually different from the literal meaning.

A

IRONY

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13
Q

IRONY

A

Playing around with words such that the meaning implied by a sentence or word is actually different from the literal meaning.

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14
Q

The message of the poem; the point the author wishes to make.

A

THEME

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15
Q

THEME

A

The message of the poem; the point the author wishes to make.

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16
Q

What the poem is about (the ‘subject matter’)

A

TOPIC

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17
Q

TOPIC

A

What the poem is about (the ‘subject matter’)

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18
Q

TONE

A

The attitude of the writer towards his subject matter.

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19
Q

MOOD

A

Feelings expressed. Includes what the writer/speaker feels AND how the reader feels when they read the poem. May also be related to the atmosphere created.

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20
Q

The attitude of the writer towards his subject matter.

A

TONE

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21
Q

Feelings expressed. Includes what the writer/speaker feels AND how the reader feels when they read the poem. May also be related to the atmosphere created.

A

MOOD

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22
Q

White suggests purity & cleanliness; red – passion & sometimes blood/violence; black – darkness & despair etc.

A

COLOUR

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23
Q

COLOUR

A

White suggests purity & cleanliness; red – passion & sometimes blood/violence; black – darkness & despair etc.

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24
Q

POSITIVE OR NEGATIVE ADJECTIVES

A

tremendous, delirious, fabulous, heavenly V’s heavy, ugly, rusty, terrible, horrific etc.

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25
tremendous, delirious, fabulous, heavenly V’s heavy, ugly, rusty, terrible, horrific etc.
POSITIVE OR NEGATIVE ADJECTIVES
26
POSITIVE OR NEGATIVE VERBS
to shine, to gather, to spring, to capture, to soothe, to comfort, to light, to brood etc.
27
to shine, to gather, to spring, to capture, to soothe, to comfort, to light, to brood etc.
POSITIVE OR NEGATIVE VERBS
28
RHYTHM AND SOUND EFFECTS
If fast can suggest excitement, danger or anger. If slow can suggest relaxation, sadness or disappointment
29
If fast can suggest excitement, danger or anger. If slow can suggest relaxation, sadness or disappointment
RHYTHM AND SOUND EFFECTS
30
IMAGERY
The picture the writer creates using words.
31
The picture the writer creates using words.
IMAGERY
32
Repeating a word or phrase to emphasise its importance/ create a regular rhythm.
REPETITION
33
REPETITION
Repeating a word or phrase to emphasise its importance/ create a regular rhythm.
34
PERSONIFICATION
Describing an object/idea as though it were alive. Giving it human qualities.
35
Describing an object/idea as though it were alive. Giving it human qualities.
PERSONIFICATION
36
Placing 2 very different things side by side
CONTRAST
37
CONTRAST
Placing 2 very different things side by side
38
A word becomes a sign of something other than simply itself.
SYMBOLISM
39
SYMBOLISM
A word becomes a sign of something other than simply itself.
40
Where the writer compares 2 things using the words ‘like’ or ‘as’.
SIMILE
41
SIMILE
Where the writer compares 2 things using the words ‘like’ or ‘as’.
42
METAPHOR
Where two things are said to be the same.
43
Where two things are said to be the same.
METAPHOR
44
Where the writer makes reference to ‘well-known’ figures or events from literature, history or mythology.
ALLUSION
45
ALLUSION
Where the writer makes reference to ‘well-known’ figures or events from literature, history or mythology.
46
HYPERBOLE
The deliberate use of exaggeration.
47
The deliberate use of exaggeration.
HYPERBOLE
48
Where words/sentences have more than one meaning/ are open to numerous interpretations.
AMBIGUITY
49
AMBIGUITY
Where words/sentences have more than one meaning/ are open to numerous interpretations.
50
A Q that doesn’t require a response (a statement disguised as a question).
RHETORICAL Q
51
RHETORICAL Q
A Q that doesn’t require a response (a statement disguised as a question).
52
ALLITERATION
The repetition of the same letter at the beginning of a series of words. Eg. “Billy Brennan’s Barn”
53
The repetition of the same letter at the beginning of a series of words. Eg. “Billy Brennan’s Barn”
ALLITERATION
54
ONOMATOPOEIA
Words whose sound imitates their meaning
55
Words whose sound imitates their meaning
ONOMATOPOEIA
56
ASSONANCE
The repetition of similar vowel sounds.
57
The repetition of similar vowel sounds.
ASSONANCE
58
PATHOS
Part of a poem that makes the reader or audience feel sorrow or pity.
59
SIBILANCE
A stylistic device in poetry in which an "s" sound is repeated more than twice in quick succession
60
A stylistic device in poetry in which an "s" sound is repeated more than twice in quick succession
SIBILANCE