Porphyria's Lover Flashcards

(27 cards)

1
Q

Written by

A

Robert Browning

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2
Q

Published in

A

1836

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3
Q

Porphyria meaning

A

Disease which can result in madness - she is literally ‘porphyria’ to the narrator

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4
Q

Form

A

Dramatic monologue - Porphyria has no voice meaning the narrator projects his own feelings onto her - he is untrustworthy

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5
Q

Rhyme scheme

A

ABABB - the lack of balance suggests there is no love, just lust (‘passion’)

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6
Q

Rhythm

A

Iambic tetrameter - regular rhythm reflects how calm he is in this unsettling situation

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7
Q

Mirrored structure

A

‘she put my arm about her waist’ turns to ‘this time my shoulder bore her head’ - after the murder he becomes the dominant, active one

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8
Q

Shift in dominance

A

‘I looked up at her eyes’ - first time speaker takes action

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9
Q

Porphyria’s warm personality

A

‘she shut the cold out and the storm’ - sibilance reflects silence created as he no longer focuses on the noises outdoors

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10
Q

Possessive language significance

A

Reflects his desperation to have her

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11
Q

Social class issues

A

‘vainer ties dissever’ - her possible higher social status may make her family disapprove the relationship

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12
Q

Desire for power

A

‘mine, mine’ - disturbing repetition highlights how he wants to possess her

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13
Q

Flower imagery

A

‘droops’ - reflects how the moment with her ‘rosy head’ will not last forever

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14
Q

Objectification

A

‘it’ is repeated four times in one quintain - reflects how she is just property to him

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15
Q

Example of him being at breaking point

A

‘heart fit to break’ - line 5 so his mental instability sets the mood of the poem

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16
Q

Example of his derangement

A

‘blushed bright’ - he thinks she is blushing due to a passionate kiss when it’s a result of being strangled

17
Q

Chronological recollection of events

A

Repetition of ‘and’ creates anaphora which makes him look calm and collected while recounting the events

18
Q

Enjambment

A

‘untied/her hat’ - line break reflects unstable mental state

19
Q

Significance of the way murder is mentioned

A

No change in rhythm - shocking as it’s unexpected

20
Q

Caesura

A

‘and strangled her.’ - emphasises the ultimate nature of the action - she is now dead and that is irreversible

21
Q

Pathetic fallacy

A

‘sullen’, ‘awake’, ‘spite’ - creates ominous atmosphere

22
Q

Female sexuality in Victorian times

A

‘let the damp hair fall’ - she is going against repression

the word ‘fall’ relates to ‘fallen woman’, a term for women who behaved like this at the time - draws attention to how her actions would be considered sinful

23
Q

Foreshadowing

A

‘yellow hair’ is repeated - reflects his obsession but foreshadows him using it to strangle her

24
Q

Jealousy

A

‘Nor could tonight’s gay feast restrain’ - he is not part of her social activities like this where she may be seductive to other men - increases his instability

25
Unrequited love
Her 'murmuring' suggests she doesn't mean what she says about how she loves him
26
Disturbing events after murder
'warily oped her lids' - even he hesitates opening the supposed windows to one's soul, highlighting that he is still aware of how immoral his actions were
27
Ambiguity in the final line
'God has not said a word!' - may be surprised he hasn't been punished or perhaps he doesn't think he has sinned at all