Rhythms of the world Flashcards
(70 cards)
Commonalities between rhythms of the world (5)
Aural tradition
Performed at celebrations
Lots of ornamentation
Lots of melisma
Microtonal intervals
Features of indian classical (5)
Aural tradition
Three layers
Performed in concert halls on the floor
No set time signature (free time)
Lots of improvisation
Sitar
type of instrument
what does it play
how are the strings
how are the strings manipulated
how is the melody manipulated
how is the articulation manipulated
what is a feature of the melody
String instrument up to 21 strings
plays raga
Open and fretted strings
String bends
slides
Hammer ons and pull offs
Improvisation
Tanpura
type of instrument
what does it play
How many/range of notes played
How does it play the notes
String instrument (4 strings)
Plays the drone
Plays a small range of notes (2 or 3)
Notes are long held
Tabla
type of instrument
what is it made up of
how is it played
how is it taught
Percussion instrument
Two drums
Performers can make a range of sound by using different parts of their hand and of the drum
Rhythms are taught by ear
Vocals indian classical
what language
how is it sung
how does the melody change
how are the dynamics
hindi, urdu or punjabi
melisma
microtonal intervals
expressive with changes in dynamics
what is the raga
main melodic layer of indian classical
what is the raga made up of
a set of notes like a scale
how many different ragas are ther
over 1000
How is the raga used
improvised by the performer using the notes
On which instrument is the raga played
Sitar/Bansuri (flute)
what is the drone made up of
Long held notes
What is the drone used for
Forms the accompaniment layer within a performance; adds to the texture
What is the drone performed on
Tanpura
What is the tala
Rhythmic layer (drum beat)
What is the tala played on
The tabla
How many different talas are there
Over 1000
How is the tala learnt
Using vocal sounds/words (each sound represents striking the drum in a certain way)
What is the first beat of the tala rhythm called
Sam
Indian classical music structure
Alap
Gat
Jhala
Alap (3)
Only raga and drone
free time
heavily improvised
Gat (3)
Tabla begins to play
Has a sense of pulse and more fixed tempo
still lots of improvisation
Jhala (3)
Builds in intensity and excitement
raga becomes more complex and virtuosic
Builds to a climactic end
Suitable artist for indian classical
Ravi shankar