Power and Conflict Flashcards

(29 cards)

1
Q

Exposure-
‘Our brains ache, in the merciless iced east winds that knive us… Wearied we keep awake but the night is silent’

A

Irony that ‘our brains ache’ is not actually hyperbole; they are literally aching from the cold. As well as this they relate to the damaging illusions experienced from the half-dying men

Merciless, divine punishment, killing men for going to war. POWER OF NATURE

Long lines draw out the length of time

Knives from nature rather than people

Assonance in the line slows it down; also gives connotations of cold (‘i’ is a cold letter)

Approximant alliteration draws out time

‘Night is silent’ subverts ideas- the night being silent should be a good thing but expectations are no longer reality- maybe hinting at the soldiers’ expectations of war vs the reality of war.

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2
Q

Exposure- title

A

Vulnerable to something
A serious medical condition caused by being outside in cold weather

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3
Q

Exposure-
‘Dawn massing the the east her melancholy army
Attack once more in ranks on shivering ranks of grey’

A

More danger is seen from the weather than from the enemy soldiers. Nature is better armoured than the army itself

Pathetic fallacy both describing the men’s moods, and the weather itself- it reluctantly feels it must expel the horror of war from nature

Assonance and repetition shows how the attack is endless.

The pathetic fallacy of shivering again conveys the soldiers.

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4
Q

Exposure-
So we drowse, sun-dozed,
Littered with blossoms trickling where the blackbird fusses.
-Is it that we are dying?

A

Irony of seductive sibilance as nature is seducing them in order to kill them.

Juxtaposes ideas of sleeping in the sun vs actually falling asleep where you freeze to death; two very contrasting ideas.

Littered with blossoms firstly suggests they are imagining the snowflakes as blossoms. Brain choosing to think happy memories as they may be his last. However, the blossoms are described as littered, which contrasts the beauty of blossoms usually with rubbish.

The wind brings clouds like the unpleasant blackbird song. It could be the last grip on reality left, or an annoying sound which is so typical of summer.

Rhetorical question shows they are having illusions. Their minds are slowing down and they are losing grip on reality.

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5
Q

Exposure-
Therefore, not loath, we lie out here; therefore were born,
For love of God seems dying

A

Double meaning of lie shows they do not really want to be out there.

If they truly loved God they wouldn’t go to war- ‘thou shalt not kill’

Owen actually trained to be a vicar, so there is an attack on war as going against the Christian faith.

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6
Q

Exposure-
Pause over half-known faces. All their eyes are ice,
But nothing happens.

A

People died quickly on the front lines, so they did not get to know each other well to avoid emotional attachment.

Metaphor of their eyes becoming ice has a double meaning- either their eyes of the dead are literally frozen stiff, or the identities of the burying-party have become ice; they cannot empathise as they have become unfeeling by BOTH OF the exposure.

Death at the hands of winter is better than getting shot in battle.

The half rhymes of the poem unsettle us. Nothing, not even the rhyme, happens.

Does something happening mean a political something (eg peace), or release from war through death?

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7
Q

London-
I wander through each chartered street (and chartered Thames)

A

Wander vs chartered- aimlessness vs structure

Chartered is polysemous- A document implying official ownership, or to be recorded on a map/grid implying systematisation.

Plosive alliteration shows industrial nature- harsh, jutting etc.

Chartered Thames shows nature being controlled.

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8
Q

London-
The mind-forged manacles I hear:

A

Alliteration and metaphor

Not physically held back, but their belief restricts them. Blake is attacking the thinking of Londoners.

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9
Q

London-
How the chimney-sweeper’s cry
Every black’ning church appalls

A

Child labour

Juxtaposition between poor and rich

The church said, that you could endure a bad life now as you would be rewarded in the afterlife.

Coal dust literally blackens things.

Appall- to shock
A pall- covering put over a coffin. Blake is suggesting it is putting the sweeps’ cries over London

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10
Q

London-
Runs in blood down palace walls

A

Symbolic metaphor- Black wants to see the nobility and aristocracy executed. War with France

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11
Q

London- context

A

Blake wrote songs of innocence and songs of experience. London is one of the few poems which has no innocence counterpart, showing he is wholly critical

Set during a time of poverty, child labour and war with France. Women has high death rates and no rights, which Blake was passionate about.

Corruption of London- although Britain (in 1794) controlled 15-20% of the world land, London was still so dirty and corrupt.

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12
Q

Storm on the Island- Title

A

Parliament building of NI is called Stormont.
Island is a homophone of Ireland
Island connotes that the problem can be overcome as it is not a big one, although it seems huge.

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13
Q

London-
And blights with plagues the marriage hearse

A

Plagues- STIs from prostitution

Oxymoron of marriage hearse shows exploitative marriages lead to death

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14
Q

Storm on the Island-
Sink walls in rock and roof them with good slate.
This wizened earth has never troubled us.

A

Sinister sibilance reflects the conflict.
Guttural consonance represents the harsh atmosphere

Instead of building walls, we are sinking them. Juxtaposition.

Wizened- irony; initially shows ‘wise’, but then goes to mean ‘old’ to show how the society has become shrivelled.

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15
Q

Storm on the Island-
So that you can listen to the thing you fear
Forgetting that it pummels your house too

A

Writing about catholic and protestant with direct address- this shows division is an illusion.

Fricatives shows his anger at them listening to their own fears instead of him.

Fear is their joining factor. If you stop fearing the storm, then the storm will have no power to destroy you.

Any violence committed by one side is the same as that of the other. Your own actions destroy your own house.

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16
Q

Storm on the Island-
You might think that the sea is company,
Exploding comfortably down on the cliffs

A

Personification- juxtaposition between the true isolation of the sea and that they believe what they are doing is the only thing that matters.

Oxymoron of exploding comfortably- bombing was a large part of fighting. Heaney is trying to say we are becoming comfortable with this unnatural lifestyle.

17
Q

Storm on the Island-
Strange, it is a huge nothing that we fear.

A

Oxymoron of huge nothing shows that the differences of people’s views are not actually as different as how they perceive it.

The last stanza only has 4 lines, showing how he wants the reader to write the final line as a resolve to the conflict; a campaign for change.

18
Q

Kamikaze-
Her father embarked at sunrise
with a flask of water, a samurai sword

A

Sunrise connotes both Japanese culture and divinity/God

Water is symbolic of purity

Sibilance is symbolic of the peacefulness he finds in death.

19
Q

Kamikaze- (fish)
Like a huge flag waved first one way
Then the other in a figure of eight.

A

Simile with patriotic allusion- is ‘dying for the flag’ really worth it?

The flag returns on itself just as he does

Figure of eight connotes he is imagining his eternal death.

20
Q

Kamikaze- (her father’s boat had)
The loose silver of whitebait, and once
a tuna, the dark prince, muscular, dangerous

A

The fact the speaker calls him grandfather shows she has grown to welcome him back into the family ‘Yes, grandfather’s boat’

Loose silver- Judas Iscariot 30 pcs silver loose coins as well as loose morality. Represents betrayal of the country, like Judas betrayed Jesus.

Dark, muscular, dangerous- references the pilots decision to return. Not weak, but dangerous as he could be shunned from society.

21
Q

Kamikaze-
Only we children still chattered and laughed
Till gradually we too learned
To be silent

A

The children still had a natural love of their father, and were grateful to have him back.

Volta at till gradually

Gradually shows that it is unnatural to disown father. It shows how Japanese culture is wrong and takes children a while to adjust.

Learned also shows this is unnatural and must be taught.

22
Q

Kamikaze-
And sometimes, she said, he must have wondered
Which had been the better way to die

A

Him never being accepted back cannot work with the previous lines; the death only lasted while his wife was alive

23
Q

Kamikaze- context

A

Chronology of who is speaking is made complicated to show how complex culture can be and how beliefs can affect you

Those not alive/children during the war rebuild the country

Maybe a poem of hope?

24
Q

Ozymandias- two vast and trunkless legs of stone

A

Juxtaposition- Vast implies greatness, while trunkless suggests incompleteness, undermining the power, and highlighting decay of power, and its ephemeral nature.

Irony- the legs are all that remain.

This reflects the Romantic themes of nature and time overwhelming human pride.

25
Ozymandias- Half sunk, a shattered visage lies.
Alliteration provides a brokenness to the line Futility of legacy- the king's statue is now buried and broken
26
Ozymandias- Sneer of cold command
Cold command- harsh alliteration Sneer implies arrogance and disdain The sculptor managed to capture Ozymandias' tyrannical nature- it also paradoxically shows the sculptor's skill as even though the rest of his empire has crumbled his arrogance survives in stone- irony.
27
Ozymandias- colossal wreck, boundless and bare
Alliteration mimics the desolation Even an enormous ruin against an infinite desert reinforces isolation.
28
Ozymandias- Look on my Works, Ye Might, and despair!
Delivered in the imperative mood, reflecting Ozymandias’s delusions of grandeur. The capitalised 'Works' suggests he viewed his achievements as eternal, yet nature has reduced them to dust. This contradiction between tone and outcome exemplifies the poem’s central theme: no power, however mighty, can withstand time.
29
Ozymandias context
The poem was inspired by the recent discovery of a massive statue of Ramesses II (Ozymandias) in the Egyptian desert. Ramesses II was known as a powerful and boastful pharaoh, who built many monuments to glorify himself- perfect for Shelley’s theme of human pride and downfall. Shelley was a Romantic poet, part of a movement that valued emotion, nature, and individualism over reason and politics. He was anti-authority and deeply critical of tyranny, empire, and rulers who abused power. Inspired by the French revolution. Ozymandias becomes a symbol of political arrogance — Shelley uses the poem to show how all rulers, no matter how mighty, will be defeated by time and nature