Poetry Flashcards

1
Q

“The Lord is my shepherd; I shall not want. He maketh me to lie down in green pastures: he leadeth me beside the still waters.”

A

Psalm 23 (Bible)

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2
Q

“As the deer pants for streams of water, so my soul pants for you, my God. My soul thirsts for God, for the living God. When can I go and meet with God?”

A

Psalm 42 (Bible)

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3
Q

“Out of the depths I cry to you, Lord; Lord, hear my voice. Let your ears be attentive to my cry for mercy.”

A

Psalm 130 (Bible)

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4
Q

“By the rivers of Babylon we sat and wept when we remembered Zion. There on the poplars we hung our harps, for there our captors asked us for songs, our tormentors demanded songs of joy; they said, ‘Sing us one of the songs of Zion!’”

A

Psalm 137 (Bible)

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5
Q

“Place me like a seal over your heart, like a seal on your arm; for love is as strong as death, its jealousy unyielding as the grave. It burns like blazing fire, like a mighty flame. Many waters cannot quench love; rivers cannot sweep it away. If one were to give all the wealth of one’s house for love, it would be utterly scorned.”

A

The Song of Solomon (Bible)

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6
Q

“Often the solitary one
finds grace for himself
the mercy of the Lord,
although he, sorry-hearted,
must for a long time
row with his hands the ice-cold sea,
tread the paths of exile.”

A

“The Wanderer”

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7
Q

“For him the tossing of waves
would become the play of the swans,
the drinking of the gannets, feasting,
the singing of seabirds his calling;
the sea-mew’s laughter, clamorousness,
would take the place of the laughter of men,
the wailing of gulls, the icicles’
cold, the music of a harp.”

A

“The Seafarer”

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8
Q

“Now must we praise
the Guardian of the heavenly kingdom,
the might of the Creator, and his purpose,
the work of the Father of glory
— how each of the wonders of the Eternal Lord,
the beginning established it.”

A

“Caedmon’s Hymn”

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9
Q

“I sing of a maiden
That is makeless;
King of all kings
To her Son she ches.”

A

“I Sing of a Maiden”

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10
Q

“O lang, lang may the ladies sit
Wi’ their fans into their hand
Or e’er they see Sir Patrick Spens
Come sailing to the land.”

A

Sir Patrick Spens”

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11
Q

“Lully, lullay, thou little tiny child,
Bye, bye, lully, lullay.”

A

“The Corpus Christi Carol”

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12
Q

“Western wind, when wilt thou blow,
The small rain down can rain?
Christ, that my love were in my arms,
And I in my bed again.”

A

“Western Wind”

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13
Q

“Whoso list to hunt, I know where is an hind,
But as for me, hélas, I may no more.
The vain travail hath wearied me so sore,
I am of them that farthest cometh behind.”

A

(Wyatt) “Whoso List to Hunt”

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14
Q

“If all the world and love were young,
And truth in every shepherd’s tongue,
These pretty pleasures might me move
To live with thee and be thy love.”

A

(Raleigh) “The Nymph’s Reply to the Shepherd”

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15
Q

“Loving in truth, and fain in verse my love to show,
That she, dear she, might take some pleasure of my pain,—
Pleasure might cause her read, reading might make her know,
Knowledge might pity win, and pity grace obtain,—”

A

(Sidney) “Astrophel and Stella”

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16
Q

“For God’s sake hold your tongue, and let me love,
Or chide my palsy, or my gout,
My five gray hairs, or ruin’d fortune flout,
With wealth your state, your mind with arts improve,

A

(Donne) “The Canonization”

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17
Q

“And now good-morrow to our waking souls,
Which watch not one another out of fear;
For love all love of other sights controls,
And makes one little room an everywhere.”

A

(Donne) “The Good-Morrow”

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18
Q

“As virtuous men pass mildly away,
And whisper to their souls to go,
Whilst some of their sad friends do say,
‘Now his breath goes,’ and some say, ‘No.’”

A

(Donne) “A Valediction: Forbidding Mourning”

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19
Q

“Death, be not proud, though some have called thee
Mighty and dreadful, for thou art not so;
For those whom thou think’st thou dost overthrow
Die not, poor Death, nor yet canst thou kill me.”

A

(Donne) Holy Sonnet 10

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20
Q

“Batter my heart, three-personed God, for you
As yet but knock, breathe, shine, and seek to mend;
That I may rise and stand, o’erthrow me, and bend
Your force to break, blow, burn, and make me new.”

A

(Donne) Holy Sonnet 14

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21
Q

“Farewell, thou child of my right hand, and joy;
My sin was too much hope of thee, loved boy.
Seven years thou’wert lent to me, and I thee pay,
Exacted by thy fate, on the just day.”

A

(Jonson) “On My First Son”

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22
Q

“Thou art not, Penshurst, built to envious show,
Of touch or marble, nor canst boast a row
Of polished pillars, or a roof of gold;
Thou hast no lantern whereof tales are told,”

A

(Jonson) “To Penshurst”

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23
Q

“Queen and huntress, chaste and fair,
Now the sun is laid to sleep,
Seated in thy silver chair,
State in wonted manner keep:”

A

(Jonson) “Queen and Huntress, Sweet and Fair”

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24
Q

“Gather ye rosebuds while ye may,
Old Time is still a-flying;
And this same flower that smiles today,
Tomorrow will be dying.”

A

(Herrick) “To the Virgins, to Make Much of Time”

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25
Q

“Get up, get up for shame! The blooming morn
Upon her wings presents the god unshorn.
See how Aurora throws her fair
Fresh-quilted colors through the air:
Get up, sweet slug-a-bed, and see
The dew bespangling herb and tree.”

A

(Herrick) “Corinna’s Going A-Maying”

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26
Q

“A broken ALTAR, Lord, thy servant rears,
Made of a heart and cemented with tears:
Whose parts are as thy hand did frame;
No workman’s tool hath touch’d the same.”

A

(Herbert) “The Altar”

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27
Q

“Sweet day, so cool, so calm, so bright,
The bridal of the earth and sky:
The dew shall weep thy fall tonight;
For thou must die.”

A

(Herbert) “Virtue”

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28
Q

“When God at first made man,
Having a glass of blessings standing by;
‘Let us,’ said he, ‘pour on him all we can:
Let the world’s riches, which dispersèd lie,”

A

(Herbert) “The Pulley”

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29
Q

“I struck the board, and cried, ‘No more;
I will abroad!
What? shall I ever sigh and pine?
My lines and life are free, free as the road,”

A

(Herbert) “The Collar”

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30
Q

“With thee
O let me rise
As larks, harmoniously,
And sing this day thy victories:
Then shall the fall further the flight in me.”

A

(Herbert) “Easter Wings”

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31
Q

“Love bade me welcome. Yet my soul drew back
Guilty of dust and sin.
But quick-eyed Love, observing me grow slack
From my first entrance in,”

A

(Herbert) “Love (III)”

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32
Q

“I saw Eternity the other night,
Like a great ring of pure and endless light,
All calm, as it was bright;
And round beneath it, Time in hours, days, years,
Driv’n by the spheres
Like a vast shadow moved; in which the world
And all her train were hurled.”

A

(Vaughn) “The World”

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33
Q

“Yet once more, O ye laurels, and once more
Ye myrtles brown, with ivy never sere,
I come to pluck your berries harsh and crude,
And with forced fingers rude
Shatter your leaves before the mellowing year.”

A

(Milton) “Lycidas”

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34
Q

“This is the month, and this the happy morn,
Wherein the Son of Heaven’s eternal King,
Of wedded Maid and Virgin Mother born,
Our great redemption from above did bring;”

A

(Milton) “On the Morning of Christ’s Nativity”

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35
Q

“How soon hath Time, the subtle thief of youth,
Stolen on his wing my three-and-twentieth year!
My hasting days fly on with full career,
But my late spring no bud or blossom shew’th.”

A

(Milton) “How Soon Hath Time”

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36
Q

“When I consider how my light is spent
Ere half my days in this dark world and wide,
And that one talent which is death to hide
Lodged with me useless, though my soul more bent”

A

(Milton) “When I Consider How My Light is Spent”

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37
Q

“Had we but world enough and time,
This coyness, lady, were no crime.
We would sit down, and think which way
To walk, and pass our long love’s day.”

A

(Marvell) “To His Coy Mistress”

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38
Q

“Meanwhile the mind, from pleasure less,
Withdraws into its happiness;
The mind, that ocean where each kind
Does straight its own resemblance find,”

A

(Marvell) “The Garden”

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39
Q

“The curfew tolls the knell of parting day,
The lowing herd wind slowly o’er the lea,
The ploughman homeward plods his weary way,
And leaves the world to darkness and to me.”

A

(Gray) “Elegy Written in a Country Churchyard”

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40
Q

“Little Lamb, who made thee?
Dost thou know who made thee?
Gave thee life, and bid thee feed
By the stream and o’er the mead;
Gave thee clothing of delight,”

A

(Blake) “The Lamb”

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41
Q

“Tyger Tyger, burning bright,
In the forests of the night;
What immortal hand or eye,
Could frame thy fearful symmetry?”

A

(Blake) “The Tyger”

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42
Q

“I wander thro’ each charter’d street,
Near where the charter’d Thames does flow.
And mark in every face I meet
Marks of weakness, marks of woe.”

A

(Blake) “London”

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43
Q

“O Rose thou art sick.
The invisible worm,
That flies in the night
In the howling storm:”

A

(Blake) “The Sick Rose”

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44
Q

“Five years have passed; five summers, with the length
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a sweet inland murmur.”

A

(Wordsworth) “Tintern Abbey”

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45
Q

“I wandered lonely as a cloud
That floats on high o’er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;”

A

(Wordsworth) “I Wandered Lonely as a Cloud”

46
Q

“Our birth is but a sleep and a forgetting:
The Soul that rises with us, our life’s Star,
Hath had elsewhere its setting,
And cometh from afar:”

A

(Wordsworth) “Ode: Intimations of Immortality”

47
Q

“Behold her, single in the field,
Yon solitary Highland Lass!
Reaping and singing by herself;
Stop here, or gently pass!”

A

(Wordsworth) “The Solitary Reaper”

48
Q

“Surprised by joy—impatient as the Wind
I turned to share the transport—Oh! with whom
But Thee, long buried in the silent Tomb,
That spot which no vicissitude can find?”

A

(Wordsworth) “Surprised by Joy”

49
Q

“Water, water, everywhere,
And all the boards did shrink;
Water, water, everywhere,
Nor any drop to drink.”

A

(Coleridge) “The Rime of the Ancient Mariner”

50
Q

“In Xanadu did Kubla Khan
A stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.”

A

(Coleridge) “Kubla Khan”

51
Q

“O wild West Wind, thou breath of Autumn’s being,
Thou, from whose unseen presence the leaves dead
Are driven, like ghosts from an enchanter fleeing,”

A

(Shelley) “Ode to the West Wind”

52
Q

“A grief without a pang, void, dark, and drear,
A stifled, drowsy, unimpassioned grief,
Which finds no natural outlet, no relief,
In word, or sigh, or tear—”

A

(Coleridge) “Dejection: An Ode”

53
Q

“I met a traveller from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desert. Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,”

A

(Shelley) “Ozymandias”

54
Q

“The everlasting universe of things
Flows through the mind, and rolls its rapid waves,
Now dark—now glittering—now reflecting gloom—
Now lending splendour, where from secret springs”

A

(Shelley) “Mont Blanc”

55
Q

“Then felt I like some watcher of the skies
When a new planet swims into his ken;
Or like stout Cortez, when with eagle eyes
He stared at the Pacific—and all his men
Look’d at each other with a wild surmise—
Silent, upon a peak in Darien.”

A

(Keats) “On First Looking into Chapman’s Homer”

56
Q

“My heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk”

A

(Keats) “Ode to a Nightingale”

57
Q

“Thou still unravish’d bride of quietness,
Thou foster-child of Silence and slow Time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:”

A

(Keats) “Ode on a Grecian Urn”

58
Q

“Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eaves run;”

A

(Keats) “To Autumn”

59
Q

“Bright star, would I were steadfast as thou art—
Not in lone splendour hung aloft the night
And watching, with eternal lids apart,
Like nature’s patient, sleepless Eremite,”

A

(Keats) “Bright Star”

60
Q

“I am a part of all that I have met;
Yet all experience is an arch wherethro’
Gleams that untravell’d world, whose margin fades
For ever and for ever when I move.”

A

(Tennyson) “Ulysses”

61
Q

“Strong Son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;”

A

(Tennyson) In Memoriam (1)

62
Q

“Willows whiten, aspens quiver,
Little breezes dusk and shiver
Thro’ the wave that runs for ever
By the island in the river
Flowing down to Camelot.”

A

(Tennyson) “The Lady of Shalott”

63
Q

“Dark house, by which once more I stand
Here in the long unlovely street,
Doors, where my heart was used to beat
So quickly, waiting for a hand,”

A

(Tennyson) In Memoriam (7)

64
Q

“Are God and Nature then at strife,
That Nature lends such evil dreams?
So careful of the type she seems,
So careless of the single life;”

A

(Tennyson) In Memoriam (55)

65
Q

“So word by word, and line by line,
The dead man touch’d me from the past,
And all at once it seem’d at last
The living soul was flash’d on mine,”

A

(Tennyson) In Memoriam (56)

66
Q

“That’s my last Duchess painted on the wall,
Looking as if she were alive. I call
That piece a wonder, now: Fra Pandolf’s hands
Worked busily a day, and there she stands.”

A

(Browning) “My Last Duchess”

67
Q

“For mark! no sooner was I fairly found
Pledged to the plain, after a pace or two,
Than, pausing to throw backward a last view
O’er the safe road, ‘twas gone; gray plain all round,”

A

(Browning) “Childe Roland to the Dark Tower Came”

68
Q

“Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,”

A

(Arnold) “Dover Beach”

69
Q

“I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.”

A

(Whitman) “Song of Myself”

70
Q

“Flood-tide below me! I watch you face to face;
Clouds of the west! sun there half an hour high! I see you also face to face.”

A

(Whitman) “Crossing Brooklyn Ferry”

71
Q

“Success is counted sweetest
By those who ne’er succeed.
To comprehend a nectar
Requires sorest need.”

A

(Dickinson) “Success is Counted Sweetest”

72
Q

“Vigil strange I kept on the field one night;
When you, my son and my comrade, dropt at my side that day,”

A

(Whitman) “Vigil Strange Kept I on the Field One Night”

73
Q

“There’s a certain Slant of light,
Winter Afternoons –
That oppresses, like the Heft
Of Cathedral Tunes –”

A

(Dickinson) “There’s a Certain Slant of Light”

74
Q

“After great pain, a formal feeling comes –
The Nerves sit ceremonious, like Tombs –
The stiff Heart questions ‘was it He, that bore,’
And ‘Yesterday, or Centuries before’?”

A

(Dickinson) “After Great Pain, a Formal Feeling Comes”

75
Q

“I heard a Fly buzz – when I died –
The Stillness in the Room
Was like the Stillness in the Air –
Between the Heaves of Storm –”

A

(Dickinson) “I Heard a Fly Buzz – When I Died”

76
Q

“Because I could not stop for Death –
He kindly stopped for me –
The Carriage held but just Ourselves –
And Immortality.”

A

(Dickinson) “Because I Could Not Stop for Death”

77
Q

“Tell all the Truth but tell it slant –
Success in Circuit lies
Too bright for our infirm Delight
The Truth’s superb surprise”

A

(Dickinson) “Tell all the Truth but tell it slant”

78
Q

“The world is charged with the grandeur of God.
It will flame out, like shining from shook foil;”

A

(Hopkins) “God’s Grandeur”

79
Q

“I caught this morning morning’s minion, king-
dom of daylight’s dauphin, dapple-dawn-drawn Falcon, in his riding
Of the rolling level underneath him steady air, and striding”

A

(Hopkins) “The Windhover”

80
Q

“Glory be to God for dappled things –
For skies of couple-colour as a brinded cow;
For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches’ wings;”

A

(Hopkins) “Pied Beauty”

81
Q

“Margaret, are you grieving
Over Goldengrove unleaving?
Leaves, like the things of man, you
With your fresh thoughts care for, can you?”

A

(Hopkins) “Spring and Fall”

82
Q

“Had but the cloud the grace to gather rain,
But then it would be happy now again.”

A

(Hardy) “Hap”

83
Q

“At once a voice arose among
The bleak twigs overhead
In a full-hearted evensong
Of joy illimited;”

A

(Hardy) “The Darkling Thrush”

84
Q

“The time you won your town the race
We chaired you through the market-place;
Man and boy stood cheering by,
And home we brought you shoulder-high.”

A

(Housman) “To an Athlete Dying Young”

85
Q

“I have met them at close of day
Coming with vivid faces
From counter or desk among grey
Eighteenth-century houses.”

A

(Yeats) “Easter 1916”

86
Q

“A sudden blow: the great wings beating still
Above the staggering girl, her thighs caressed
By the dark webs, her nape caught in his bill,”

A

(Yeats) “Leda and the Swan”

87
Q

“That is no country for old men. The young
In one another’s arms, birds in the trees,
—Those dying generations—at their song,
The salmon-falls, the mackerel-crowded seas,”

A

(Yeats) “Sailing to Byzantium”

88
Q

“Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,”

A

(Yeats) “The Second Coming”

89
Q

“We sat together at one summer’s end,
That beautiful mild woman, your close friend,
And you and I, and talked of poetry.”

A

(Yeats) “Adam’s Curse”

90
Q

“April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.”

A

(Eliot) “The Waste land”

91
Q

“The winter evening settles down
With smell of steaks in passageways.
Six o’clock.
The burnt-out ends of smoky days.”

A

(Eliot) “Preludes”

92
Q

“A cold coming we had of it,
Just the worst time of the year
For a journey, and such a long journey:
The ways deep and the weather sharp,”

A

(Eliot) “The Journey of the Magi”

93
Q

“Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherized upon a table;”

A

(Eliot) “The Love Song of J. Alfred Prufrock”

94
Q

“When I see birches bend to left and right
Across the lines of straighter darker trees,
I like to think some boy’s been swinging them.”

A

(Frost) “Birches”

95
Q

“I am drowsing off.
I cannot rub the strangeness from my sight
I got from looking through a pane of glass
I skimmed this morning from the drinking trough”

A

(Frost) “After Apple-Picking”

96
Q

“Whose woods these are I think I know.
His house is in the village, though;
He will not see me stopping here
To watch his woods fill up with snow.”

A

(Frost) “Stopping by Woods on a Snowy Evening”

97
Q

“Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.”

A

(Frost) “Nothing Gold Can Stay”

98
Q

“I found a dimpled spider, fat and white,
On a white heal-all, holding up a moth
Like a white piece of rigid satin cloth—
Assorted characters of death and blight”

A

(Frost) “Design”

99
Q

“Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could”

A

(Frost) “The Road Not Taken”

100
Q

“Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice.”

A

(Stevens) “Sunday Morning”

101
Q

“I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.”

A

(Stevens) “Thirteen Ways of Looking at a Blackbird”

102
Q

“She sang beyond the genius of the sea.
The water never formed to mind or voice,
Like a body wholly body, fluttering
Its empty sleeves;”

A

(Stevens) “The Idea of Order at Key West”

103
Q

“One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;
And have been cold a long time”

A

(Stevens) “The Snow Man”

104
Q

“About suffering they were never wrong,
The Old Masters: how well they understood
Its human position: how it takes place
While someone else is eating or opening a window or just walking dully along;”

A

(Auden) “Musee des Beaux Arts”

105
Q

“She looked over his shoulder
For vines and olive trees,
Marble well-governed cities
And ships upon untamed seas,”

A

(Auden) “The Shield of Achilles”

106
Q

“Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.”

A

(Thomas) “Do not Go Gentle into that Good Night”

107
Q

“The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.”

A

(Bishop) “One Art”

108
Q

“Between my finger and my thumb
The squat pen rests; snug as a gun.”

A

(Heaney) “Digging”

109
Q

“The eyes open to a cry of pulleys,
And spirited from sleep, the astounded soul
Hangs for a moment bodiless and simple
As false dawn.”

A

(Wilbur) “Love Calls Us to the Things of this World”

110
Q

“I have eaten
the plums
that were in
the icebox

and which
you were probably
saving
for breakfast

Forgive me
they were delicious
so sweet
and so cold”

A

(Williams) “This is Just to Say”