Quiz 11 Flashcards

1
Q

Hip hop beyond beats & rhythms

A

Writer → Bryan hurt
Produce → Bryon hurt & Sabrina Gordon
2006, starring : bust-a rhymes, chuck d , clipse, Doug e, fresh, fat Joe, jadakiss, m-1, mos def, Talib kweli

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2
Q

By way of example, Michael Eric dyson

A

Points to the early years of America, the expansion of the frontier & manner in which guns equated w/ manhood & ability to care & protect family

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3
Q

Ability to use words skilfully & aggressively is central to being masculine in hiphop world

A

B/c its ability to survive the violence that is much part of young, poor + working class men lives

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4
Q

Rap grew out of a long tradition of male boasting in African American culture

A

A tradition of boys & men fighting for respect by projecting & proclaiming their own power t ability while simultaneously denigrating other men

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5
Q

Jackson Katz argues that mats who feel powerless -particularly MOC & working class white man often turn to their own bodies as source of power

A

Men w/ other power sources (economic, social, political ) don’t have need to adopt this kind of hyper- aggressive physical posture

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6
Q

Violence is so much a part of American

Culture that we’ve become desensitized to it

A

Found in rap, movies, sports, video games, & real-world politics of militarism and war

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7
Q

Chuck d argues that instead of challenging notion that black male violence is natural

A

the industries that produce popular music culture actually exploit stories & images of Black Death for profit

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8
Q

These images not unique to hip hop. Objectified women bodies everywhere

A

→ in American culture, films, advertisements, tv programs

→ however, across the landscape of music video, this is virtually the only vision of women available

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9
Q

Beverly guy-shetfall argues that black people don’t believe sexism is as urgent a social issue as racism

A

Michael Eric dyson, points out both black men & women are victimized by sexism & racism

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10
Q

1/4 black women are raped after the age of 18 Black women are 35% more likely to be assaulted than yt women

A

More than took women assaulted en USA every year, 1 woman every 45 seconds. 61% of victims are under 18

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11
Q

Guy - shetfall suggests that women un rap videos are participating in degradation & commodification of women

A

Rapper, jadakiss, says rap shouldn’t be taken seriously bc its “just entertainment” & argued women are some of the biggest fans of rap music that has lyrics of “bitches & ho’s” and they like hearing those words

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12
Q

Hurts says we’ve become desensitized to the sexism, misogyny & sexual objectification of rap

A

& this has blinded us to how demeaning & harmful it really is

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13
Q

In rap, men refer to other men by demeaning feminized terms like “bitch”

A

Man being called feminine name is greatest insult that can be inflicted. Hurt believes that this reflects deep insecurity that men have about their masculinity

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14
Q

Michael Eric dyson points out that this is also double assault

A

Attack on women through demeaning language & On any type of masculinity that doesn’t fit the stereotypical hypermasculine image

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15
Q

Feminizing men for purpose of insult does not just happen in hip hop

A

Throughout American culture; media, interpersonal interactions & world of politics

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16
Q

Recording industry profits from selling images of violent, materialistic, sexist black masculinity

A

By turning misery of black poverty into a commodity that benefits white-owned corporations

17
Q

In previous decades, when there were still many small, independent record labels, was easier for more diverse and positive artists to obtain recording contracts + get music to public

A

Former president of def Jam records told hurt that the rise of so-called “gangsta” rap as the dominant sub- genre coincided with the takeover of independent labels by major corps

18
Q

White fans of hiphop interviewed by Hurt admitted they know little about African American culture beyond what they see in recordings & videos

A

Admitted music tends to reinforce negative stereotypes of blacks as violent, sexually predatory & obsessed with material goods

19
Q

Chuck d., of the political rap group public enemy

A

Called BET “ the cancer of black manhood in the world” b/c of their promotion of rigid stereotypes of greedy evident, sexist black men

20
Q

chuckD points out that individual rappers cannot be blamed for what is really a state of affairs bought on by recording industry

A

Artists create what they know industry will support. Industry supports what glamorizes sexism, violence not music that is political or includes positive / anti-corporate messages

21
Q

Industry controlled by white-owned corporations

A

Therefore white businessmen make decision about what rap music gets released and promoted