Print culture Flashcards

1
Q

When was ‘Pierce Penniless’ published?

A

1592

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2
Q

What does Anne Bradstreet say in her poem ‘The Author to her Book’ about financial reasons to print?

A

‘for thy mother, she alas is poor,
Which caused her thus to send thee out of door.’

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3
Q

What does Anne Bradstreet refer to her first collection of poems as in ‘The Author to her Book’?

A

‘Thou ill-formed offspring of my feeble brain’

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4
Q

What was Anne Bradstreet’s book of poems called, and when was it first published?

A

‘The Tenth Muse’, 1650

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5
Q

What does Anne Bradstreet say about being judged in print in ‘The Author to her Book’?

A

The publishers ‘to th’ press trudge, / Where errors were not lessened (all may judge)’

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6
Q

What does Thomas Nashe say about himself in the letter to his printer before ‘Pierce Penniless’?

A

‘I condemn myself for nothing so much as playing the dolt in print’

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7
Q

How does Pierce cynically characterise the print landscape?

A

‘every gross-brained idiot is suffered to come into print’

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8
Q

How does Nashe end ‘Pierce Penniless’ by addressing booksellers?

A

‘let not your shops be infected with any such goose giblets or stinking garbage, as the jigs of newsmongers.’

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9
Q

How does Nashe address the intellectual value vs the material value of pamphlets in ‘Pierce Penniless’?

A

‘learning (of the ignorant) is rated after the value of the ink and the paper’

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10
Q

What does Thomas Dekker say of print publication in the opening to ‘News from Hell brought from the Devil’s Carrier’

A

‘To come to the press is more dangerous, than to be pressed to death’

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11
Q

When was ‘News from hell brought by the Devil’s carrier’ published?

A

1606

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12
Q

What does Milton say about bad books in ‘Areopagitica’?

A

‘they to a discreet and judicious Reader serve in many respects to discover, to confute, to forewarn, and to illustrate.’

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13
Q

What does Samuel Fallon say about the use of personae in late Elizabethan literature?

A

they ‘dwell in and give life to the social realization of their structures of communication’

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14
Q

When was Milton’s ‘Areopagitica’ published?

A

1644

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15
Q

What does Francis Bacon say about reading in ‘Of Studies’?

A

‘Some Books are to be Tasted, Others to be Swallowed, and Some Few to be Chewed and Digested’

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16
Q

What does Streamer in Baldwin’s ‘Beware the Cat’ make and then eat?

A

A ‘cake’ made of ‘gross meats’

17
Q

When was ‘Beware the Cat’ written?

A

1553

18
Q

What does a line in the margin of ‘Beware the Cat’ say aphoristically about contrasts?

A

‘Sweet meat must have sour sauce’

19
Q

What is an example of the marginalia misreading or misinterpreting Streamer’s Oration in ‘Beware the Cat’?

A

‘[A solitary man is either a God or a beast]’ when Streamer has merely retired to his roo

20
Q

What phrase of Streamer’s raises an interesting question about the veracity of prose in ‘Beware the Cat’?

A

‘a story of one piece of mine own experimenting’

21
Q

What happens to Streamer’s body after he eats the cake in ‘Beware the Cat’?

A

‘my mouth and nose purged exceedingly’

22
Q

What gloss in ‘Beware the Cat’ comments on perverse pleasure?

A

‘[Strange things are delectable]’

23
Q

What gloss raises questions of medium and message in ‘Beware the Cat’?

A

‘[Evil communication confoundeth good virtues]’

24
Q

What ability does Streamer gain after eating the cake in ‘Beware the Cat’?

A

He ‘could discern all voices, but by means of noises understand none’

25
Q

What does Streamer say you can do with a reflective glass of water in ‘Beware the Cat’?

A

‘counterfeit the moon’

26
Q

What does ‘A Short answere to the boke called Beware the Cat’ call Baldwin’s work in relation to the author?

A

‘a sick man’s blood’

27
Q

What gloss seems to satirise claims of veracity in ‘Beware the Cat’?

A

‘[Experience is an infallible persuader]’

28
Q

How does Baldwin [the editor] characterise the transcription of speech in ‘Beware the Cat’’s dedication?

A

‘I doubt whether M. Streamer will be contented that other men plow with his oxen (I mean pen such things as he speaketh)’

29
Q

How does ‘A Short answere’ characterise speech/writing in ‘Beware the Cat’?

A

‘Streamer’s excrements’

30
Q

What does Trudy Ko say about print in relation to popular forms of language and particularly oral tradition?

A

‘print can also familiarize […] through acts of translation and through textual apparatuses like parentheses and marginal glosses.’

31
Q

What does Stephen Gosson in his ‘Schoole of Abuse’ say about writers in society?

A

‘We have in Infinite Poets, and Pipers, and such peevish cattle among us in England… [who] privily encroach uppon everie mans purse.’

32
Q

How does Milton describe the publication of books pre-censorship, pre-Inquisition in ‘Areopagitica’?

A

‘the issue of the brain was no more stifled than the issue of the womb’

33
Q

How does Milton describe reading a wide variety of books, good and bad, in ‘Areopagitica’?

A

‘promiscuously read’

34
Q

What is the goal of making books more widely available, according to Milton in ‘Areopagitica?’

A

‘when not only our seventy elders, but all the Lord’s people, are become prophets.’

35
Q

What does the subtitle of ‘Dekker his Dreame’ say about interpretation?

A

‘Which being truly interpreted, is able to comfort the good, and terrify the bad’

36
Q

How does Anna Reynolds describe the material process of the book trade?

A

‘a complex network of material recycling in which unsold, rejected, and old sheets and books were reintegrated into the book trade.’

37
Q

What did the 1566 Star Chamber decree order stationers to do with books found to be ‘unlawful’?

A

‘destroied or made waste paper’

38
Q

What is the risk of thinking too materially about early modern texts and reading, according to Richards and Schurink?

A

It presents early modern reading as ‘reading in parts’

39
Q

What does ‘Areopagitica’ call a good book?

A

‘a good book is the life-blood of its master spirit’