Poetry Flashcards
(116 cards)
What are two main types of form in poetry?
Rigid and structured, or less strict.
What are examples of strict form?
Exposure - a strict ABBAC rhyme scheme, 8 stanzaz, all with 4 long lines one half line. This form reflects the monotonous existence of soldiers in the trenches, no hope of change for the men. The half lines reinforce this, gaps are left which emphasise the lack of action or hope.
War Photogragher - four six line stanzas, all similar length, ABBCDD rhyme scheme. Regularity shows the photograghers work, odered rows like “spools” in his dark room. Regular form echoes the methodical process he goes through. As the photographs put the suffering of war in “black and white”, the poem presents a dangerous and unpredictable work for the war photographer.
What are examples of less rigid form?
Charge of the light brigade - irregular form reflects the chaos of war. Its made up of 6 unique stanzas. All with different amounts of lines and rhyme schemes.
There’s no regular rhyme schemes, lots of rhyme is there to drive the poem forwards like a galloping cavalry. Rhyming triplets such as ‘reply’ ‘why’ die’ create momentum, stopped by the next line like tha falling of shot horses.
Checking out me history - different stanza forms to seperate the humorous attacks on British culture and historcal figures from serious Carribean ones. British stanzas are all quadtrains, representing the restrictive education of the British.
What can onomatopoeia be used for?
It mimics the noise of the battlefield.
E.g in ‘The Charge of the Light Brigade’ - verbs like “thunder’d” and “shatter’d” imitate the chaotic, deafening noise of battle. By replicating the powerful, threatening noise of the battlefield, Tennyson shows how frightening it must have been, emphasising their heroic actions in battle.
How is onomatopoeia used in ‘Beyonet Charge’?
Verbs ‘smacking’ creates a loud and jarring effect with the harsh ‘Ck’ sound (plosive). Acts as a violent reminder of the dangers soldiers face.
‘Crackling air’ in the final stanza sounds dangerous and emphasises the fact the soldier is fully surrrounded by gun fire.
How are repeated sounds used in ‘The Prelude’?
Repitition of sibilant sounds ‘struck’, ‘still’, ‘stars’ emphasises the sinester way that the mountain glides after the narrator.
Repition is gentle ‘L’ sounds ‘small”, ‘still’, ‘melted all’ creates consonance. A flowing effect, reflectimg gentle movements of the boat across a lake.
What is the importance of Ozymandias being told by a narrator who hasn’t seen the statue?
“I met a traveller”, this shows how umimportant ozymandias is now.
Where is irony shown in Ozymandis?
“Shattered visage lies” - Even a human so powerful cannot control the damaging effects of time, all is conquere by the nature of power.
He tells other rulers to ‘dispear’ because of the size of his works, they should dispear as their power is only temporary. However we clearly see Ozymandias’ power is also very much temporary.
“Of that colossal wreck”
How can we see arrogance in ozymandias?
‘Sneer of cold command’ - the sculptor understood the arrogance which was shown by the ruler.
“King of kings” - He is arrogant and powerful, even challanging other leaders.
What are the three main feelings in Ozymandias?
Pride - The ruler was proud of what he had achieved
Arrogance - the ruler truly believed that he was the most powerful in all the land, no one could compete with him.
Power - Human insignificance is great in comparison with the passing of time, art can preserve human power, but that (unlike nature) is also only temporary.
What does the Form in Ozymandias show?
The volta on line 9 shows how time will pass and humans will lose power and be forgotten, but nature will stay.
It doesn’t follow a regular rhyme scheme, and this could prehaps reflect the way in which human powers and structures can be destroyed. Similarly, it is in iambic pentameter however this is also at times disruppted.
How was the language of power shown in Ozymandias?
“Survive” and “lifeless” is on the same line, this antithesis shows how human power can survive temporarily but a statue can’t immortalise power.
“Boundless and bare, the lone and level Sands” these two examples of alliteration helps to emphasise the feeling of emptiness around the desert. By describing as boundless we can see how insignificant the statue of this ruler is.
What does the structure of Ozymandias show?
The narrator builds up an image of the statute by focusing on different parts of it in turn. The poem ends by describing the enormous desert, which helps to sum up the insignificance of the statue
How are senses used in the poem ‘London’?
First stanza is what he sees, ‘mark in every face I meet’ mark means notice.
The second stanza is about what he hears, ‘infants cry of fear’, ‘I hear’
Last two stanzas combine the visual and aural, ‘youthful harlot’s curse’ - he hears prosititutes swearing, but this could also mean he feels there’s a curse on London.
How are contrasts used in ‘London’?
“Marriage hearse” - oxymoron links happiness with death, suggests everything has been destroyed.
“Blasts the new-born infant’s tear” - innocence of a new born is lost straight away, society damages its members.
“Youthful harlots” - innocence of the youth contrasted with prosititution.
These show how all is affected by the negatives of London, nothing is pure or innocent.
How is language used in London?
‘Wander’ - verb sounds powerless, like he can’t change what’s happening
Repetition of ‘marks’ and ‘every’ - these help to show the sheer number of people affected.
‘Chimney-sweeper’s cry’ - these were usually young boys, emotive language to show the image of child labour.
‘Blights with plagues’ - implies the suffering of London/weakness is uncontrollable and we can’t help the fact its destined to affect lots of people.
What does London’s structure show?
Relentless images of downtrodden, deprived people. First two stanzas focus on what he sees/hears, but this then shifts is stanza three to what he feels is responsible. Final stanza returns to looking at people, showing how even newborn babies are affected.
What does the form in ‘London’ show?
Its a dramatic monologue - first person narrator speaks passionately and personally about the suffering he sees. The rigid ABAB rhyme scheme shows how continous the suffering is and echos the relentless misery around the city.
What does London show a semantic field of?
Lack of power - ‘cry of fear’, ‘weakness’, ‘blights with plagues’, ‘youthful harlots curse’
What does form show in the prelude?
A first person narrative, it sounds personal and therefore decrives a turing point in someones life. The uses of blank verses makes it seem serious and important. The regular rhythm makes it sound like natural speech.
What does the structure in the prelude show?
There are three main sections in the extract. The 1st has a tone which is light and carefree, but a distinct change happens when the mountains appear. The tone becomes darker and more fearful, in the final section, the narrator reflects on how the experience has changed him. We see these changes through voltas.
What words/phrases show a semantic field of the beauty of nature in the prelude? (In the 1st half)
“Litte boat tied to a willow tree” , “small circles glittering”, “melted”, “light”
How can we see confidence initially in The Prelude?
He was boating “like a swan” - this simile shows confidence in that fact he was gliding across the water.
“Proud of his skill” “with an unswerving line” - this shows him as confident and possibly slightly arrogant, which contrasts the feelings show later on.
“Act of stealth” “troubled pleasure” - the oxymoron of “troubled pleasure” hints to his guilt and the fact hes done something he shouldn’t of, however he isn’t afraid of what he’s done which once again shows his confidence.
How can we then see fear in the prelude after the volta?
“The horizon’s bound, a huge peak, black and huge” - emotive language and also pathetic fallacy, where the atmosphere describes the darker mood now felt by the narrator.
“Upreared its head” - personifies the mountain to make it seem more powerful. These contrast the previous images of beauty, ‘swan’ and ‘elfin’.
Semantic field of fear - “towered”, “trembling”, “silent”, contrasts the earlier semantic fields of beauty.