Poetry Analysis Flashcards

(56 cards)

1
Q

The Prelude
“huge peak, black and huge”
“huge and mighty forms”

A

the simplicity of the lexis reminds us of his youth and innocence
-the adjectives “black” and “huge” contrast his initial eloquent language, reverting him to a vulnerable child, stricken by fear
-the ability to experience such powerful emotions of awe and terror is something unique to the hypersensitivity of children, Wordsworth suggests they are more connected with the natural environment

repetition of “huge”
-demonstrates an overt loss of eloquence, nature is inexplicable to him now
-it gives the impression of stuttering which could be a physical response to fear and intimidation

the speaker is incabable of articulating what this means or identifying these “forms”
-imbues them with an immaterial and ethereal quality and introduces this sense of spirituality within the poem, nature’s omnipotence becomes almost a spiritual force

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

The Prelude
“troubled pleasure”

A

Wordsworth idealises the perception of the world that is exclusive to childhood
-the oxymoron depicts how childhood permits and unorthodox blending of emotions
-the notion of “troubled pleasure” sets the undertone for the entire poem which combines awe and fear to convey the immense power of nature

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

The Prelude
“(led by her)”

A

suggests that manking underestimates nature’s power

the personification of nature initially presents her as a maternal figure
-within poetry, femininity is often associated with gentleness and beauty
-he is lulled into a sense of security that nature is a compassionate entity
-also and allusion the the concept of ‘Mother Nature’
-humanity is susceptible to being blinded by hubris

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

The Prelude
“glittering idly in the moon”
“elfin pinnace”
“little boat”

A

Wordsworth recalls the events of the poem through a mythical lense
-conveys the experience s fairytale-like
-the rhetoric of magic extends to his perception of the natural environment

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

My Last Duchess
“I gave commands; Then all smiles stopped together.”

A

the use of semicolon gives a sense of finality to the statements and the caesura implies death

the Duke’s insecure and paranoid nature eventually culminates in him committing uxoricide (wife murder)

euphemistic language/euphemism suggests that she was killed
-also demonstrates the Duke’s abuse of power but also his cowardice as he lacks the courage to do the heinous deed himself

“I gave commands” suggests she was killed on request

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

My Last Duchess
“I choose Never to stoop.”

A

shows his pride and demonstrates his narcissistic and patriarchal value system
-he feels arguing with a woman to be beneath him
-because he views himself as superior to her and feels that she lacks the intellectual facilities to undertand him

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

My Last Duchess
Start: “Fra Pandolf’s hands”
End: “Claus of Innsbruck”

A

circular structure

Start:
-making an allusion to a famous artist of the time
-suggests that he values the name of the artists more than the Duchess it is a painting of

End:
-similar to the start, another allusion of another famous artists to show off his wealth and power
-shows how quickly he forgets about his dead wife who he previosly claimed to be devoted to
-ironic as he has just been talking about how devoted he will be to his new wife

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

My Last Duchess
“that spot of joy”

A

repetition
-shows his wife’s blushes bother him
-implies that people believed it was not only him that could make her happy (though he couldn’t)

“spot” is a pun between a mark, showing her face had some joy in it, and a spot as in a small amount, implying she was not happy
-hints he was jealous

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

The Charge of the Light Brigade
“Storm’d as with shot and shell”

A

sibilance emphasises the swiftness of the charge and the idea of ammunition flying towards them

harsh plosives ‘t’ and ‘d’ to show the repetitive pain of the soldiers in the belligerent war
-this creates a harsh painful sound on the ears to impress the pain of war upon the reader

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

The Charge of the Light Brigade
“horse and hero fell”

A

euphemistic language to avoid criticising the higher powers and avoiding portraying the true nature of war
-he avoids the barbaric truth
-alliteration also emphasises the continuous nature of the massacre

glorifies the men to make them seem more like symbols of bravery than real humans

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

The Charge of the Light Brigade
“Some one had blunder’d”

A

the ambiguity in the usage of the word “someone” shows how there was a profound lack of accountability for the massacre, with those in power not being held accountable for their actions
-also shows how Tennyson was unable to criticise the aristocracy as freely as he would have liked

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

The Charge of the Light Brigade
“rode the six hundred”

A

epistrophe/epiphora (repitition at end of stanza)
-emphasises the soldier’s heroism as the end of every stanza
-Tennyson lists the dangers and perils that they face but always ends by emphasising the soldier’s valour

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Storm on the Island
“spits like a tame cat turned savage”

A

simile - the poet uses a very familiar image to describe something that is powerful and majestic, this undermines the strength of the weather, suggesting it is only scary is we choose to let it

throughout the poem the personification shifts to zoomorphism
-this could highlight how nature could be deceptve with its apparent beauty or innocence but in fact it has the capacity for violence and brutality

the juxatposition of “tame” and “savage” is used to portray the mercurial (unpredictable) nature of the storm

the alliterative ‘t’ sound mimics the sound of water hitting the islander’s homes
-the poet plays on the readers senses to immerse them within the storm and convey how overwhelming it can be

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

Storm on the Island
title

A

the title is an allusion to ‘Stormont’ the government building of Northern Island
-this a suggestion that laced beneath the natural imagery of the poem there are political undertones

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Storm on the Island
“pummels”, “bombarded”, “space is salvo”

A

semantic field of battle
-lexis relating to military violence could indicate that is more political that we might initially expect
-Heaney could be writing about the fear that overwhelms a community when violence is on the horizon, like an incoming storm

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Storm on the Island
“company”

A

there is a sense thar he feels betryed by nature
-there is repetition of the noun “company” to establish the myth that nature is mankind’s friend
-shows that the typically celebrated beauty of nature can be misleading

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

Bayonet Charge
“suddenly he awoke and was running”

A

in media res
-unpredictable, chaotic

“awoke”, startled disorientated

“he”, remains nameless as this is the experience of many

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

Bayonet Charge
“king, honour, human dignity, etcetera”

A

listing of key motivations to go to war, undermined by “ectcetera”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

Bayonet Charge
“his terror’s touchy dynamite”

A

metaphor, he became a weapon rather than a human being

consonance of ‘t’ sounds, emphasises adrenaline

we don’t know how it ends, which mirrors the sense of uncertaincy at the start of the poem

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
20
Q

Bayonet Charge
“cold clockwork”

A

he is insignificant

harsh alliterative consonants
-emphasises the mechanical and emotionless nature of war

“clockwork”, war will keepp going regardless of what happens around them

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
21
Q

Remains
“probably armed, possibly not”

A

repition shows how he is still wracked with doubt and guilt

cyclical structure shows how he keeps coming back to this doubt, his guilt is the crux of his suffering

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
22
Q

Remains
“Then I’m on leave. But I blink”

A

caesure, highlights the discordant nature of the soldiers mindset

demonstrates that despite the fact that the soldier is on leave, he still sees what happened every time he blinks

“but” implies that there is always more, his suffering is never truly over

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
23
Q

Remains
“three of a kind”
“all of the same mind”

A

war causes soldiers to lose their humanity
shows how they are all conditioned to be the same

“three of a kind” could also be refering to Poker, showing how these events may be just a game to the soldiers

“a kind” demonstrates how war has stolen all individuality and uniqueness from them as there is nothing to separate them now

24
Q

Poppies
“sellotape bandaged around my hand”

A

imagery of a domestic act
“bandaged” allusion to injury
-stems from her anxiety of him being wounded in war
-alternatively, emotional injuries, “bandaged” herself to cope

a “bandage” is merely a temporary cover, it does not heal wounds thus it is only superficial protection

25
Poppies "blazer"
there is an extended metaphor throughout the poem which parallels the notion of going to war with a comparatively mundane departure of leaving for school -this is made apparent through the noun "blazer" which in this sense represents military uniform however it would more commonly be associated with school uniform Wier translates the loss of losing a child to battle into an experience her readership would more easily be able to relate to, stronger empathy
26
Poppies "released a song bird from its cage"
the image of a "songbird" is a common trope of poetry as birdsong is poetic the act of "releasing a songbird from it cage" is seemingly unorthodox which exposes it as metaphorical -the mother is perhaps trying to assuge her emotions -she finds this as a cathartic act which frees her anxiety and fears
27
Poppies "dove"
the motif of the "dove" is a symbol of peace it advertises an alternative to the suffering and conflict of warfare which the mother chases and yearns for
28
War Photographer "a hundred agonies in black and white"
emotive metaphor -shows what these photographs represent for the photographer (pain and suffering) noun "agonies" is used as a metonym for the photographs -we see the juxtaposition between how the photographer and the western world viwes them "black and white", morality of war
29
War Photographer "all flesh is grass"
biblical reference, explains the transience of human life -critiques how in times of conflict the gravitas of individual deaths is reduced the bodies are referred to through the noun "flesh" -dehumanises and collectivises them, they are not recognised as individual people
30
War Photographer "spools of suffering set out in ordered rows"
metaphor, creates imagery of war graves paradoxical that the chaotic suffering of war is wielded into an ordered form sibilance is a metaphor for the ways in which the agonies of war were silenced as the 's' sound is reminiscent of whispering
31
War Photographer "church", "priest", "Mass"
extended dichotomy between religion and violence -represents the distance between the war zones and England -exposes Christian peace values that let the suffering happen semantic of field of religion harshly juxtaposes the rhetoric of war created by verbs such as "explode". "tremble" and "twist" photographers mirror a Priest at a funeral
32
Tissue "paper that lets the light shine through"
"light" could be referring to enlightenment and truth -showing how the world should be viewed through this lens and not focused on acquiring more power is paper is a conceit for human power -it depcits how despite man-kinds infatuation with power, compassion, benevolence and love are sometimes able to "shine through"
33
Tissue "fall away on a sigh"
metaphor of buildings -showing how even the most iron clad of beliefs that mankind holds should be adaptable and evolve with time
34
Tissue "borders" "paper slips" "maps" "Koran"
Dharker uses the things that humans put on paper to illustrate what humans are passionate about and as a result what causes divide shows how the things that humans use to illustrate power are the same things that lead to disunity and division
35
Tissue "fly our lives like paper kites"
tissue and thus human power have the ability to change the world illustrates how despite the insignificance and frail nature of paper, it is still able to impact lives
36
London "chartered Thames"
"Thames", which are naturally free flowing have become "chartered" connoting restriction -scathing of the sheer control the authorities have -the oppression is so powerful that even nature is not exempt from its detrimental imoact -this links back to the tropes of Romantic poetry, centralising their poetry around nature -the awe-inspiring sublimity of nature is being tainted through political corruptness
37
London "in every infant's cry of fear" "new-born infant's tear"
oxymoronic as "infant" connotes innocence but "fear" connotes terror -these juxtaposing images show how the innocence of youth has been corrupted and stolen as they have already been tainted by this exploitative setting, reinforcing the bleak pessimistic tone -not even "infants" are exempt from this corruption -motif of fear and distress is depicted through the youth
38
London "black'ning church appalls"
literally, the church has been covered in soot because of the industrial revolution symbolically, "black'ning" connotes staining -implies how the establishment of the church is tainting and staining the true meaning of religion Blake is not criticising religion, as he is religious himself, but is criticising the corruptness that pervaded an establishment set to act in the 'name of God'
39
London "chartered" "mark"
semantic field of oppression "chartered" also refers to rights and privileges -Blake is implicity highlighting how this restriction derives from those who are privileged -their privileges enable them to oppress the lower classes for their own benefit
40
Kamikaze "fishing boats strung out like bunting"
simile ironic as "bunting" has traditional connotations of celebration -propaganda distorted people's beliefs, death and suicide became an act to be celebrated
41
Kamikaze "figure of eight" "fishes flashing silver"
infinity symbol, symbolic of the repetitive cycle of feeling trapped by his destiny the fish represent the aircraft, the flash of silver is a metaphor for their honour and glory
42
Kamikaze "like a huge flag"
describes the movement of the fish simile with a dual meaning could be an allusion to the flag of Japan -even nature is viewed through a patriotic lens -patriosm conducted their entire world view and society were marionettes of tradional socio-political beliefs the waving of a flag is reminiscent of an act of surrender -this dichotomy of meaning explores the pilot's internal divisions
43
Exposure "less deadly than the air that shudders black with snow"
directly constrasts battle with weather colour imagery used for the adjective "black" -connotes death and finality -reinforces that even nature has been kissed by death
44
Exposure "dawn massing in the East her melancholy army"
juxtaposes traditional views of Mother Nature as nurturing with the brutality and systematic voilence of an army ironic as "dawn" is tradionally seen as a symbol for new beginning and change but there is no such change in sight for the soldiers
45
Exposure "snow-dazed" "sun-dozed"
passage of time and changing seasons contrasted by the stagnation of the soldier's positions, with nothing changing even as time goes on "sun", spring, new beginnings -no new beginning or respite for the soldiers -shows their suffering transcends the seasons
46
Exposure "on us the doors are closed"
metaphor shows how people back home have ignored their plight "closed" creates and idea of finality -the ending of their life is final, and their fate is sealed
47
The Emigree "sunlight" "it tastes of sunlight" "branded by an impression of sunlight"
extended metaphor throughout the poem -emblematic of the warmth and comfort she associates with her city of birth epistrophe, each stanze ends with "sunlight" -charactetises "sunlight" as an irrepressible force which will break through despite anguish and tyranny synaesthesia, "it tastes of sunlight" -depicts how strong her memories are as they encompass all her senses "branded by an impression of sunlight" juxtaposes speaker's positive romanticised view with reality verb "branded" has connotations of agression and pain
48
The Emigree "my city takes me dancing" "I comb its hair"
extended metaphor of past city as a lover -she has romanticised the memory of her city
49
The Emigree "there once was a country"
allusion to fantasy temporal phrase which is reminiscent of a fairy-tale -imbues the text with a childlike sense of fantasy -perception of her past home is gripped by a fantastical and imaginative quality -could lead us to question the realiability the excessive use of figurative language throughout the poem reinforces how the city she remembers is now very much theoretical and not real
50
Checking Out Me History "bandage up me eye to my own history/ Blind me to my own identity"
dichotomy and juxtaposition between vision and blindness metaphor, oppressive education system is responsible "bandage", connotations of a wound -British education system is trying to 'heal' their colonies providing them with a distorted view of history
51
Checking Out Me History "beacon de Haitain Revolution" "healing star"
motif of light to idealise refernces to black history literary trope of light as a source of guidance or hope -historical figures carved out a passge to freedom -or could be these figures coming out of the shadows
52
Checking Out Me History Historical references Mary Seacole "healing star" "yellow sunrise" "1066 and all dat"
Mary Seaciole, natural imagery, angelic qualitites -Nightingale ony has a "lamp" "1066 and all dat", reference to the Battle of Hastings coloquialism -colloquial tone alomst derides (redicules) how important this moment of British history is perceived to be "all dat" casts over the details of the event -suggesting that they are not worth acknowledging -or Agard's strggle remembering the info as to him it is arbitrary as it is not relevant to his own culture and identity
53
Ozymandias "Look on my works, ye Mighty, and despair! / Nothing beside remains."
imperative verb "despair" -even after death Ozymandias still sees himself as worthy of commanding people -irony as it is Ozymanidias who would despair upon the realisation that his works have not withstood the test of time bathos (anti-climax) between the two lines -criticises the fickle nature of power -contrast between "works" and "nothing beside remains" describing the desolate desert shows how regardless the magnitude of power, it is not sempiternal (forever-lasting)
54
Ozymandias "visage"
irony that the king had so much pride and vanity in his appearance and "visage", that he ordered it to be encapsulated in a statue which instead captured his cruelty and indifference
55
Ozymandias "sneer of cold command" "lifeless"
Ozymandias' hubris could be seen as the reason for his eventual downfall, with the only reminder of his lust for power being the "lifeless" statue left behind after his reign -this description of the statue is contrasted when the statue is personified and described as having a "sneer of cold command" -the personification may be suggesting that despite all of Ozymandias' opulence (great wealth) and might, the only sentiments that survive from his reign are damaging and destructive -Shelley berates (criticises) those in power for their beliefs that power would last forever
56
Ozymandias "boundless and bare" "lone and level"
alliteration emphasises the vast and mighty extent of nature -shows the futility of human power