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Contemporary Philippine Arts from the Regions > Q1: Gawad sa Manlilikha ng Bayan > Flashcards

Q1: Gawad sa Manlilikha ng Bayan Flashcards

1
Q

The Republic Act No. 7355 is better known as ____________.

A

Manlilikha ng Bayan Act

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2
Q

known as Manlilikha ng Bayan Act

A

Republic Act No. 7355

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3
Q

It is an award given to recognize the outstanding work of the artists in the Philippines.

A

Gawad sa Manlilika ng Bayan

GAMABA Awards

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4
Q

The GAMABA award was established in ____ through Republic Act No 7355 until ____.

A
  • 1992
  • 2012
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5
Q

The highest policy and coordinating body for culture and the arts of the state.

A

NCCA

National Commission for Culture and the Arts

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6
Q

GAMABA awardees must have engaged in a folk-art tradition that has been in existence and documented for at least ____ years.

A

fifty (50)

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7
Q

GAMABA Awardees for the year 1993

A
  • Ginaw Bilog
  • Masino Intaray
  • Samaon Sulaiman
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8
Q

GAMABA Awardees for the year 1998

A
  • Lang Dulay
  • Salinta Monon
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9
Q

GAMABA Awardees for the year 2000

A
  • Uwang Ahadas
  • Federico Caballero
  • Alonzo Saclag
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10
Q

GAMABA Awardees for the year 2004

A
  • Hajja Amina Appi
  • Eduardo Mutuc
  • Darhata Sawabi
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11
Q

GAMABA Awardees for the year 2012

A
  • Magdalena Gamayo
  • Teofilo Garcia
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12
Q

GAMABA Awardees for the year 2016

A
  • Ambalang Ausalin
  • Estelita Tumandan Bantilan
  • Yabing Masalon Dulo
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13
Q

GAMABA Awardees

Surat Mangyan and Ambahan poetry

A

Ginaw Bilog

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14
Q

GAMABA Awardees

Epic chanter and storyteller

A

Masino Intaray

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15
Q

GAMABA Awardees

Kudyapi Player

A

Samaon Sulaiman

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16
Q

GAMABA Awardees

T’nalak Weaving

A

Lang Dulay

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17
Q

GAMABA Awardees

Inabal Weaving

A

Salinta Monon

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18
Q

GAMABA Awardees

Playing Yakan Instruments

A

Uwang Ahadas

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19
Q

GAMABA Awardees

Chanting the Sugidanon Epic of the Panay Bukidnon

A

Federico Caballero

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20
Q

GAMABA Awardees

Playing Kalinga Musical Instruments

A

Alonzo Saclag

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21
Q

GAMABA Awardees

Mat Weaving

A

Hajja Amina Appi

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22
Q

GAMABA Awardees

Metal Plating

A

Eduardo Mutuc

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23
Q

GAMABA Awardees

Pis syabit Weaving

A

Darhata Sawabi

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24
Q

GAMABA Awardees

Abel Weaving

A

Magdalena Gamayo

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25
Q

GAMABA Awardees

Kattukong or Tabúngaw Hat Making

A

Teofilo Garcia

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26
Q

GAMABA Awardees

Yakan Weaving

A

Ambalang Ausulin

27
Q

GAMABA Awardees

B’laan Mat Weaving

A

Estelita Tumandan Bantilan

28
Q

GAMABA Awardees

B’laan Ikat or Tie-dye Fabric Weaving

A

Yabing Masalon Dulo

29
Q

Poem consisting of seven-syllable lines

A

Ambahan

30
Q

Region

Ginaw Bilog

A

Mansalay, Oriental Mindoro

31
Q

Region

Masino Intaray

A

Palawan Island

32
Q

Region

Samaon Sulaiman

A

Mamasapano, Maguidanao

Bangsamoro Autonomous Region in Muslim Mindanao (BARMM)

33
Q

Region

Lang Dulay

A

T’boli/Lake Sebu, South Cotabato

SOCCSKSARGEN

33
Q

Region

Salinta Monon

A

Davao del Sur

Davao Region

34
Q

Region

Uwang Ahadas

A

Yakan/ Lamitan, Basilan Island

35
Q

Region

Federico Caballero

A

Iloilo, Panay Island

36
Q

Region

Alonzo Saclag

A

Kalinga

37
Q

Region

Hajja Amina Appi

A

Tawi-Tawi

38
Q

Region

Eduardo Mutuc

A

Apalit, Pampanga

39
Q

Region

Darhata Sawabi

A

Sulu

40
Q

Region

Magdalena Gamayo

A

Ilocos Norte

41
Q

Region

Teofilo Garcia

A

San Quintin, Abra

42
Q

Region

Ambalang Ausalin

A

Lamitan, Basilan Island

43
Q

Region

Estelita Tumandan Bantilan

A

Saranggani

44
Q

Region

Yabing Masalon Dulo

A

South Cotabato

45
Q

He preserves the Hanunuo Mangyan script and Ambahan.

A

Ginaw Bilog

46
Q

An outstanding master of the basal (gong music), kulilal (highly lyrical poem) and bagit (instrumental music played on the kusyapi), also played the aroding (mouth harp) and babarak (ring flute).

A

Masino Intaray

47
Q

He achieved the highest level of excellence in the art of kutiyapi or kudyapi (two-stringed lute) playing and also proficient in kulintang, agong (suspended bossed gong with wide rim), gandingan (bossed gong with narrow rim), palendag (lip-valley flute), and tambul.

A

Samaon Sulaiman

48
Q

She is credited with preserving her people’s traditional T’nalak using abaca fibers as fine as hair which traditionally has three primary colors, red, black, and the original colors of abaca leave recreated by her nimble hands-the crocodiles, butterflies, and flowers.

A

Lang Dulay

49
Q

She was awarded for fully demonstrating the creative and expressive aspects of the Bagobo abaca ikat (to tie or bond) weaving called inabal (traditional textile of Bagobo) at a time when such art was threatened with extinction.

A

Salinta Monon

50
Q

He referred to for his ability and
mastery in playing different Yakan
instruments (made of bamboo,
wood, and metal) and for imparting
his insight to the youngsters of his
locale. He keeps on performing and
instruct despite his diminishing
visual perception, keeping the
Yakan melodic custom alive and
thriving.

A

Uwang Ahadas

51
Q

He continuously works for the
documentation of the oral
literature, in particular the epics,
of people. These ten epics,
rendered in a language that,
though related to Kiniray-a, is no
longer spoken.

A

Federico Caballero

52
Q

His lifestyle work is to paint a
portrait of his people to record a
tradition of opposites and dualities,
a peoples’ character recorded in
cadences each aggressive and
gentle. Play Kalinga musical
instruments dance patterns and
moves related to rituals.

A

Alonzo Saclag

53
Q

She was recognized as the master
mat weaver. Her colorful mats with
their complex geometric patterns
showcased her precise sense of
design, proportion, and symmetry
and sensitivity to color.

A

Hajja Amina Appi

54
Q

He is an artist who has devoted his
existence to developing religious
and secular artwork in silver,
bronze, and wood. His intricately
detailed retablos, mirrors, altars,
and carosas are in church
buildings and non-public
collections.

A

Eduardo Mutuc

55
Q

She remained devoted and
persevered with her mission to
teach the artwork of pis syabit
weaving.

A

Darhata Sawabi

56
Q

She is not only weaving traditional
Ilocano textiles but also designs
new patterns. One of her designs
employs a difficult weaving
technique called pililian meaning
partially.

A

Magdalena Gamayo

57
Q

When he finishes fieldwork as a farmer, he focuses on the cultivation and development of tabúngaw (Ilokano term for úpo).

A

Teofilo Garcia

58
Q

At the age of fifteen (15) he learned the art of Kattukong or tabúngaw hat making and basket weaving from his grandfather.

A

Teofilo Garcia

59
Q

She is significantly respected in all of Lamitan.

A

Ambalang Ausalin

60
Q

Her ability is regarded unique: she can bring forth all designs and actualize all textile categories ordinary to the Yakan community, who are known to be among the finest weavers within the Southern Philippines.

A

Ambalang Ausalin

61
Q

She can perform the suwah bekkat (cross-stitch-like
embellishment) and suwah pendan (embroidery-like embellishment) techniques of the bunga sama category.

A

Ambalang Ausalin

62
Q

Significant Contributions of GAMABA Awardees:

A
  1. Unique Identity
  2. Exemplary Skills
  3. Way of life
  4. Enduring Values
  5. Vision

Contemporary Philippine Arts from the Regions (13 decks)

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