Praveshika Poorna Theory Flashcards
(27 cards)
sargaam geet
composition in raag with words as the swar notation of composition. no other words
instruments (percussion) in Hindustani:
tabla, pakhwaj, dholak, manjira, Tasha, Dhol, DimaDee
swar
naad useful to make music
instruments in Carnatic:
veena, violin, bansuri, tanpura, nadaswaram
Sangeet
“geetam waadyam tathaa nrityam sangeetamuchyate”
vocal and instrumental music and dance make up sangeet
naad
dhwani at fixed frequency
two styles of Indian music:
Uttar Bharateey (Hindustani) DakshiN bhaarateey (Carnatic)
alankaar / palaTe
progression of pattern of notes ascending or descending
instruments on Hindustani:
sitar, sarod, santoor, bansuri, violin, shehnai, harmonium, tanpura, sarangi
instruments (percussion) in Carnatic:
mrundungum, GhaTam, Thavil, Khanjira
shuddha swars
7 main notes in Indian classical music
mandra saptak
saptak lower to singer
wirkut/ vikrut swars
variation of the swar can be higher (Ma) or lower (Re, Ga, Dha, Ni)
sthaayee/ asthaayee
first part of the bandish, usually in mandra and madhya octave
warjit swars
swars that are excluded from the raag
teevra swar
swar higher than shuddha swar (Ma)
taar saptak
saptak higher to singer
saptak
range of 12 swars (vikrut and shuddha)
wadi swar
most important swar in raag
lakshaN geet
a composition in the raag about the raag
antaraa
second part of bandish, usually near taar saptak Sa
samwadi swar
second most important swar in raag
madhya saptak
the normal range of saptak for the singer
LakshaN geet definition
composition tells about raag