Poetry- W.B Yeats Flashcards
(176 cards)
Context of ‘The Stolen Child’
- From ‘Crossways’ 1889
- Yeats was twenty-one at the time, at the beginning of his career; it celebrates the Irish stories which his mother loved.
- The poem progresses as a journey through the country, around the town of Sligo, in Ireland. This is where Yeats spent his youth, as it is his mother’s hometown.
Overall Message of ‘The Stolen Child’? (3)
-The loss of innocence- of the poet, and of Ireland- wants Ireland to return to the seemingly idyllic way it was but sees that this is unachievable and just a fantasy, like the island
→ Final stanza: rather than idealise for a way back to a previous Ireland, he seeks acceptance of the current state and searches for compromise
→ The elusiveness and misconceptions created by poetry and romanticism: The child was enticed to the island by poetry but it is all just a façade; lots of imagery that has underlying connotations of danger (and Yeats was one of the main poets to bring about the shift from romanticism to modernism)!
How does WB Yeats display that the island is a fantasy world and separate to the real world in ‘The Stolen Child’? (2)
- “Where dips the rocky highland”- The land is separated from the real world and is just a fantasy
- “Wandering water gushes”- The glide alliteration of “w” sounds emphasises a sense of freedom in the land whilst the use of apophasis subtly highlights how the island is surrounded by water and there is not the freedom to return to the real world!
How does WB Yeats display the transition between the real and fairy world in ‘The Stolen Child’?
- Semantic field to do with mixing between the two worlds and the transition: “Where the wave of moonlight glosses the dim grey sand with light” – Juxtaposition of “wave” and “moonlight” on either sides of the Earth (above and below us) as well as the chiaroscuro of “dim grey” and “light”
- “mingling hands and mingling glances” has repetition of “mingling” which emphasises the “mingling” between the two worlds. This line is in TETRAMETRE in comparison to the poem that is predominantly IAMBIC to display how the faeries disturb the previous metre of the poem and thus it is implied they have negative influence
How does WB Yeats display the underlying danger of the fairy island in ‘The Stolen Child’? (7)
- “Flapping herons wake/ the drowsy water rat”- The seemingly idyllic image of herons wakes up Yeats to the immediate dangers of this fantasy- the “rat” has been awoken (emphasised by enjambment). Onomatopoeia of “flapping” emphasises this awakening in contrast to the typically poetic words.
- “There we’ve hid our faery vats”- the mischief and misleading nature of the faeries
-“Far off by furthest Rosses”- Heavy alliteration in this line beginning with fricative “f” sounds and becoming sibilant: foreshadowing the poem as a whole, which begins lightly and softly but underlying fears and dangers become more apparent as we go along.
“Far off” also displays the distance of this idea from reality and “from Rosses” displays the distance of this world from modern Ireland (“Rosses is a region in Ireland”) – how there’s no going back to old Ireland
-“Chase the frothy bubbles”/ “full of troubles”- The rhyme of these two lines emphasises how although coming of age leads to greater freedom (“chasing bubbles”), the real world that you grow into is “full of troubles”
- “We seek for slumbering trout/ And whispering in their ears/ Give them unquiet dreams:”- enjambment builds up tension to the outcome of the terror of “unquiet dreams”.
- ->“unquiet” juxtaposes the softness associated with “dreams” whilst also acts as an antithesis to “slumbering” and “whispering” whilst emphasising the misleading kindness of the faeries
- “unquiet dreams;” – the semi colon acts almost as an aposiopesis as WBY almost cuts off as he finally explicitly accentuates the danger of the faeries
- “Away with us he’s going”- No choice in the development of a child: we are all forced to grow up and abandon our innocence at some point
How does WB Yeats link the image of the fairy island to Ireland in ‘The Stolen Child’?
“He’ll hear no more the lowing/ Of the calves on the warm hillside/ Or the kettle on the hob/ Sing peace into his breast, / Or see the brown mice bob/ Round and round the oatmeal chest”
-A return in time would lose us key practical things that we need now; the practical disadvantages of aiming to maintain our innocence and youth.
Whilst many natural elements still remain; they are just intermingled amongst the man-made goods eg. “calves on the warm hillside” and “ brown mice” – emphasises the compromise that WBY is forced to make in accepting his current state- links to modern and past Ireland
How does the refrain of ‘The Stolen Child’ help to emphasise it’s themes? (5)
-“Come away, O human child!”- “Come away” appears more of a command than a question, thus forcing the child to go through the inevitable loss of innocence that occurs in every life
-“O human child!” – the use of apostrophe “O” directs the statement to the reader who becomes the “human child” in this case and is thus shown the dangers of returning to the past
“human child” separates the reader (the “human”) from the position of the “faeries”
- “To the waters and the wild” emphasises both the freedom and the dangers associated with development (“waters” and “wild”)
- “For the worlds more full of weeping than you can understand”- WBY encourages the youth to savour their childhood as they are too young to “understand” the danger and pain (“weeping”) that is also in the real world
The alliteration of the “w” glide creates an enticing and poetic temptation for the child to go with the faeries- WBY uses this to emphasise the danger of poetry and the artificial and misleading enticement it creates.
How does the last refrain of ‘The Stolen Child’ help to get it’s themes across? (1)
The final refrain has a different first line in that “come away” is replaced with “he comes”- this emphasises how the faeries have been successful in enticing someone to their mystic world, despite it’s dangers and hence why WBY is warning the reader of it’s danger!
What is the form of ‘The Stolen Child’ and how does this add to it’s themes?
Ballad form creates a lyrical and enticing feel to the poem, highlighting it’s poetic form and thus adds to WBY’s warning of the dangers of the poetic faeries and the idyllic, poetic calls of innocence and a past Ireland
What is the rhyme scheme of ‘The Stolen Child’ and how does it add to the themes of the poem?
ABABCC repeated throughout the poem emphasises how WBY decides and is tempted by both the real and faery world throughout the poem but in the end accepts the compromise he finds as he realises although he wants to change Ireland, and his own life, he cannot do it through a return to youth of himself or Ireland.
What is the rhythm of ‘The Stolen Child’ and how does this add to the themes of the poem?
Predominantly iambic: the contrast of stressed and unstressed syllables also emphasises the decision between the real and fairy world, whilst adding the lyrical feel of the poem.
What is the context of ‘September 1913’? (3)
- From Responsibilities, 1914
- In response to the Dublin Lock out- the largest ever Irish industrial dispute which was between 20,000 workers and 300 employers and took place from August 1913 to January 1914 and was concerning the workers desire for unionisation (ITGWN trade union) which was illegal at the time
- Also in response to the Hugh Lane Bequest after the majority of Irish people had disagreed with the movement of a number of expensive, modern art pieces to Ireland as they were considered decadent trash
What are the overall messages of ‘September 1913’? (4)
- Yeats wants Ireland to have pride and not to die for violent causes
- Wants the Irish people to forget about their devotion to money or religion and unite with the common cause of Irish independence, but through democratic methods
- Lambasts modern Ireland and its lack of romanticism- deifies those who have died in the past; and wishes people were more like them
- WBY is particularly scathing of the Irish middle class and catholic bourgeoisie
How does WBY emphasise the importance of money to people, rather than Irish independence, in ‘September 1913’? (2)
-“fumble in a greasy till’- people are gaining so much money they have to grease their cash registers: WBY questions the priorities of the people
- “add the halfpence to the pence”- People priorities lie in money rather than in pride of Ireland.
- ->In Irish mythology, Irishmen had to pay a halfpenny to enter the after-life: WBY suggests that the people are saving so much; they are beginning to save for death!
How does WBY emphasise the importance of religion to people, rather than Irish independence in ‘September 1913’? (2)
- “And prayer to shivering prayer”: the effect of prayers are now wearing off and becoming increasingly thin, causing “shivering”. The use of “And” adds the feeling of a rant to the poem as Yeats uses syndetic listing (“But fumble in a greasy till/ And add the halfpence to the pence/ And prayer to shivering prayer”
- “But little time had they to pray”- WBY satirises modern Ireland’s catholic bourgeoisie in comparison to the heroes of Ireland’s past
“For men were born to pray and save:”- Ironic as Ireland have become boring and anti-romantic- all they care about is praying and saving up money OR “save” could be used to mean “save” Ireland and the Irish people, and he’s saying that rather than just “praying”, people should set about saving Ireland and the Irish people
How does WBY emphasise that the life of Ireland has been sucked away and removed in ‘September 1913’?
- “You have dried the marrow from the bone?”- The life and soul of Ireland has been sucked away by the British values of wealth and religion (Napoleon called the British a “nation of shopkeepers”)
- “And what, God help us, could they save?”- WBY again satirises the Irish dependence on God, and question- due to this dependence, and a general lack of romanticism- what did the heroes of Irish past really have to save? (Also has subtle pun of ‘saving’ money)
-“For this that all that blood was shed,/ For this Edward Fitzgerald died, And Robert Emmet and Wolfe Tone”- The use of syndetic listing emphasises WBY’s anger at the current state of Ireland given the sacrifice of Fitzgerald, Emmet and Tone.
The word “this” is stressed to emphasise Yeats’ disgust that the heroes died for “this” Ireland
How does WBY display the difference between the Irish heroes and the modern Irish people in ‘September 1913’?
- “Yet they were of a different kind”- These people that WBY is about to speak of were different from the people now- “kind” suggests that the people that Ireland are producing has changed and the race or “kind” is now also “different”
- “The names that stilled your childish play”- These people have been around for so long they were household names and legends even when the current generation were children AND the current actions of the Irish is “childish” in comparison to the magnificent actions of the heroes of the past
- “They have gone about the world like wind”- Not only are these heroes well known but they are Romantic heroes and have become part of the nature of Ireland- part of the “wind”
How does WBY illustrate the futility of modern Ireland in ‘September 1913’? (3)
-“Was it for this the wild geese spread/ The grey wing upon every tide; ”- “wild geese” was an Irish colloquial term for the Irish soldiers who travelled away to fight for European armies- as the Irish soldiers went to fight in WW1 despite Ireland not being involved in the war
“grey wing” has both words stressed to emphasise the feeling of flight or soaring and thus accentuate WBY’s feeling of the loss of Irish troops
-“For this that all that blood was shed,/ For this Edward Fitzgerald died, And Robert Emmet and Wolfe Tone”- The use of syndetic listing emphasises WBY’s anger at the current state of Ireland given the sacrifice of Fitzgerald, Emmet and Tone.
The word “this” is stressed to emphasise Yeats’ disgust that the heroes died for “this” Ireland
-“All that delirium of the brave?” – WBY questions the motives of the “brave” revolutionaries
“delirium” also questions whether the brave were just mad and wouldn’t have rationally done what they did OR that this “delirium” was the sort of Romantic ideal that Irish people lack today OR that the bravery of the revolutionaries is only considered a result of “delirium” now Yeats has witnessed what they were fighting for.
What is the reference to Cathleen ni Hoolihan in ‘September 1913’ and what is the significance of this?
- “Yet could we turn the years again, / And call those exiles as they were / In all their loneliness and pain, / You’d cry, ‘some woman’s yellow hair / Has maddened every mother’s son:’ ”
- ->“Exiles” and “loneliness” emphasises the romanticism of the heroes in comparison to their modern compatriots
- ->Yeats highlights how the people of today cannot connect with the heroes of the past as they claim that the heroes have been “maddened”
-The allusion to Kathleen ni Hoolihan in “some woman’s yellow hair” is a play by WBY about the spirit of Ireland Kathleen ni Hoolihan, who had blonde hair, and encouraged men to go out and fight.
“yellow” satirises the blonde hair and emphasises the overreaction of the people to any form of artistic expression and romanticism, whilst WBY emphasises the Irish people’s fear of truly standing up for anything important in their country
-Link to ‘The Man and the Echo’ in
“Did that play of mine send out
Certain men the English shot?”
What is the refrain of ‘September 1913’ and how does it emphasise the themes of the poem?
“Romantic Ireland’s dead and gone, / It’s with O’leary in the grave”
-WBY emphasises how he feels Ireland has lost its romanticism and has lost it’s priorities of what is important.
WBY highlights how since all the remains of a Romantic Ireland lies with O’leary- one of the revolutionaries- in the grave.
What is the final refrain of ‘September 1913’ and how does it emphasise the themes of the poem?
- Final refrain: “But let them be, they’re dead and gone, / They’re with O’leary in the grave.”
- WBY feels he has no choice but to leave Ireland be as he can not overcome the masses on his own; after all, all he believes Ireland stood for is now in the grave- WBY attempts to make Irish readers feel guilty for their lack of action.
What is the rhyme scheme of ‘September 1913’ and how does it illustrate the themes of the poem?
Constant ABAB rhyme scheme helps to exemplify the tone of a rant that WBY is trying to get across and helps to emphasise the last word of each line, thus creating emphatic positioning of words such as “pray”, “save”, “grave” etc.
How does the structure and form of ‘September 1913’ accentuate the themes of the poem?
Fixed, clean structure emphasises WBY clear and fixed intent in the poem. Also helps to satirise how Yeats thinks the reader will enjoy a simpler, less experimental literature.
What is the context of ‘An Irish Airman Foresees His Death’? (2)
- From the Wild Swans at Coole, 1919, following the end of WWI in 1918
- Supposedly narrated by Robert Gregory- the son of Lady Gregory, a close friend of WBY- who had died fighting in WWI despite Ireland not being involved in the war