Principles of Arts Flashcards

(64 cards)

1
Q

It is the distribution of the visual elements in view of their placement in relation to each other.

A

Balance

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2
Q

3 Forms of Balance

A
  1. Symmetrical
  2. Asymmetrical
  3. Radial
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3
Q

It is where elements used on one side are reflected to the other.

A

Symmetrical

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4
Q

It is where one-half composition does not mirror to the other.

A

Asymmetrical

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5
Q

It is where all parts of the composition radiate outward from a focal point.

A

Radial

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6
Q

Example of Symmetrical Balance

A

Jan van Eyck, “The Adoration of the Lamb” (1432)

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7
Q

Example of Asymmetrical Balance

A

Paul Cezanne, “Curtain, Jug, and Fruit” (1894)

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8
Q

Example of Radial Balance

A

Medicine Buddha with Prajnaparamita Goddess

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9
Q

It is the comparison of dimensions or distribution of forms.

A

Proportion

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10
Q

3 Forms of Proportion

A
  1. Natural
  2. Exaggerated
  3. Idealized
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11
Q

It relates to the realistic size of the visual elements in the artwork, especially in figurative artworks.

A

Nature

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12
Q

It refers to the unusual size relations of visual elements, deliberately exaggerating the immensity or minuteness of an object.

A

Exaggerated

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13
Q

The most common to those that follow canons of perfection, the size-relations of elements or objects, which achieve the most ideal-size relations.

A

Idealized

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14
Q

Example of Natural Proportion

A

Georges-Pierre Seurat, “Bathers at Asnieres” (1884)

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15
Q

Example of Exaggerated Proportion

A

Coosje van Bruggen, “Spoonbridge and Cherry” (1985)

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16
Q

Example of Idealized Proportion

A

Leonardo da Vinci, “Vitruvian Man” (1490)

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17
Q

It allows the attention of the viewer of a focal points, accentuating or drawing attention to these elements or objects.

A

Emphasis

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18
Q

The disparity between the elements that figure into the composition.

A

Contrast

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19
Q

Example of Emphasis and Contrast

A

Pieter Paul Rubens and Frans Snyders, “Prometheus Bound”

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20
Q

It is the coherence of the artwork or it makes the elements stick together.

A

Unity

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21
Q

It aims to retain the interest by allowing patches or areas that both excite and allow the eye to rest.

A

Variety

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22
Q

Example of Unity and Variety

A

Wassily Kandinsky, “Several Circles” (1926)

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23
Q

It is related to unity and variety, in which the elements achieve a sense of flow and interconnectedness.

A

Harmony

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24
Q

Example of Harmony

A

Georgia O’Keeffe, “Two Calla Lilies on Pink” (1928)

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25
It is the direction of the viewing eye as it goes through the artwork, often guided by areas or elements that are emphasized.
Movement
26
4 focal points of Movement
1. Lines 2. Edges 3. Shape 4. Color
27
Example of Movement
Vincent van Gogh, "Starry Night"
28
These are recurring motifs and designs separated by intervals, creating implied movement.
Rhythm
29
4 types of Rhythm
1. Regular 2. Alternating 3. Eccentric 4. Progressive
30
It is symmetrically repeated parts separated by equal intervals in between.
Regular Rhythm
31
It has different components separated by set intervals.
Alternating Rhythm
32
It is irregular but the beats still connect.
Eccentric
33
It has visual beats that moves from fast to slow and vice versa.
Progressive Rhythm
34
Example of Regular Rhythm
Jasper Johns, "Three Flags"
35
Example of Alternating Rhythm
M.C. Escher, "Lizard"
36
Example of Eccentric Rhythm
Rene Magritte, "Golconde"
37
Example of Progressive Rhythm
Marcel Duchamp, "Nude Descending a Staircase (No. 2)" (1912)
38
It is a recurring manner of lines, shapes, colors, and other elements and gives a sense of predictability.
Repetition
39
5 Principles of Arts
1. Balance 2. Rhythm 3. Proportion and Scale 4. Unity and Variety 5. Repetition and Pattern
40
6 Principle of Arts
1. Balance 2. Rhythm 3. Proportion and Scale 4. Unity and Variety 5. Repetition and Pattern 6. Emphasis and Contrast
41
It is the image created out of repetition.
Pattern
42
Example of Repetition and Pattern
Islamic Mandala
43
It refers to putting together the elements of arts.
Composition
44
Latin words and meaning of Composition
cum, with | ponere, to put
45
It refers to how much an element captures the viewer's attention.
Visual Weight
46
It capture the eye more and demand more attention than straight-forward geometric shapes.
Complex Shapes
47
3 common points in the Ikebana
1. Shin 2. Soe 3. Hikae
48
It is the highest and placed between the 10 and 15 of the vertical.
Shin
49
It is in the 45 to the vertical and facing the shin toward the left.
Soe
50
It is at the 75 from the vertical and the third point.
Hikae
51
It moves the human eye across the surface of an artwork.
Visual Beats
52
It is the size of a component in relation to what we consider normal.
Scale
53
These are scale figures that are named 'heroic'.
Large-scale figures
54
It can bore and take away the attention of the viewer.
Uniformity
55
A line that corresponds to a person's eye level.
Horizon Level
56
6 perspective systems
1. One-point Perspective 2. Two-point Perspective 3. Three-point Perspective 4. Multiple-point perspective 5. Aerial or Atmospheric Perspective 6. Isometric
57
It has a single point on the horizon level where parallel lines appear to recede.
One-point Perspective
58
It has a vanishing point at both ends of the horizon line.
Two-point Perspective
59
It has a third point below or above the horizon line.
Three-point Perspective
60
It has more than three vanishing points and used in complex landscapes and background, where the foreground and background might have different vanishing points.
Multiple-point Perspective
61
This mimics how distant objects appear blurry and faded while near objects are sharp and clear.
Aerial or Atmospheric Perspective
62
This perspective system does not create an illusion of depth but represents the three dimensions of length, width, and height as they actually are.
Isometric
63
They are suggested by the lines in a composition; line direction, angle and intensity, and indicate emotion.
Time and Motion
64
A contemporary Chinese artist that explored the gunpowder as a medium of art.
Cai Guo-Qiang