Pop 'N' Jazz - Beatles, Bush, Pine Flashcards

Includes "Revolver, "Cloudbusting" & "Back In The Day" + WL (62 cards)

1
Q

What is the context of “Revolver”?

A
  • Psychedelic rock album
  • London
  • For showcasing blues & rhythm influences
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2
Q

Eleanor Rigby - Melody

A
  • diatonic + conjunct verses
  • distinctive 8ve leap in refrain
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3
Q

Eleanor Rigby - Harmony

A
  • Slow harmonic rate between C + Em
  • dissonance in descending viola
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4
Q

Eleanor Rigby - Tonality

A

Dorian modal lead vocals
Aeolian modal backing vocals

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5
Q

Eleanor Rigby - Rhythm

A

sus. semibreves
syncopated vocals

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6
Q

Eleanor Rigby - Texture

A
  • homophonic w/doubled parts
  • block chords
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7
Q

Eleanor Rigby - Sonority

A

Doubled stopped strings
Syllabic vocals

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8
Q

HTaE - Melody

Pink Floyd - Interstellar Overdrive

A

disjunct vocals
Chromatic sequences

Descending chromaticism

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9
Q

HTaE - Harmony

A
  • 4-chord progressions
  • parallel root position
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10
Q

HtaE - Tonality

A

G maj w/ E min excursions
Bb maj mod.

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11
Q

HtaE - Rhythm

A

Free rhythm
syncopated vocals

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12
Q

HTaE - Texture

Beach Boys - Pet Sounds

A
  • American barbershop a vocals
  • Two part main vocals
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13
Q

HTaE - Sonority

The Kinks - Lola vs. Powerman

A
  • Spread guitar chords
  • Leslie cabinet produces mandolin style
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14
Q

IWTTY - Melody

A

Conjunct vocal scalic ideas w/melisma chant

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15
Q

IWTTY - Harmony

A

Alternating tonic/subdom chords
Diminished chords

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16
Q

IWTTY - Tonality

A

Flat 7 over pedal A
Dissonant key with min 9th

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17
Q

IWTTY - Rhythm

A

Swung rhythm
frequent syncopated vocals
Guitar triplets

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18
Q

IWTTY - Texture

A

Prominent drums
Textural fade in/out

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19
Q

IWTTY - Sonority

David Bowie - Warszawa

A
  • Close Harmony Vocals
  • Narrow range

Static harmony

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20
Q

TNN - Melody

A
  • Mixolydian melody
  • Pentatonic Scale
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21
Q

TNN - Harmony

Beach Boys - God Only Knows

A
  • Implied C chord throughout
  • Flat 7th Bb chord - unusual

non-functional progressions

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22
Q

TNN - Tonality

A

Myxolidian vocals
Blues scale

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23
Q

TNN - Rhythm

A
  • Continuous rock drum rhythm
  • Lombardic three vs two cross rhythm
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24
Q

TNN - Texture

Pink Floyd - Interstellar Overdrive

A

tambura drone
double tracked vocals

long pedal notes resemble drone

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25
TNN - Sonority | THe Who
- distorted guitar solo - altered Leslie vocals | manipulated guitar produces noises
26
What is the context of "Hounds Of Love"?
- Two sided concept album - Welling - Uillean pipes. vocals, CMI, bouzouki & whistles - For increasing production sales
27
Cloudbusting - Melody
Triadic vocals before rising fifths Syncopated rubato notes
28
Cloudbusting - Harmony
Stepwise motion using 7ths & 9ths B add 9
29
Cloudbusting - Tonality
Modal C# min with no key changes Tonal but not straightforwardly functional
30
Cloudbusting - Rhythm
6/4 time signatures extend phrases Anticipatory syncopation
31
Cloudbusting - Texture
before octave string Polyphonic
32
Cloudbusting - Sonority | Annie Lennox - Walking on Broken glass
- Short Staccato Chords - Violin Countermelody + Riff | Prominent strings
33
ADOS - Melody
Two rising 5ths oscillating min 3rds Word painting vocals
34
ADOS - Harmony | Tori Amos - Winter
E maj conventional prog over tonic pedal | Exploited Vocals
35
ADOS - Tonality
Verses in modal C# min E maj refrain + bridge
36
ADOS - Rhythm
Syncopation with duple meters used to extend phrases Lombardic triplets with ritardando
37
ADOS - Texture
Focuses on vocal line with piano sometimes doubling it Mid range blocked chords with tonic pedal
38
ADOS - Sonority
Dominating voice/piano decorative bouzouki
39
Under Ice - Melody
Staccato phrasing with sinking portamento Quasi pentatonic shapes at 15 with stepwise notes
40
Under Ice - Harmony
A natural min chords with 3rds moving up and down Occasional D major chords from 49
41
Under Ice - Tonality
Modal A min without modulations Finishes on ambiguous A min sus2
42
Under Ice - Rhythm
Obsessive crotchet pulse w/accelerando
43
Under Ice - Texture
Bass pedal textures with open fifths Homorhythmic at 19 before vocal dialogue from 50
44
Under Ice - Sonority | Bjork - Vulnikura
Low vocals limited to a perfect 5th with synths High melisma before Mongolian throat singer | Lyrical Imagery on ending phrases
45
What is the context of "Back In The Day"?
- Post-bop jazz album - London - Saxes, keyboards, bass, drums & turntables - For bringing modernistic cultures together
46
LD+JC - Melody
short melodic riff in alto sax chorus expands from minor 3rd to dim 5th
47
LD+JC - Harmony | WC Handy - St. Louis Blues
- loose 12 bar blues in C - chromatic shifts | 12-bar blues
48
LD+JC Tonality
Fm Aug 5th = perf cadence
49
LD+JC - rhythm | Jay Z - Bluprint 3
syncopated hammond organ double time drum + bass
50
LD+JC - Texture
Denser keyboard accompanying sax
51
LD+JC - Sonority | Incognito - 100 degrees + rising
multi-tracked vocals reverb on vocals + solo sax | Improvisation
52
ISM - Melody | Miles Davis - So What
four-note rising melodic motif in guitar sax melody based on dorian mode | Identical Sax Motif
53
ISM - Harmony | Alicia Keys - If I Aint Got You
Based around Cm7 + Dm7 chord extensions | 7th chords
54
ISM - Tonality | Ldn Community Gospel Choir - Faith
Dorian modal saxophone Guitar riff uses pentatonic scale | Pentatonic Guitar
55
ISM - Rhythm | Jay-Z - Bluprint 3
Cross rhythms + syncopation | syncopated rhythms
56
ISM - Texture | Galliano - Twyford Down
Constant Homophony | backing vocals in intro
57
ISM - Sonority | Miles Davis - The doo bop song
Improvisation - scatting Sax trills + glissandis | Rap + repeated motifs
58
L+A - Melody | Nina Simone - Feelin' Good
- Underlying memorable bass riff - blue vocal notes | Blues Notes
59
L+A - Harmony
Chords move in E, avoiding E Descending chromatic harmonies
60
L+A - Tonality
- EMaj - ends on 3-note tonic chord
61
L+A - Rhythm | Jay-Z - Bluprint 3
Free rock rhythm occassional stop time bars Off beat notes | Syncopated Rhythms
62
L+A - Texture
Interesting choice of bass clarinet Distorted guitar sounds