POINTERS TO REVIEW Flashcards

(90 cards)

1
Q

Stands for GAWAD SA MANLILIKHA NG BAYAN (National Living Treasures).

A

GAMABA

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2
Q

In what year did the National Commission on Culture and therefore the Arts (NCCA) began selecting and honoring recipients of the National Living Treasures Award?

A

1992

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3
Q

It is based on indigenous people’s cultures that are largely honed by oral tradition. It finds deep affinities with nature, place, society, ritual, spirituality, and everyday life.

A

Traditional art

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4
Q

Forms and expressions do not
normally end up as objects distanced from everyday living.

A

Traditional integrative art

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5
Q

strips of rattan

A

uway

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6
Q

fern

A

nito

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7
Q

Who shared his knowledge and skills in making the Tabungaw hat
at San Quintin National High School and inspires the youth to value tradition and to ensure its preservation?

A

Teofilo Garcia

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8
Q

It refers to an art produced in the present period that reflects the current culture by utilizing classical techniques in drawing, painting, and sculpting.

A

contemporary-traditional art

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9
Q

Means to express human emotions and experiences.

A

forms of fine art

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10
Q

Was established in ____ through Republic Act No. 7355 until ____.

A

1992 until 2012

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11
Q

There were ________ finest folk artists of the land who have received this distinction for their dedication in creating the craft, using skills, and indigenous methods and materials.

A

Thirteen (13)

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12
Q

The _________ are the people who have adopted a program that will ensure the transfer of their skills to others.

A

GAMABA Awardees

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13
Q

A Yakan of Lamitan, Basilan was awarded for his dexterity in playing Yakan musical instruments such as the kwintangan, gabbang, agung, kwintangan kayu, tuntungan among others.

A

UWANG AHADAS

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14
Q

Based in Pinili, Ilocos Norte, took up weaving when she was 16, guided by her aunt’s patterns.

A

MAGDALENA GAMAYO

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15
Q

Is an artist from Apalit, Pampanga who has dedicated his life to creating religious and secular art in silver, bronze, and wood.

A

EDUARDO MUTUC

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16
Q

A T’boli of Lake Sebu, South Cotabato, was awarded for weaving the abaca ikat cloth called t’nalak.

A

LANG DULAY

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17
Q

A Maguindanaon of Mamasapano, Maguindanao. He was awarded for his outstanding artistry and dedication to his chosen instrument, the Magindanao kutyapi. Kutyapi is a two-stringed plucked lute, regarded as one of the most technically demanding and difficult to master among Filipino traditional.

A

SAMAON SULAIMAN

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18
Q

Is recognized as a master mat weaver among the Sama indigenous community for her unique designs, straightness of her edging (tabig), and fineness of her sasa and kima-kima.

A

HAJA AMINA APPI

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19
Q

Is a Sulod-Bukidnon epic chanter from kalinog, Iloilo who ceaselessly works for the documentation of the oral literature, particularly the epics, of his people.

A

FEDERICO CABALLERO

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20
Q

A Hanunuo Mangyan of Mansalay, Oriental Mindoro. Awarded for faithfully preserving the Hanunuo Mangyan script and Ambahan poetry.

A

GINAW BILOG

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21
Q

A GAMABA awrdee of Tagabawa Bagobo of Bansalan, Davao del Sur. She was awarded for fully demonstrating the creative and expressive aspects of the Bagobo abaca ikat weaving called Inabal at a time when such art is threatened with extinction.

A

SALINTA MONON

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22
Q

A GAMABA awardee of barangay Parang, Jolo Island, Sulu province. Has preserved the art of Pis Syabit weaving. It is difficult art of tapestry weaving that creates the traditional squares used by the Tausug for ornamentation.

A

DARHATA SAWABI

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23
Q

A GAMABA awardee of San Quintin Abra who have discovered and popularized the durable Tabungaw hat out of enlarged upo or gourd.

A

TEOFILO GARCIA

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24
Q

A Kalinga of Lubuagan, Kalinga was awarded for his mastery of the Kalinga dance and the performing arts.

A

ALONZO SACLAG

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25
Is a prolific and pre-eminent epic chanter and story teller recognized for his outstanding mastery of various traditional musical instruments of the Palawan people such as basal, kulilal and bagit.
MASINO INTARAY
26
Is the highest national recognition given to Filipino individuals who have made significant contributions to the development of Philippine arts.
Order of National Artist (ONA) [Orden ng Pambansang Alagad ng Sining]
27
What is NCCA stands for?
National Commission for Culture and the Arts
28
What is CCP stands for?
Cultural Center of the Philippines
29
Is a pioneer and innovator in Philippine architecture. His greatest contribution is espousing architecture reflective of Philippine traditions and culture. He has integrated strength, function, and beauty in the buildings that are the country's heritage today.
JUAN F. NAKPIL
30
He pioneered modern Philippine architecture. His basic design is grounded on simplicity, no clutter. Clean, smooth lines and curves, are made integral to the structure. Every line must have a meaning, a purpose. For him, function comes first before elegance or form.
PABLO S. ANTONIO
31
He has reshaped the urban landscape with a distinctive architecture reflective of Philippine Art and Culture.
LEANDRO V. LOCSIN
32
Distinguished himself by pioneering the practice of landscape architecture. He produced exemplary and engaging work with a wide range of outdoor settings that have enhanced contemporary Filipino life.
ILDEFONSO P. SANTOS, JR
33
Singlehandedly revived the forgotten art of mural painting. He turned fragments of the historic past into vivid records of the legendary courage of the ancestors of his race.
CARLOS "BOTONG" FRANCISCO
34
The first National Artist awardee. He was titled “Grand Old Man of Philippine Art” was bestowed on Amorsolo when the Manila Hilton inaugurated its art center on January 23, 1969, with an exhibit of a selection of his works.
FERNANDO C. AMORSOLO
35
He’s a product of the Revival period in Philippine sculptural art. The UP Oblation, his obra, became the symbol of freedom and offering of one’s dignity, patriotism and service.
GUILLERMO ESTRELLA TOLENTINO
36
Is the Father of Modern Philippine Sculpture, who has helped shape the local sculpture scene utilizing almost all kinds of materials.
NAPOLEON V. ABUEVA
37
Is remembered for his singular achievement of refining cubism in the Philippine context.
CESAR LEGASPI
38
For all his more than 60 years of architecture life, Arc. Bobby Mañosa designed Filipino. From the 1960s in his landmark design of the Sulo Hotel until his retirement about 2015, he courageously and passionately created original Filipino forms, spaces with intricate and refined details.
FRANCISCO T. MANOSA
39
A director for theater and film, has the distinction of being called “The Boy Wonder of Philippine Movies” as early as 1939.
LAMBERTO V. AVELLANA
40
Catalino “Lino” Ortiz Brocka, director for film and broadcast arts, espoused the term “freedom of expression” in the Philippine Constitution.
LINO BROCKA
41
Ishmael Bernal was a filmmaker of the first order and one of the very few who can be truly called a maestro. Critics have hailed him as “the genius of Philippine cinema.”
ISHMAEL BERNAL
42
Was a cultural icon of tremendous audience impact and cinema artist and craftsman–as actor, director, writer and producer.
FERNANDO POE, JR.
43
His debut film, Mababangong Bangungot (1977), was praised by critics and filmmakers from Europe, North America, Asia, and Africa and is still considered by many as a pioneering postcolonial essay film.
KIDLAT TAHIMIK
44
Francisco Arcellana, writer, poet, essayist, critic, journalist, and teacher is one of the most important progenitors of the modern Filipino short story in English.
FRANCISCO ARCELLANA
45
This Bulakeña began her research on folk dances in the 1920s making trips to remote barrios in Central and Northern Luzon.
FRANCISCA REYES AQUINO
46
Through these ______, the artists express and communicate feelings and ideas.
Materials
47
Uses metal, wood, stone, clay and glass.
Sculpture
48
Uses wood, bamboo, bricks, stone, concrete and various building materials.
Architect
49
Uses pigments (eg. watercolor, oil, tempera, textile paint, acrylic, ink, etc.) on a usually flat ground (wood, canvas, paper, stone wall such as in a cave painting.
Painter
50
Uses ink printed or transferred on a surface (wood, metal, plates, or silk screen that is in keeping with a duplicating o reproducing process.
Printmaker
51
Uses sound and instruments (including the human voice) A T’boli chanter sings creation stories in a way that is different from a classical singer or pop singer influenced by the Western music scale.
Musician
52
Uses body and its movements. Dance is often accompanied by music, but there are dances that do not rely on musical accompaniment to be realized.
Dancer
53
Integrates all the arts and uses stage, production design, performance elements and script to enable the visual, musical, dance and other aspects to come together as a whole work.
Theater artist
54
Use the camera to record the outside world. The film maker uses cinematographic camera to record and put together production design, sound engineering, performance, and screenplay.
The photographer and film maker
55
Novel, Poetry, Nonfiction and Fiction uses words.
Writer
56
The performance artist, and the installation artist combine use of the range of different materials.
Designer
57
Belongs to banana family. Its fibers have a natural luster with colors ranging from pure white to ivory and dark brown.
Abaca
58
Is used in creating many products. It is used in construction, textile, musical instruments and many more.
Bamboo
59
Is extracted from matured leaves of buri palm. The fiber is durable and resistant to moisture.
Buri
60
Are translucent to allow light to pass through, but still allow privacy.
Capiz shells
61
Belongs to the palm family.
Rattan
62
Hard exoskeleton of marine mollusks such as snails, bivalves, and chitons that serves to protect and support their bodies. This material is usually used in making ornaments and house decorations.
Sea Shells
63
The manner in which artist use and manipulate materials to achieve the desire.
Technique
64
A technique of shaping liquid or pliable material such as clay.
Molding
65
A method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth.
Fabric Weaving
66
A technique encompassing any form of working wood with a tool into some sort of aesthetic object.
Wood Carving
67
There are four different types of ______ ___: coiling, plaiting, wickering, and twining.
Basketry Technique
68
Interweaving or braiding two or more strands, fibers, etc. (basketry technique)
Plaiting technique
69
using materials from roots and tree bark. (basketry technique)
Twining technique
70
Using grasses, rushes and pine needles.
Coiled basketry
71
Identifies works of art most often comprised of geometric shapes in simple arrangements and lacking any decorative or dynamic flourishes.
MINIMALISM
72
It was a truly revolutionary style of modern art developed by Pablo Picasso and Georges Braques. It was the first style of abstract art which evolved at the beginning of the 20th century in response to a world that was changing with unprecedented speed.
CUBISM
73
Took place in the twentieth century and around the globe.
Social Realism
74
Is used to describe an object, found by an artist, which - with minimal modification - is then presented as a work of art.
FOUND OBJECTS
75
Is more than just a painting that happens to be oversized. By design, it is larger than life, often massive enough to fill a room.
LARGE SCALE ART
76
Made with digital technology or presented on digital technology. This includes images done completely on computer or hand-drawn images scanned into a computer and finished using a software program like Adobe Illustrator.
DIGITAL APPLICATION
77
Is made by adhering flat elements such as newspaper or magazine cut- outs, printed text, illustrations, photographs, cloth, string, etc. to a flat surface to create a thick layer that is almost like a relief sculpture.
Collage
78
Is the process of applying gouache to paper or glass then transferring a reversal of that image on to canvas or other flat materials.
DECALCOMANIA
79
Is the art of decorating an object by gluing colored paper cutouts onto it in combination with special paint effects, gold leaf and other decorative elements.
DECOUPAGE
80
Is an artistic technique that uses tiny parts of egg shell to create a whole image or object. Mosaics are usually assembled using small tiles that are square, but they can also be round or randomly shaped.
EGG SHELL MOSAIC
81
An inscription or drawing made on some public surface (such as a rock or wall) also : a message or slogan written as or as if as a graffito.
GRAFFITTI
82
Is art that is made directly in the landscape, sculpting the land itself into earthworks or making structures in the landscape using natural materials such as rocks or twigs.
LAND ART
83
Is a surrealist and 'automatic' method of creative production that involves creating a rubbing of a textured surface using a pencil or other drawing material.
FROTTAGE
84
Derived from the Italian word “to embroider,” a form of quilting. Artists pain their work(s) on the canvas and then apply a layer of cotton batting and a layer of backing.
TRAPUNTO
85
is a word with many meanings. It can refer to the making of something, or to a final product, like a theatrical performance.
Production
86
Refers to strengthening of acquired artistic skills as these are applied in the production of artworks or integrated in other fields of specialization.
SKILLS ENHANCEMENT
87
Is a concept where in it entails the service of many artists or of one individual possessing various artistic skills collaborating with others.
INTEGRATED ART PRODUCTION
88
It’s a planning on the ways and means of production to have direction in the activities to be undertaken by the producer. It is the prerequisite of production control.
PRODUCTION PLANNING
89
Who are the part of production?
PRODUCER, DIRECTOR, SCREEN WRITER, ART DIRECTOR, COSTUME DESIGNER, EDITOR, ACTORS.
90
What are the STAGES IN PRODUCTION?
DEVELOPMENT, PRE-PRODUCTION, PRODUCTION, PRINCIPLE PHOTOGRAPHY, WRAP, POST PRODUCTION, DISTRIBUTION.