Production Techniques Flashcards

(27 cards)

1
Q

What are the Impacts of compression?

A
  • Reduces dynamic range of signal
  • High attack can add punch to a signal
  • Sidechain compression creates a pumping feel to the signal
  • Sidechain compression also creates space for the sidechained instrument
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

What are the parameters of compression?

A
  • Threshold
  • Makeup gain
  • Ratio
  • Attack
  • Release
  • Knee
  • Sidechain
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

What is the production impact of gated reverb?

A
  • Gives a sense of space without muddying the mix
  • Gate cuts long decay times
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

What are the parameters of Gated reverb?

A
  • Reverb size
  • decay
  • threshold
  • level
  • attack
  • release
  • floor
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

What is the production impact of noise gates?

A

Removes unwanted low-level noise

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

What are the parameters of noise gates?

A
  • Threshold
  • Attack
  • Release
  • Floor
  • Hold
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

What are the production impacts of limiters?

A
  • Used to increase percieved loudness
  • ensures the signal doesn’t clip
  • limits dynamic range (is a form of compression)
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

What are the parameters of a limiter?

A
  • input gain
  • ceiling level
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

What are the production impacts of EQ?

A
  • Boosts / attenuates bands of frequencies
  • Creates space for instruments (e.g. cutting the low of cymbals to create space for the kick)
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

What are the parameters of EQ?

A
  • Resonance
  • Cut-off frequency
  • filter type
  • Boost / attentuation level
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

What are the production impacts of Delay?

A
  • Creates a stereo image
  • Adds atmosphere
  • Adds rhythymic emphasis to tracks
  • Creates a sense of space
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

What are the parameters of delay?

A
  • Feedback
    -Dry/wet ratio
  • tempo sync
  • Delay time
  • ping-pong
  • EQ Filter
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

What are the production impacts of flanger?

A
  • creates phasing (tearing / jet-like)
  • Adds movement with the use of an LFO
  • Creates a stereo image
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

What are the parameters of flanger?

A
  • Feedback
  • Delay time (Very small, <15ms)
  • LFO (rate, amount)
  • depth
  • dry/wet ratio
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

What is the production impact of phaser?

A
  • Adds movement with the use of an LFO
  • Adds to the stereo image
  • Creates phasing (via in-harmonic notches)
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

What are the parameters of phaser?

A
  • Feedback
  • Poles (all-pass filters)
  • rate
  • depth
  • dry/wet ratio
17
Q

What is the production impact of reverb?

A
  • Adds a sense of space and atmosphere?
  • Pushes instruments back in the mix
  • Adds stereo width
18
Q

What are the parameters of reverb?

A
  • Type of analogue reverb (plate, spring, echo chamber, natural)
  • Type of digital reverb (convolution, algorithmic)
  • Decay time
  • Dry/Wet ratio
  • Room size
  • Pre-delay
19
Q

What is the production impact of chorus?

A
  • Adds stereo width
  • Creates a thicker texture
  • Adds movement using an LFO
20
Q

What are the parameters of chorus?

A
  • Delay time (very small, <30ms)
  • Rate
  • Voices
  • Dry/wet ratio
21
Q

What is the production impact of distortion?

A
  • Adds harmonics to a signal, making it warmer
  • limits signal
  • Sometimes reduces dynamic range
22
Q

What are the parameters of distortion?

A
  • Type of distortion (Overdrive, fuzz, tape saturation, tube/valve amplification, digital clipping)
  • Drive / input gain
23
Q

What is the production impact of using DAWs?

A
  • Non-destructive and Non-linear editing
  • More tracks –> More overdubbing / multitracking
  • Automation
  • Advanced midi editing
24
Q

What is the production impact of close miking?

A
  • Provides a dry, clean signal for processing
  • Can create a more intimate feeling
25
What is the production impact of recording on tape?
- Tape hiss and saturation - Warm distortion via harmonic distortion
26
What is the production impact of multitracking?
- Creates a fuller / thicker signal due to strong individual signals creating the final signal - Allows individual signals to be edited individually
27
What is the production impact of overdubbing?
Individual parts can be recorded alongside / on top of existing audio.