Quiz 4 Flashcards

1
Q

String Quartet No. 1

A

Elliott Carter
1950
All Strings; Metric modulation; each instrument takes on a distinct personality, and are distinguished by intervals and rhythms; modulated by regular proportions; less tonality incorporated (not really at all)

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2
Q

Metastaseis

A

Iannis Xenakis
1953-54
Micropolyphony; beginning in unison, then eventually expands to sound like THX noise; block clicks and triangle; mostly strings, with brass and other orchestral instruments

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3
Q

Sequenza III

A

Luciano Berio
1965-66
All talking (Sprechstimme)

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4
Q

Threnody: To The Victims of Hiroshima

A

Krzysztof Penderecki
1960
Very traumatic and vivid depiction of Hiroshima bombing; with all strings - using very unique techniques to depict screams, falling debris, and sirens

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5
Q

In C

A

Terry Riley
1963
piano minimalism - sounds like HTTYD Forbidden Friendship (cute sounds)

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6
Q

It’s Gonna Rain, Part 1

A

Steve Reich
1965
voice phasing

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7
Q

Come Out

A

Steve Reich
1966
Come out to show ‘dem
voice phasing

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8
Q

Piano Phase

A

Steve Reich
1967
All Piano - very fast tempo
piano phasing

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9
Q

Black Angels: Thirteen Images From the Dark Land

A

George Crumb
1970
All strings; sounds like Don’t Starve music! numbers 4 and 5 (5 is the evil/weird dance); written for ELECTRIC string quartet

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10
Q

String Quartet No. 3

A

George Rochberg
1971
All Strings; actually sounds beautiful in some places - tonality reintroduced with neo-Romanticism and dramatic narrative; beginning is very repetitive - dissonant, jagged movements contradicted with longer, more legato motions

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11
Q

Clapping Music

A

Steve Reich
1972
All clapping - very fast rhythm

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12
Q

Phrygian Gates

A

John Adams
1977-78
Very minimalist piano piece, repetitive notes, imitating electrical signals, very soothing

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13
Q

Seven Magnificat Antiphons

A

Arvo Pärt
1988
Religiously inspired; sounds like a church choir; tintinnabuli bell-like sonorities

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14
Q

Seven Tunes Heard in China

A

Bright Sheng
1995
Imitating Chinese melodies on cello; uses instrument to characterize many east asian instruments; written for Yo-Yo Ma

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