Quiz 1 Flashcards Preview

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Flashcards in Quiz 1 Deck (36):
1

Jackson Pollock, Male and Female, Abstract Expressionism

2

Adolph Gottlieb, Romanesque Facade, Abstract Expressionism

3

Hans Hofmann, The Golden Wall, Abstract Expressionism 

4

Arshile Gorky, Garden in Sochi, Abstract Expressionism

5

Willem de Kooning, Woman and Bicycle, Abstract Expressionism

6

Willem de Kooning, Excavation, Abstract Expressionism

7

Jackson Pollock, Cathedral, Abstract Expressionism

8

Jackson Pollock, Number 1, Abstract Expressionism

9

Jackson Poloock, at work, Abstract Expressionism

10

Barnett Newman, Onement I, Color Field

11

Barnett Newman, Vir Heroicus Sublimis, Color Field

12

Barnett Newman, The Stations of the Cross, Color Field

13

Mark Rothko, Green and Tangerine on Red, Color Field

14

Robert Rauschenberg, Bed, Beat/Neo Dada

15

Robert Rauschenberg, Canyon, Beat/Neo Dada

16

Robert Rauschenberg, Odalisk, Beat/Neo Dada

17

Jasper Johns, Target with Plaster Casts, Beat/Neo Dada

18

Jasper Johns, Three Flags, Beat/Neo Dada

19

Jasper Johns, Flase Start, Beat/Neo Dada

20

Claes Oldenburg, Pie a la Mode, Pop

21

Claes Oldenburg, Floor Cake, Pop

22

Claes Oldenburg, Proposed Colossal Monument for Central Park North, Pop

23

Claes Oldenburg, Clothespin, Pop

24

Tom Wesselman, Great American Nude #57, Pop

25

Andy Warhol, 32 Campbell's Soup Cans, Pop

26

Andy Warhol, Gold Marilyn Monroe, Pop

27

Roy Lichtensteim, Blam, Pop

28

James Rosenquist, F-111, Pop

 

29

James Rosenquist, Paper Clip, Pop

30

James Rosenquist, Through the Eye of the Needle to the Anvil, Pop

31

Richard Hamilton, Just what is it that makes today's homes so different, so appealing?, Brit Pop

32

Hoffman's Art Theory

Abstract expressionist artist, Henry Hofmann, developed an artistic approach and theory called "push and pull", which he described as interdependent relationships between form, color, and space. He was powerfully influenced by Matisse’s use of color and Cubism’s displacement of form. His later work reflected this style in the 1950s and 60s.

33

Combine Paintings

In the late fifties, Rauschenberg coined the term "combine" for a work that joins elements of painting and sculpture. Rauschenberg sought an experience of assimilation without anyalysis of any kind. This work had a lot to do with displacement.

34

Existentialism

Philosophical "non-movement" that was concerned with individualtiy and the uniqueness of subjective experience. Significantly influenced American art from 1945, when the works of Kafka, Sartre, and then Heidegger began to appear in English.

35

Greenberg "Modernist Painting" essay

Clement Greenberg published this essay in 1961, and defined “Modernism” as the period (in art) roughly from the mid-1850s to his present that displayed a self-critical tendency in the arts. He believed in the purification of art as an autonomous abstraction.

36

Federal Arts Project

The Works Progress Administration began the Federal Art Project under Holger Cahill in 1935, expanding the types of commissions to easle painting, sculpture, and other media. The Project produced hundreds of thousands of works, and by 1936 employed around 6,000 artists, half to three-quarters of them living in NY.