Representation Of Gender Flashcards

(27 cards)

1
Q

Front: In Gothic literature, women are often portrayed as __________, __________, and __________, reflecting patriarchal control.

A

Back: passive, innocent, vulnerable

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2
Q

Front: In The Bloody Chamber, the narrator is treated like a __________ or __________ for the Marquis’ pleasure.

A

Back: doll, possession

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3
Q

Front: In The Courtship of Mr Lyon, Beauty’s __________ helps transform the Beast, reinforcing the idea that female purity can __________ male power.

A

Back: virtue, tame

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4
Q

Front: In The Bloody Chamber, the narrator’s __________ becomes her savior, inverting traditional gender roles

A

Back: mother

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5
Q

Front: In The Tiger’s Bride, Beauty demands to see the Beast __________, reclaiming her sexuality and inverting the __________.

A

Back: naked, male gaze

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6
Q

Front: At the end of The Tiger’s Bride, the narrator embraces her __________, symbolizing female __________ and desire.

A

Back: wild natural body, liberation

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7
Q

Front: In Dracula, Mina is crucial to the mission but is excluded “for her own protection,” showing a loss of female __________ and a reinforcement of male __________.

A

Back: agency, control

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8
Q

Front: Gothic males often represent __________ masculinity. Dracula’s attacks reflect male __________ violence..

A

Back: toxic, sexual

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9
Q

Front: In Chapter 21 of Dracula, Dracula grips the woman’s neck and forces her face to his chest. This act symbolizes __________ and __________.

A

Back: violation, dominance

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10
Q

Front: In Porphyria’s Lover, the narrator kills Porphyria to preserve her __________, reflecting male fear of female __________.

A

Back: submission, power

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11
Q

Front: The female vampires in Dracula are portrayed as __________ and __________, symbolizing fears of uncontrolled female sexuality.

A

Front: The female vampires in Dracula are portrayed as __________ and __________, symbolizing fears of uncontrolled female sexuality.

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12
Q

Front: Lucy’s staking is described with violent, almost __________ imagery, symbolizing reassertion of __________ control.

A

Back: sexual, male

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13
Q

Front: Dracula’s bite can be read as a metaphor for male __________, especially in his scenes with __________.

A

Back: penetration, Jonathan

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14
Q

Front: Dracula saying “This man belongs to me!” suggests themes of __________ and fear of male __________ by other men.

A

Back: possession, domination

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15
Q

Front: Gothic literature uses the supernatural to explore __________ taboos and hidden __________ tensions

A

Back: sexual, gender

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16
Q

Gender themes

A

– Women are often the victims
– They represent traditional femininity
– Gothic literature can also be a way to reclaim female empowerment by inverting gender roles
– Men are seen as protectors and exclude women from the action
– The Gothic male is also often the villain
– Gothic women also shown as seductive and powerful and dangerous
– It also explore sexual taboo to supernatural metaphors

17
Q

Women often the victims

A

They are portrayed as passive and innocent and vulnerable often trapped in castles marriages in need of a male hero. This reflects patriarchal control where women are realised yet powerless.

18
Q

Women as victims example

A

In the bloody chamber, the narrator is bought dressed in sexualise for the Marie’s pleasure like a doll or a possession

19
Q

traditional feminine

A

In the culture of Mr Lyon the beauty represents traditional femininity as the beauty begins as a passive domestic figure her virtual transforms the beast “her tears fell on his face like no “this reinforces the idea that female purity can tame male power

20
Q

Gothic jacket can also be a way to reclaim female empowerment

A

By inverting gender roles. In the bloody chamber the narrator’s mother becomes her saviour. In the bride, the beauty we claimed a sexuality by demanding to see the bees first thus inverting the male gaze in the end of the story the narrator embraces her wild natural body, which is a symbol for female liberation and raw desire.

21
Q

on the other hand men are seen as protectors, especially in Dracula

A

The man often exclude the women from the action to carry out their role as male saviours. Will the mean is crucial to their mission volunteering to be hypnotise in chapter 23 she is later excluded for her own protection her voice fades and may characters begin to speak on her behalf stripping out of her agency

22
Q

The Gothic mail is also often the villain

A

Representing toxic masculinity control dominance and violence as they mostly pray on women. Dracula attacks represent male sexual violence and loss of feminine purity “his right hand gripped her by the back of the neck, forcing her face down on his business “on chapter 21 and act described in disturbingly intimate terms symbolising violation and dominance

23
Q

Gothic women are also shown as seductive and powerful and dangerous

A

This reflects male fear of female sexuality and independence. This is portrayed inferior leather by Robert Browning’s lover reflects male fear of female power. He kills her to preserve her submission claiming it was her “upmost will “

24
Q

In Dracula female sexuality is or portrayed as unnatural

A

Went outside of male control especially through the corruption of Lucie Mina and the three vampire women who are predatory and sexually assertive. Their desire is seen as monstrous and must be destroyed. This is symbolised in the violent almost sexual imagery of Lucie’s staking “driving deeper and deeper the mercy bearing stake “which reassures male dominance over the female body.

25
Gothic literature also explored sexual taboo supernatural met
Themes of homosexuality are present in Dracula Dracula bike can be red as a form of male penetration especially when he prays on Jonathan “this man belongs to me “Dracula possessiveness over Jonathan when the vampire brides approach this could symbolise the male fear of being dominated or feminist by other men, which is part of the hidden gender detention throughout the novel
26
introduction
The representation of gender and Gothic chair is complex often reflecting and challenging the dominant gender roles of the Carter and Stoker use the Gothic to distort and explore fears about power sexuality and control
27
concludes
Overall Stoker and Carter are both challenge gender roles highlighting female victimhood while also exploring empowerment and transformation to the supernatural