quiz 2 theory

Question 1

Sentence

Answer 1

Basic idea, repeat (presentation), continuation, cadential (continuation)

Question 2

Period

Answer 2

Basic idea, contrasting idea, weak cadence (antecedent), basic idea, contrasting idea, strong cadence

Question 3

Hybrid 1

Answer 3

Basic idea, contrasting idea, weaker cadence (antecedent), continuation, cadential phrase (continuation), stronger cadence

Question 4

Hybrid 2

Answer 4

basic idea, contrasting idea, weaker cadence (antecedent), cadential phrase (4m.), stronger cadence

Question 5

Hybrid 3

Answer 5

Basic idea, contrasting idea, no cadence (compound basic idea), continuation and cadential phrase (cadential)

Question 6

Hybrid 4

Answer 6

Basic idea, contrasting idea, no cadence (compound basic idea), basic idea, contrasting idea, cadence (consequent)

Question 7

Compound sentence

Answer 7

Basic idea, contrasting idea (compound basic idea) twice (presentation 8m.). Continuation, cadential (continuation 8m.)

Question 8

Compound period

Answer 8

Antecedent of 8m. (sentence, hybrid 3, or hybrid 1), half / weaker cadence, consequent repeats antecedent with stronger cadence

Question 9

Alteration types

Answer 9

Extension: extra material is added at the end in order to stretch out the function in time.
Interpolation: new, unrelated material is inserted between two logically succeeding formal functions
Expansion: segments are internally lengthened (using hemiola, for example)
Compression: constituent members are shortened in relation to the norms

Question 10

Cadential failure

Answer 10

Deceptive cadence: final root-position tonic of an implied authentic cadence is replaced by some other harmony (usually VI) or by tonic in first inversion
Evaded cadence: final cadential tonic of an implied authentic cadence fails to appear (via repeat of previous material?)
Abandoned cadence: cadential dominant is undermined if it is inverted or if it inverts after initially appearing in root position.

Question 11

Framing functions

Answer 11

Thematic introduction: precedes all phrases
Postcadential material: comes after phrase endings

Question 12

2 part phrase (AA’)

Answer 12

applies more often to pop music. two phrases with similar harmony/melody but new lyrics, new musical endings, or musical variations warrant a “prime.”

Question 13

3 part phrase (AAA’)

Question 14

4 part phrase

Answer 14

• Statement, restatement, departure, conclusion.
• departure is contrasting material (think AABA)
• Conclusion requires no cadence
• more for pop/rock

Question 15

AABA form

Answer 15

• Can be realized as AABA, AABA’, AA’BA’, or AA’BA’’

Question 16

ABAC form

Question 17

ABA form

Question 18

Rounded binary / Small ternary

Answer 18

three main sections, typically labeled with letters:

A - exposition
B - contrasting middle (can consist of standing on the dominant or half cadences)
Aʹ - recapitulation

Repeated in the order AABA’BA’

Question 19

Small binary

Answer 19

Part 1: 8m. may remain in tonic key or transpose to III or V, subordinate keys
Part 2: Opens with 4m. contrasting middle (usually), followed by continuation, cadential, new consequent, or further dominant prolongation
- does not recapitulate like rounded binary

Question 20

Large ternary

Answer 20

used almost exclusively in slow movements
Main theme: small ternary and PAC
Interior theme: mode shift, bringing minor to major main themes

Question 21

Strophic form

Answer 21

repeat a lot, any progression happens on the verse level

Question 22

Verse-chorus form

Question 23

Verse-chorus-bridge form