Quotes Flashcards

(47 cards)

1
Q

Lears favouritism

A

“I loved her most”

A1 S1

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Lear

Love Test

A

“Which of you shall we say doth love us most?”

A1 S1 Lear

Provides insight into Lears character, Vanity and insecurity, values flattery, the daughters exaggerations foreshadow their future deception

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Lear

Nothing

A

“Nothing will come of nothing: speak again.”

A1 S1

Imperative, feels owed flattery, threat, sets in motion his tragic downfall

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Cordelia

Love Test

A

“I cannot heave / My heart into my mouth”.

A1 S1 Cordelia

Values honesty, Contrasts her sisters, Not willing to comprimise her principles, failure to aticualte suggests she actually cant find the words unlike G

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Lear threatening Gonoril

A

“How sharper than a serpent’s tooth it
is / To have a thankless child.”

A1 S4

Vivid metaphor, idea of betrayal and pain from family, highlighting the deeply personal nature of suffering, realising his mistake, turning point

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Lear’s Rage

A

“Come not between a dragon and his wrath!”

A1 S1

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Manipulation/team

Gonoril

A

“If he distaste it, let him to my sister.”

A1 S3

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Kent to Lear

A

“See better, Lear”

A1 S1 Kent

Blindness

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Fool

Truthfulness

A

“Dost thou call me fool, boy?”

“All thy other titles thou hast given away that thou wast born with.”

A1 S4

Honesty contrasts flattery, Perceptiveness, Critises hierarchical structure of society suggesting Lear didn’t earn his title

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Lear in storm

A

“Blow, winds, and crack your cheeks! Rage, blow!”

A3 S2

Desire for chaos and distruction, metaphor for inner termoil, confronts the consequences of his actions, healing in some way, leads him to understand himself more? Imperative, Reflects his need to be in control - cant order the weather, mirrors the chaos to come

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Lear

Sinning

A

“I am a man more sinned against than sinning”

A3 S2

Self-reflection, recognises his flaws, victim mentality, Tragic irony - its heavily his fault

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Fool

Irony

A

“This cold night will turn us all to fools and madmen.”

A3 S4

They already are, blaming natural world

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Edgar

compassion

A

“When we our betters see bearing our woes,
We scarcely think our miseries our foes.”

A3 S6

Edgars insight into human nature and empathy, feels less alone in his misery

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

Gloucester

Simile

A

“As flies to wanton boys are we to the gods; They kill us for their sport”

A3 S6

Gloucesters crisis about the lack of divine justice, gods have no mercy or reason

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Lear

Acceptance

A

“Come, let’s away to prison.
We two alone will sing like birds i’ th’ cage.”
“so we’ll live, And pray, and sing, and tell old tales, and laugh At gilded butterflies,”

A5 S3

Newfound freedom without power, symbolises journey from arrogance to wisdom

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Lear + Gonoril

Sisters Manipluation

A

“I’ll go with thee. Thy fifty yet doth double five and twenty, And thou art twice her love.”

“Hear me, my lord. [What need you five and twenty, ten, or five]”

A2 S4

believes promises/words to be equvilant to love, lured him to believe theyre still fighting for his affection, Teamed up against him

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

Albany

Ending

A

“The weight of this sad time we must obey; Speak what we feel, not what we ought to say. The oldest hath borne most: we that are young Shall never see so much, nor live so long.”

A5 S4

Reflects on tragic events and their impacts, elements of the fool, “Speak less than thou Knowest” and “Thou shouldst not have been old till thou hadst been wise.”,speak what we feel not what we ought to say - cordelia didnt say what she was expected to

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

Lear

Humble

A

“I am a very foolish fond old man, Fourscore and upward, I fear I am not in my perfect mind.”

A4 S7

Come full circle from arrogant lear accusing the fool of calling him a fool, no longer insecure, accepted his fate

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

Lear

Cordelia’s Death

A

“Howl howl howl howl!”

A5 S3

Orginally so obsessed with expressing emotion through language, Loses ability to talk, Howls like an animal

20
Q

Regan

talks about Lear

A

“He hath ever but slenderly known himself.”

A1 S1

Identifys Lears fatal Flaw - Lack of self awareness, Throughout the play he discovers this but its too late

21
Q

Edmund

bastard

A

“Why brand they us With base? With baseness? Bastardy? Base, base?”

A1 S2 (Rhestorical question & Alliteration)

Sympathy for Edmund as hes deeply hurt by this stigma, Shows his obsession with his status, harsh, agressive plosive sound. Both fathers reject the “good” child.

22
Q

injustice

Edmund

A

“Now gods stand up for bastards!”

A2 S1

23
Q

Edgar madness

A

“Edgar, i am nothing.” A2 S1
“Edgar I nothing am.” A2 S3

24
Q

responsibility

Lear

A

“I am a man more sinned against than sinning.”

A3 S2

25
#betrayal of family Edmund
"The younger rises when the old doth fall." | A3 S3 (Antithesis, Irony, Foreshadowing) ## Footnote The tragedy of power from the older to the younger, undermines his evilness, its a basic fact. shows his needd to get on top of the social order.
26
# Glouster torture Cornwall
"Out, vile jelly!" | A3 S7
27
# Goneril Albany
"Tigers, not daughters," "See thyself, devil!" | A4 S2
28
Soldiers about Cordelia
"The holy water from her heavanly eyes" | A4 S3
29
# sisters love Edmund
"Neither can be enjoyed / if both remain alive." | A5 S1
30
Reagan and gonoril tragic villains
“She takes a sword and runs at him from behind” gonoril poisons Regan - cowards do not deserve redemption | A3 S7
31
Servant (gods)
“Now heaven help him” notable absence of the gods | A3 S7
32
Goneril to Albany
“Milk-livered man” | A4 S2
33
Lear’s realisation
"They told me i was everything, Tis a lie" | A4 S6
34
gloucester and lears realisation
“Look with thine ears” appearances can be deceiving, blindness, should have LISTENED to Edgar and Cordelia | A4 S6
35
Cordelias first line
"What shall Cordelia speak? Love, and be silent." | A1 S1 (Rhetorical Question) ## Footnote Her self-questioning shows she will be a considerate character, highlights the shallowness and greed of her sisters
36
Fool's honesty
"I am better than thou art now. I am a fool, thou art nothing." | A1 S4 (Juxstaposition, Metaphor, Repetition) ## Footnote shows his painful directness, key theme "nothing" his knowlegde and clarity juxstaposes lears uncertainty and rashness. he may be a fool but at least he knows his place in the social order.
37
Lears fear
"O, let me not be mad." | A1 S5 (foreshadows) ## Footnote makes it feel real - ostracisedd old man in fear of losing his mind. "O" creates a tone of pleading desperation.
38
Kent class
"Nothing almost sees miracles but misery." | A2 S2 (foreshadowing) ## Footnote ecapsulates a major theme: the virtue of suffering, it is only through experiencing "misery" that we appreciate "miracles." key motif "Nothing", could also forshadow blindness
39
Lear leaving
"i abjure all roofs, and choose To wage against the enmity o' the air." | A2 S4 ## Footnote exposure to natural world and fate, moves beyind rge structures of mortal power (social status) and subjects himself to nature.
40
Lear's misogyny
"touch me with noble anger, and let not woman's weapons, water-drops, stain my mans cheeks!" | A2 S4 ## Footnote wants to be granted manly anger, his attatchemnt to his knights suggests he sligns himslef with masculinity through battle and aggression. lear calls tears womans weapons but goneril and regan are composed in this scene it is him who cannpt control himself. "waterdrops" suggests hes sees women as weak - regan and gonril challenge this. awkward sounding "w" undercuts his anger he feels like hes stuttering
41
Gentleman about lear out in the storm
"contending with the fretful elements" | A3 S1 ## Footnote lear is trying to assert dominance on the natural world, hear this description before we see him in an attempt to undermind him, when we do see him we expect to see a patheitc figure not a godlike one
42
regans savage nature
"one side will mock the other- th'other too." | A3 S7 ## Footnote shes joking about balancing his face showing her sadistic enjoyment. "mock" shows her lack of respect for gloucester.
43
albany
"you are not worth the dust which the rude wind blows in your face." | A4 S2 ## Footnote albany turns against goneril setting the play back on course (restoring justice and order) ruded wind shows the theme of hostile weather as a symbol of natural justice, the image of dust symbolises blindness (poor judgement and lack of morality)
44
perceived injustice of the world
"through tatter'd clothes great vices do appear; Robes and furr'd gowns hide all." | A4 S5 ## Footnote observes how peopel of high status are protected from facing justice for their crimes, tatterd clothes and robes and furrd gowns are a metonymy for poverty and wealth.
45
moment of happiness
"his flawed heart, alack, too weak the conflict to support, twixt two extremes of passion, joy and grief, burst smilingly" | A5 S3 ## Footnote romanticises his fathers death, "flawed heart" suggests a heart attack but also his poor judgement that caused the conflict between him and his sons.
46
Edmunds confession
"i was contracted to them both; all three now marry in an instant." | A5 S3 ## Footnote he and the two women will soo join in death, the scheming of the antaganist is over. his bitter joking remark encapsulated the superficiality of gonoril and regan contrasting the deep emotional jounrey undergone by lear and gloucester. "all three" also forshadows the death of cordelia
47
Kent’s loyalty
“I have a journey sir, shortly to go: My master calls me, I must not say no”