Prose (25%) Flashcards

(42 cards)

1
Q

What is level 1 of communication?

A

the context (empirical author on one side, and the reader on the other) (outside of the box)

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2
Q

What is level 2 of communication?

A

text (novel, short story…) (inside the outer box)

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3
Q

What is level 3 of communication?

A

enunciation (fictional situation of narration –> so the narrator and the narratee)

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4
Q

What is level 4 of communication?

A

enounced (contents of the story –> so the story per se and what it tells)

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5
Q

Explain how the “communication model for narrative prose” is build:

A

1.extratextual level of communication: real author and real reader
2.intratextual level of communication 1(level of narrative transmission): fictive narrator and fictive reader
3.intratextual level of communication 2(level of the characters and the story)

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6
Q

What is the “story”?

A

What is told? (L4)
* events (actions and happenings)
* existents (characters and settings)

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7
Q

What is the “discourse”?

A

How is it told? (L2 and L3)
* text (what we read)
* narration (process of production of the story)

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8
Q

How do you analize discourse and story relation(according to Gerard Genette)?

A
  1. Tense/Time
  2. Mood/Mode
  3. Voice
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9
Q

Story Time:

A

refers to the temporal duration of the action that is described in the
course of the narrative

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10
Q

Discourse Time:

A

refers to the period of time required in order to narrate a text

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11
Q

Three aspects of time:

A
  1. Order of events
  2. Duration or speed of narration
  3. Frequency
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12
Q

Chronological narrative:

A

Event A-Event B- Event C

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13
Q

Anachronic:

A

chronology gets interrupted

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14
Q

Analepsis:

A

Flashback
Event B - Event A- Event C

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15
Q

Prolepsis:

A

Flashforward
Event A- Event C- Event B

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16
Q

Form of temporal structure: Scene

A

narration is equal to the story

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17
Q

Form of temporal structure: Stretch

A

narration is longer than the story

18
Q

Form of temporal structure: Summary

A

narration is shorter than the story

19
Q

Form of temporal structure: Ellipsis

A

story continues after the narration was ommited

20
Q

Form of temporal structure: Pause

A

story time stands still after the narration had been going on

21
Q

When analyzing the Mood/Mode, which two points are important to look at?

A

a. Distance
b. Perspective and Focalisation

22
Q

Voice: What is a narrator?

A

‣ Two distinct questions:
‣ Who speaks? (voice)
‣ Who sees/perceives? (focalisation)

23
Q

Overt (explicit)narrator:

A

▸ refers to him/herself in the first person
▸ directly or indirectly addresses the narratee
▸ offers reader-friendly exposition
▸ exhibits a ‘discoursal stance’ or ‘slant’ toward characters and
events (e.g. evaluative phrases)
▸ one who ‘intrudes’ into the story in order to pass philosophical or
metanarrative comments,
▸ one who has a distinctive voice

24
Q

Covert(neutral) narrator:

A

▸ doesn’t refer to him/herself in the first person
▸ doesn’t address the narratee
▸ doesn’t offer reader-friendly exposition
▸ doesn’t exhibit a ‘discoursal stance’ or ‘slant’ toward characters and events (e.g. evaluative phrases)
▸ one who doesn’t ‘intrude’ into the story in order to pass philosophical or metanarrative comments,
▸ one who doesn’t have a distinctive voice

25
What is the "diegesis"?
the storyworld
26
Extradiegetic narrator:
first-degree narration, no embedding
27
Intradiegetic narrator:
second-degree narration, the story is explicitly embedded in another narrative
28
Hypodiegetic narrator:
third-degree narration, the is embedded in an intradiegetic narrative (could be continued, hypo-hypo …)
29
Homodiegetic narrator:
narrator also features as character in their story
30
Autodiegetic narrator:
narrator features as main character in their story
31
Heterodiegetic narrator:
narrator does not feature as character in their story
32
Unreliable narrator:
* explicit contradictions within the narrator’s comments * inclusion of contrasting versions of the same event (narrated by the same narrator) * contradictions between the self-characterisation of the (homodiegetic) narrator and characterisations of the narrator by other characters * addresses to the reader that clearly attempt to manipulate the reader’s interpretation of events * (too) frequent insistence on the credibility (or incredibility) of his/her own account * paratextual signals (e.g. title, chapter headings)
33
Which 3 modes of speech exist?
1.Narrated speech 2.Transposed speech 3.Quoted speech
34
What is "voice"?
Who speaks?
35
What is focalisation?
-Who sees/perceives/thinks/feels? -Whose consciousness, whose perspective?
36
What does narrative consist of?
Voice and focalization
37
Zero focalisation:
narrator>characters (Übersicht)
38
Internal focalisation:
narrator=characters (Mitsicht)
39
External focalisation:
narrator
40
fixed focalisation:
one focalizer throughout the whole story
41
variable focalisation:
different scenes/events/episodes are presented through different perspectives
42
multiple focalisation:
one scene/event/episode is presented repeatedly through different perspectives