RTK Lesson 7 Flashcards

1
Q

Little

A

110 (Drop of [x3])

The sense of bring little in this character is not the same as “little bit.” That meaning comes in the next frame. Here little means “small” or “tiny.” The image is one of three little drops, the first of which (the one in the middle) is written larger so that the kanji has some shape to it. The point of writing it three times is to rub the point in: little, little, nothing but little.

*As a primitive of the same shape it keeps the same meaning. Written above a horizontal line, its form is slightly altered, the last two strokes turning inwards like this ⺌.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Few

A

111 (Drop of [x4])

First we need to look at the fourth stroke, the drop of at the bottom that has been extended into a longer diagonal stroke leaning left. This happens because a single, isolated drop will NEVER appear beneath its relative primitive in its normal size, for fear it would drop off and get lost. As for the meaning, let the tiny drop indicate a further belittlement of what is already little-thus making it a few of something little.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Large

A

112

Here we have a simple pictograph of a person, taking up the space of an entire character and giving it a sense of large. It should not be too hard to locate the two legs and outstretched arms.

*As a primitive we need a different meaning, since the element representing the human person will come up later. Therefore, this shape will become large dog or, if you prefer, a St. Bernard dog. In frame 253 we will explain why this choice was made.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Many

A

113 (Moon [x2 but obscured by clouds of time])

“Many moons ago,” begins much Amerindian folklore-a colorful way of saying “Once upon a time” and a great deal of help for remembering this kanji. Here we have two moons (three would take us back to the beginning of time, which is further than we want to go), lacking the final stroke because they are partially obscured by clouds of time.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Evening

A

114

Just as the word evening adds a touch of formality or romanticism to the ordinary word of “night,” so the kanji for evening takes the ordinary looking moon in the night sky and has a cloud pass over it (as we saw in the last frame).

*The primitive keeps the same connotation and meaning as the kanji.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Eventide

A

115 (Drops of Water, Evening)

In the next lesson we will meet the character for morning-tide and the element for drops of water. Meantime we have a perfect blend of picture and idea in this kanji to play on the English word for nightfall, eventide: drops of water inching their way up the shore in the evening.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Outside

A

116 (Evening, Magic Wand)

On the left, the primitive for evening, and on the right, that of magic wand. Now, as every magician worth his abracadabra knows, brining your magic wand out into the evening air makes your magic much more powerful than if you were to stay indoors. Hence, evening and magic wand takes you naturally to outside.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Cliff

A

This primitive means precisely what it looks like: a steep cliff. You can almost see someone standing at the top looking down into the abyss below.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Stone

A

118 (Cliff, Mouth)

With a month under a cliff, what else could we have here but the entrance to a secret cavern, before which a great stone has been rolled so that none may enter. Perhaps it is the hiding place where Ali Baba and his band of thieves have stored their treasures, in which case that magic word kn own to every school Chile who ever delighted over the tales of the Arabian Nights should be enough to push the stone aside. But take care-thee cliff is steep, and one slip will send you tumbling down the ravine below.

This is the one and only time that the second stroke in cliff will reach over to the middle of the horizontal stroke. If you think of the edge jutting outwards (like the story above), the problem should be taken care of.

*The stone is a quite common primitive element, which is not restricted to great boulders but used of stones or rocks of any shape or size.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Resemblance

A

119 (Little, Flesh)

The word resemblance should suggest, among other things, a son’s resemblance to his father. A “chip off the old block” is the way we have often put it, but the character is more simple. It speaks of a little bit of flesh.

*When used as a primitive, the sense and meaning is replaced by that of spark or candle. (If you want an explanation, the Kanji for moon also carries a secondary sense of fire, which we omitted because we are keeping that meaning for other primitives.)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Nitrate

A

120 (Rock, Sparks)

The word nitrate should immediately suggest aa beaker full of nitric acid, which, as every high school chemistry student knows, can eat its way through pretty tough substances. Here we imagine pouring it over a rock and watching the sparks fly as it bores a hole through the rock.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Smash

A

121 (Rock, Baseball, Needle)

We will begin with the two elements on the right, baseball and needle. Since they will be coming together from time to time, let us give the two of them the sense of a game of cricket in which a needle is laid across the wicket. Then imagine using a rock for a ball. A smash hit would probably splinter the bat in all directions, and a smashing pitch would probably do the same with the needle wicket.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Sand

A

122 (Stone, Few)

Good sand for beaches has few or no stones in it. That means that all of us whose feet have been spoiled by too much time in shoes don’t have to watch our step as we cavort about.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

Jealous

A

123 (Woman, Stone)

It should not be hard to leap from the key word to the image of a woman who is jealous of the rock that another woman is sporting on the third finger of her left hand.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Plane

A

124 (Spark, Saber)

Long before the invention of the carpenter’s plane, people used knives and machetes (or here, sabers) to smooth out their woodwork. If you have ever seen the process, you will have been amazed at the speed agility with which the adept can plane a hunk of wood into shape. Indeed, you can almost see the sparks fly from their sabers.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Ray

A

125 (Little, Human Legs)

If you ever wondered what those little particles of “dust” are that dance around in the light-rays that come through the window an fall on your desk, try imagining them as little and disembodied human legs, and you should have no trouble with this character.

17
Q

Plump

A

126 (Large, Drop of)

“Plump” is one of those delightful word in English that almost sounds like their meaning. No sooner do you hear it than you think of a round and ample-bodied person falling into a sofa like a large drop of oil plopping into a fishbowl-kerrrr-plump!

18
Q

Utensil

A

127 (Mouth [x4], St. Bernard)

The picture of this Kanji is not a pleasant one… It shows a large St. Bernard dog stretched out on a table all stuffed and stewed and garnished with vegetables, its paws in the air and an apple in its mouth. At each corner of the table sits an eager empty mouth, waiting for utensils to arrive so the feast can begin.

19
Q

Stinking

A

128 (Nose, St. Bernard)

This character is a bit friendlier to the animal world than the last one. Our friend the St. Bernard is alive and well, its nose in the air sniffing suspiciously after something stinking somewhere or other. [9]

20
Q

Sniff

A

129 (Mouth, Stinking)

You have sen those scratch-and-sniff advertisements for perfumes. This is one for a mouthwash that replaces one stinking odor with another.

21
Q

Exquisite

A

130 (Woman, Few)

The primitive for woman on the left, and the element for few on the right. When we refer to a woman as exquisite, we mean to praise her as the sort of person we meet but few and far between. If you are interested in etymologies, it might help to recall that the Latin phrase lying in the root of the English word exquisite carries this same sense of “seeking out” the rare from the ordinary. [7]

22
Q

Focus

A

131 (Few, Eye)

When we think of focusing on something, we usually take it in a metaphorical sense, though the literal sense is not far behind. It means to block out what Is nonessential in order to fix the eye on a few important matters. The kanji suggests picking up a few things and holding them before one’s eye in order to focus on them better. [9]

23
Q

Thick

A

132 (Cliff, Sun, Child)

When we refer to someone as thick-skinned or thick-headed, we are usually quick to add-even if only under our breath-something about their upbringing. Perhaps it is because deep down we cherish the belief that by nature people are basically tender and sensitive. Be that as it may, the Japanese character for thick depicts a child abandoned out on the wild cliffs, exposed to the heat of the sun, and thus doomed to develop a head and skin as thick as the parent who left it there. [9]

24
Q

Strange

A

133 (St Bernard, Mouth, Nail)

The elements we are given to work with here are St. Bernard and can. Lots of phrases pop to mind to attach these words to the key word, but they end up being too abstract because of the word can.

It is important in such cases (and there will be plenty of them as we go along) to stick closely to the elements, in this case, mouth and nails. Now all we need to do is create a fictitious “Strange but true” column in the Sunday funnies, featuring a St. Bernard whose mouth has been nailed shut because he has been hitting the brandy keg around his neck too hard. [8]