Q3: Literary Approaches Flashcards

(57 cards)

1
Q

This is also known as pragmatic or affective theory.

A

reader-response theory

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2
Q

This theory allows a range of interpretations of a text coming from numerous readers.

A

reader-response theory

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3
Q

True or False

Reader-response theory acknowledges the fact that literature is used to produce or to create a particular impact or emotion as an effect to its readers.

A

True

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4
Q

This approach takes as a fundamental tenet that “literature” exists not as an artifact upon a printed page but as a transaction between the physical text and a reader’s mind.

A

reader-response theory

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5
Q

It aims to describe what happens to the reader’s mind while interpreting a text.

A

reader-response theory

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6
Q

This theory attempts in making literary criticism a scientific study.

A

new/formalist criticism

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7
Q

It emphasizes the form of a literary work to determine its meaning, focusing on literary elements and how they work to create meaning.

A

new/formalist criticism

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8
Q

This theory believes that every piece of literature such as style, structure, tone, imagery, and other literary devices must work in unity and should exhibit a unified meaning.

A

new/formalist criticism

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9
Q

True or False

The impact of the reader’s experiences is significant in formalist criticism.

A

False

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10
Q

This criticism believes that all the elements necessary for understanding the work are contained within the work itself.

A

new/formalist theory

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11
Q

It examines a text as independent from its time period, social setting, and author’s background.

A

new/formalist theory

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12
Q

Two emerging principles in performing a formalist criticism approach:

A
  1. A literary text exists independent of any particular reader and, in a sense, has a fixed meaning.
  2. The greatest literary texts are “timeless” and “universal.”
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13
Q

It focuses on how human behavior is determined by social, cultural and psychological structures.

A

structuralism

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14
Q

The belief that “things cannot be understood in isolation, they have to be seen in the context of larger structures which contain them.

A

structuralism

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15
Q

It views a text as a revelation of its author’s mind and personality.

A

psychological/psychoanalytic criticism

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16
Q

He founded pyschoanalysis, a theory of how the mind works and a method of helping people in mental distress. This criticism is based on his work.

A

Sigmund Freud

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17
Q

It focuses on the hidden motivations of literary characters.

A

psychological/pyschoanalytic criticism

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18
Q

True or False

Psychological criticism looks at literary characters as a reflection of the author.

A

True

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19
Q

According to Guerin et al. (2005), this theory is the most controversial, most abused, and for many readers—least appreciated.

A

psychological/pyschoanalytic criticism

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20
Q

Freud’s Three Theories

A
  • conscious vs. unconscious
  • three psychic zones
  • phallic symbols
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21
Q

Three psychic zones and their definition

A
  1. id - desire
  2. superego - prevents ID from fulfilling its desire
  3. ego - negotiating between the ID and the superego and allowing the desires of the ID to be fulfilled in a socially accepted manner
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22
Q

It means or resembles a penis. It is associated with sex or sexual desire.

A

phallic

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23
Q

A complex of stories—some no doubt fact, and some fantasy—which, for various reasons, human beings regard as demonstrations of inner meaning of the universe and of human life.

24
Q

True or False

Mythology reveals the mind and character of an individual.

25
One of the foremost mythologist.
Carl Gustav Jung
26
# **True or False** Psychology reflects the dreams and desires of an individual, while mythology projects (through symbols) people’s hopes, values, fears, and aspirations.
True
27
It transcends time as it unites the past and the present (traditional modes of beliefs) and reaches towards the future (spiritual and cultural aspirations).
mythological
28
# **True or False** Psychology is speculative and philosophical while mythology is experimental and diagnostic.
False | vice versa
29
It is the expression of a profound sense of togetherness of feeling and of action and of wholeness of living.
myth
30
It binds a tribe or a nation together in common psychological and spiritual activities.
mythological
31
These are similar motifs and images found among many different mythologies that carry meaning.
archetypes
32
This imagery symbolizes creation, fertility, rebirth (birth-death-resurrection), purification and redemption, unconscious.
water
33
This imagery symbolizes rising (birth, creation, enlightenment) and setting (death).
sun
34
# **True or False** Red symbolizes chaos, mystery, darkness, death, evil, melancholy.
False | black
35
This color symbolizes truth, positive, religious, purity, security.
blue
36
This color symbolizes growth, hope, sensation, fertility.
green
37
An approach that has been evolving and argues that we must take an author’s life and background into account when we study a text.
historical/biographical
38
# **True or False** Historical/biographical criticism sees literary work exclusively as a reflection of the author’s life and times or the life and times of the characters in the work.
False | not exclusive
39
It argues that social contexts (the social environment) must be considered when analyzing a text.
sociological criticism
40
Two sub-approaches of sociological criticism
* feminist criticism * marxist criticism
41
The core belief in this approach is that “Literature is a reflection of its society.”
sociological criticism
42
# **True or False** Marxism focuses on the values of a society and how those views are reflected in a text.
False | sociological criticism
43
This approach believes that men and women should have equal rights.
feminist criticism
44
Three types of feminism
* liberal or pragmatic feminism * radical feminism * cultural feminism
45
A type of feminism that involves concrete change at an institutional or government level.
liberal or pragmatic feminism
46
It is non-hierarchical and antiauthoritarianism approaches to politics and religion.
radical feminism
47
It replaces the notion that men and women are intrinsically the same.
cultural feminism
48
Differentiate the three types of feminism
* **liberal feminism** - integrates women into power structure * **radical feminism** - eliminate male supremacy in all social and economic contexts * **cultural feminism** - celebrate qualities associated with women
49
It is concerned with understanding the role of power, politics, and money in literary texts.
marxist criticism
50
Marxism is based on the political theory of ________________ and ________________.
* Karl Marx * Friedrich Engels
51
It is the belief that the social classes should be abolished because they create a force in the history and society.
marxism
52
This approach aims to discover the meaning of the literature and check the truth and significance of the literary work.
moral/ethical
53
It determine whether a work conveys a lesson or message and whether it can help readers lead better lives and improve their understanding of the world.
moral/ethical
54
It is the act of closely examining and judging the media.
media criticism
55
The perception that the media is reporting the news in a partial or prejudiced manner.
media bias
56
It occurs when the media seems to push a specific viewpoint, rather than reporting the news objectively.
media bias
57
9 types of literary approaches
1. reader-response theory 2. new/formalist theory 3. structuralism 4. psychological/psychoanalytic criticism 5. mythological-archetypal 6. sociological criticism 7. historical/biographical 8. moral-ethical 9. media criticism