Reviewer Flashcards

1
Q

It is highly considered as the
signature form of vocal music
to specific cultures in the
Cordilleras

A

Ibaloi Badiw

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2
Q

Is an epic poetry sang only in four
major instances rice harvests,
weddings, funerals and wakes.

A

Hudhud

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3
Q

A Lullaby chant among the natives of the Cordillera mountains, Northern Philippines

A

Salidumay

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4
Q

Characteristic of vocal music

A
  1. Melismatic

2. Free Meter

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5
Q

means that multiple
notes are sounded into a single
vowel in a song

A

Melismatic

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6
Q

on the other hand,
means that the songs are not
bounded by a time signature.

A

Free-meter

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7
Q
The distinct characteristics of
Cordillera vocal music include:
a. It is pentatonic in nature
✓consist of five melodic tones,
do, re, mi, sol, la
A

Pentatonic Scale

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8
Q
The function of instrumental music
of Cordillera is similar to his/her
vocal music.
▪ Instruments are played during
ceremonies, rituals, and
celebrations
A

Instrumental Music

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9
Q
musical
instruments in which a
resonant material such
as wood, stone or metals
vibrate to produce the
initial sound.
A

Idiophones

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10
Q

is a single hand-held smooth-surfaced gong with a narrow

rim.

A

▪ Gangsa

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11
Q

Gangsa ensemble, usually consists ____ to ____ ____ ____, is played
in standing position.

A

five to six flat gongs

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12
Q
▪ Gongs are played by striking
with the palm while rested on
the lap.
▪ They are usually played during
wedding celebration, peace
pacts and festive gatherings
A

GANGSA TOPPAYA

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13
Q
Gongs are struck or
beaten with wooden
mallets while held by the
left hands.
▪ Musicians (usually men)
are on standing position or
doing the step dance
movements on slightly
bending forward position
together with the women
dancers
A

Gangsa Palook/pattung

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14
Q

musical instrument which produces sound

primarily by way of a vibrating stretched membrane.

A

Membranophone

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15
Q

Is a hollow, conical, wooden tenor drum of the Igorot, Bontoc
and Ibaloi.
▪ It is covered with deer skin, pig skin or lizard skin and played by
striking the drum head with the palms of both hands.

A

Solibao

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16
Q

Bamboo abounds in the
Philippines and boast of
several species.

A

Bamboo Instruments

17
Q

Is a musical instrument that produces sound

primarily by causing a body of air to vibrate.

A

Wood winds instruments

Aerophones

18
Q
A nose flute with a long and narrow
internal diameter.
• It is played with the extreme forward
edge of the right or left nostril and
produce.
• Notes in a range of two and a half
octaves.
A

Tongali or Kalaleng

19
Q
Is a variation of a wellknown bamboo pan flutes
or panpipes in the
Philippines.
• It is composed of 5-8
pipes (Saggeypo) tied
together.
A

Diwdiw-as

20
Q
Is a Kalinga bamboo
pipes that is closed on
one end by a node and
the open end is held
against by the lower lip
of the player.
▪ Its length varies in six
sizes from shortest to
the longest
A

Saggeypo

21
Q
Is a lip valley bamboo flute of the
kalinga tribes. It is open on both
ends with four finger holes. (three
in front, one at the back).
• Is a solo instrument usually used
by men in serenading, for
courting women, or for leisure to
pass the time away
A

Paldong

22
Q

Musical instrument that makes sound by way of
vibrating string or strings stretched between two
points. The string can be plucked, struck or
bowed.

A
String instruments
(Chordophone)
23
Q
Is a Kalinga bamboo
polychordal tube zither with six
strings that runs parallel to its
body.
• The two ends of the body are
closed by the bamboo nodes
with hole and a crack along the
body parallel to the strings.
A

Kolitong

24
Q
Is a bamboo percussion
instrument used by the people
of Kalinga to communicate
with spirits during house
blessings.
• It is made of bamboo cut in
various lengths and played by
stamping each against the
ground.
A

Tongatong

25
Q

Is a Kalinga bamboo buzzer used by women. It is played by
holding the end of the tube with one hand while striking it on the
open palm or wrist of the other hand.

A

Bungkaka or Bilbil

26
Q
Kalinga leg xylophone
ensemble instrument consist
of five to six bamboo blades in
graduated sizes.
• The bamboo blade is laid on
the player’s thigh as he sits on
the floor with legs
outstretched and struck by
two thin bamboo sticks held
on each hand.
A

Pateteg

27
Q
Among the Maguindanaon and other
non- Muslim tribe is a bamboo Jew’s
harp of Kalinga.
• They are principally made of bamboo
but some are made of metal.
A

Ulibaw or Kubing

28
Q

Two stringed lute

A

Kuglong

29
Q

is

performed during courtship

A

Vocal Ensemble

30
Q

polychordal zither

A

Saluroy

31
Q

Is a ritual recitation, chanting or uttering of words or sound
purporting to have magical powers.
▪ It could also be a written or recited formula of words designed to
produce a particular effect.

A

Love incantation

32
Q
is used for
communication with the spirits
in rituals and worships,
weddings, works, courtships,
festive occasions, and lullabies.
A

Music of Mindoro

33
Q

Among the different tribes of Mindoro, the
Hanunoo Mangyans have developed a
particular chant poetry called

A

Ambahan

34
Q

song used to
communicate with spirits in rituals
for healing the sick and protecting
the community

A

Marayaw

35
Q

The musical instruments of Mindoro
are used during festivals, rituals,
courtship and daily activities of the
Mangyan.

A

Instrumental Music

36
Q

an instrument with
3 to 4 strings with a wooden body
and human hair for the bow.

A

Gitgit (Lute)

37
Q

a pair of equal-sized wood struck

together to produce sound.

A

Kalutang