poetry Flashcards
(61 cards)
What are the typical features of Poetry?
- Brevity
- Overstructuring/Artificiality
- Deviation
- Self-referentiality
- Subjectivity
- Fragile Aesthetic Illusion
Why is defining Poetry so difficult?
- Ancient Genre
- Extremely heterogeneous in form and content
- Criteria have changed over time
definition -> only typical features, generic tendencies, no defining f.
Prototype theory for it!
What are the two types of Brevity?
- Quantitive
- Qualitive
What are the characteristics of Quantitive Brevity?
- reduced length
- short texts
- ‘space-saving code’: vertical structure
- intensified reading experience
- overview of all features
What are the characteristics of Qualitative Brevity?
- reduced content
- little context (on lyrical I)
- fuzzy world building, semantic gaps
- cognitive frames: semantic, prototypical triggers
- Heightend reader activation: filling in the gaps
What are the characteristics to Overstructuring/Artificiality?
- overuse of structure, repetition
- patterning, structure, correspondences/contrasts, similarity,
- order through sameness
- repeated elements establish network of relations, structure, order the meaning
- Order on ALL levels of language (typographical, sound, semantic, aesthetic)
Why does Overstructuring need a different way of reading?
needs a mindful of (formal) details
- Reading poetry: visual and auditive experience (typographical and acoustic information)
Lesen und In-Sich-Hineinsprechen
What is Jakobson’s “Poetic Function”?
- the defining feature of poetry
- deprioritize semantics
- poetry sees words in their linguistic entirety -> all aspects of a word serve a function (stress, syllables, sounds)
- not superficial -> changes the discourse
What is Overstructured Typology?
- ‘shape’ of a poem
- creates expectations
- ‘Verse’: first and last word fixed
- creates additional unit for establishing correspondences
- slows down reading
- draws attention to discourse (self-referentiality)
What is the Overstructured Sound?
- Overstructuring suprasegmental / word& sentence level: stress vs. unstress, metre/rhythm
- Overstructuring phonetic/syllable & sound level: alliteration, assonance, rhyme)
sounds dont mean anything in themselves, effect is determined by poem
What are the characteristics of Deviation?
- Poetry breaks inner- and extratextual rules: inner (rhyme scheme, metre) or extra (grammar, taboos)
- Unpredictability is engaging and creates meaning (reader activation - interest; self-referentiality - attention on discourse level; uniqueness)
example: metaphor
What is Subjectivity?
- personal text/experience
- speaker’s subjective perspective
- speaker is NOT the author (speaker, persona better)
- Overt vs. covert speaker
How do you create Subjectivity?
- 1st person pronoun
- Little info on context
- Emotionality markers
- Individual language use
- Deviation
What are the characteristics of Self-referentiality?
- not just a carrier of meaning
- awareness of constructed-ness of text
- Consequence of overstructuring, deviation, poetic function
What are characteristics of Fragile Aesthetic Illusion?
- Immersion (we know it’s not real but we act like it is)
- Illusion of lyric-world: more sketchy, less immersive bc of static cognitive images, unclear fictional world, distance through deviation (metaphor), focus on form (overstructuring)
But strong speaker illusion! we treat him as if real
Who was Francesco Petrarca?
- lived in 14th century
- Italian poet
- Humanist
- Wrote Sonnet cycle Il Canzoniere (366 poems)
- created the Petracan/Italian sonnet
What is the Story level of the Petracan (Italian) Sonnet?
- courtly love -> unattainable love
- extreme idealisation, praising her perfection
- self-scrutiny, self-definition of the speaker
- Frustration, melancholy, isolation
- Through soul-searching & renunciation
- From erotic love to spiritual love
What is the Discourse Level of the Petracan Sonnet?
- Disciplined structure vs. passionate emotions
- Rhyme scheme: abba abba cdc dcd, octett vs. sestet, volta
- Very artistic, stylised, mannered (no realism)
- Fomulaic e.g. stereotypical ‘blazon’ = description of lady’s assets
What is the Shakespearean (English) Sonnet?
- from Shakespear: 154 sonnets
- arranged in loose cycle
- consists of 3 quartetts, 1 couplet
- iambic pentameter
- argumentative structure
- often a twist in couplet (volta)
argumentative structure: (thesis-antithesis-synthesis; expectation vs. solution; tension vs. solution, claim vs. proof, claim vs. contradiction)
What are the aspects in Shakespeare’s sonnets?
- Characters: poet speaker, ‘dark ‘ lady (representing sexual love), young man (representing spiritual/courtly love), rival poet
- realistic, complex, flawed characters (not stereotypes)
- Themes: immortality of poetry, love in all its aspects
What are the structural levels of lyric text?
- Story level: characters, action, space & time
- Discourse level: external form, suprasegmental level, phonetic level, morphological level, semantic level, communicative level
- special focus on discourse level (overstructuring)
What does the external form consist of?
- Lines (per stanza)
- Number of stanzas
- Number of syllables
- Metre
- Rhyme scheme
- Historically fixed form (ottava rima, sonnet)
stanza: unit of lines, visually marked through typographical spaces
What is the metre?
kind of like the rhythm
- dimeter (two feet)
- trimeter (three feet)
- tetrameter (four)
- pentameter (five)
- hexameter (six)
- no metre = free verse
scan through text, gain feel for rythm (look for content words e.g. noun, verb, adjective), underline ikts (stressed positions) of the natural stress, establish the type of foot, establish number of feet
What are the types of feet?
- Iamb (xx)
- Trochee (xx)
- Dactyl (xxx)
- Anapaest (xxx)
- Spondee (xx)
Iamb: Be-CAUSE, com-PARE, a-RISE
Trochee: MO-ther, FA-ther, TEM-per, E-qual
Dactyl: HEA-ven-ly, MUR-mur-ing, END-less-ly
Anapaest: a-na-PAEST, to the SEA
Spondee: COME HERE, O DARK, CRY, CRY!