Quiz 2

Question 1

Answer 1

Yves Klein, Leap Into The Void, 1960

Question 2

Answer 2

Yves Klein, Zone of immaterial pictorial sensibility, 1959-62

Question 3

Answer 3

Yves Klein, Anthropometry with Male & Female, 1960

Question 4

Answer 4

Andy Warhol, Campbell Soup Cans, 1962

Question 5

Answer 5

Andy Warhol, Marilyn Diptych, 1962

Question 6

Answer 6

Andy Warhol, Tuna Fish Disaster, 1963

Question 7

Answer 7

Andy Warhol, Ambulance Disaster, 1963

Question 8

Answer 8

Andy Warhol, White Burning Car III, 1963

Question 9

Answer 9

Guy Debord and Asger Jorn, Memoires, 1959

Question 10

Answer 10

Asger Jorn, The Disquieting Duckling, 1959

Question 11

Answer 11

Asger Jorn, The Avant-garde Does Not Surrender, 1962

Question 12

Answer 12

Sol LeWitt, Sculpture Series “A”, 1967

Question 13

Answer 13

Eva Hesse, Untitled (Rope Piece), 1970

Question 14

Answer 14

Eva Hesse, Accession II, 1968-69

Question 15

Answer 15

Eve Hesse, Laokoön, 1966

Question 16

Answer 16

Eva Hesse, Several, 1965

Question 17

Answer 17

Eva Hesse, Ingeminate, 1965

Question 18

Answer 18

Louis Bourgeois, Double Negative, 1963

Question 19

Answer 19

Louis Bourgeois, Le Regard, 1966

Question 20

Answer 20

Louis Bourgeois, Portrait, 1963

Question 21

Answer 21

Louis Bourgeois, Cumul I, 1968

Question 22

Answer 22

Yayoi Kusama, Accumulation No. 1, 1962

Question 23

Answer 23

Lynda Benglis, Contraband, 1969

Question 24

Answer 24

Lynda Benglis, Quartered Meteor, 1969

Question 25

Answer 25

Lynda Benglis, Corner Piece, 1969

Question 26

Answer 26

Robert Smithson, Double Nonsite, 1968

Question 27

Answer 27

Robert Smithson, Chalk Mirror Displacement, 1969

Question 28

Answer 28

Robert Smithson, Yucatan Mirror Displacements, 1969

Question 29

Answer 29

Helio Oiticica, Metaesquema No. 4066, 1958

Question 30

Answer 30

Helio Oiticica, Grande Núcleo, 1966

Question 31

Answer 31

Helio Oiticica, B11 Box Bólide 09, 1964

Question 32

Answer 32

Lygia Clark, Máscara abismo, 1968

Question 33

Answer 33

Nam June Paik, One for Violin, 1962

Question 34

Answer 34

Yoko Ono, Cut Piece, 1964

Question 35

Answer 35

Yoko Ono, Grapefruit, 1964

Question 36

Pop Art

Answer 36

art based on modern popular culture and the mass media, especially as a critical or ironic comment on traditional fine art values.

Question 37

Mass Culture

Answer 37

Mass culture art is a form of popular art, or pop art, that is mass-produced for a wide audience. It includes art that is created to appeal to the masses, such as advertisements, posters, and illustrations.

Question 38

Post Minimalism

Answer 38

movement that began in the late 1960s and was a reaction to Minimalism. It's characterized by a focus on process and concept over the finished product, often using nontraditional materials and incorporating personal expression and social commentary. (Gary Kuehn)

Question 39

Eccentric Abstraction

Answer 39

Title of 1966 art exhibit by Lucy Lippard, helped establish post-minimalism, process, and anti-form art. Exhibition featured artists such as Eva Hesse were featured in this exhibition and are considered to be eccentric abstractionists.

Question 40

Site Specificity

Answer 40

art that's made for a specific location and is closely connected to that place. It's also known as environmental art. (Agnes Dene’s Wheat Field)

Question 41

Dialectic of Site vs. Non-Site

Answer 41

the Nonsite (indoor earthwork — Robert Smithson’s works!) is a space of metaphoric significance. “Travel” in this space is a vast metaphor.

Question 42

White Cube

Answer 42

The white cube is a gallery aesthetic that features white walls, a square or rectangular shape. The spacial, political, and ideiological dimensions of the gallery, space in which art is hung, museum setting.

Question 43

Neo-Concrete Art

Answer 43

1950s Brazilian movement, calling for a greater sensuality, colour and poetic feeling in concrete art.

Question 44

Spectacle

Answer 44

social structure in which aesthetic value has been transformed into commercial value (commodity). under a late capitalist & liberal state, aesthetic value has been transformed into commercial value (commodity)