Scene 12-14 (P. 51-65) Flashcards

1
Q

I’ve been receiving reports about you. What’s going on?

A

What do you mean?

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2
Q

What do you have on your face?

A

Oh. Well, I checked the rule book. The one you mentioned, about the brown shoes? I couldn’t find anything about wearing makeup.

And I fixed my shoes. I painted them. With paint from the art room.

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3
Q

Head down to the washroom and remove the makeup right now.

A

Why?

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4
Q

Because I told you so.

A

I’m in a band now. A school band. And I think it’s important for us to have a “look”. It’s part of our image.

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5
Q

Men don’t wear makeup.

A

Some men do. And why not? Like, people in the 18th century would wear makeup. So that means that people like Mozart would have. And he was a man.

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6
Q

That makes me Salieri then, does it?

A

Who’s Salieri?

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7
Q

Take the makeup off, and stop acting like you deserve special treatment.

A

I don’t want special treatment. At all.

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8
Q

You can use the staff washroom if you’d like. It’s right down the hall.

A

I’m going to go back to class now.

You can’t do this!

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9
Q

You wanna bet?

A

Stop!

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10
Q

Hey Cosmo.

A

Who?

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11
Q

You need a catchy name. If you’re going to be in a band.

A

Right. What are you doing here?

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12
Q

What happened? You look like crap.

A

Oh. Nothing.

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13
Q

I really liked you song. It made me cry.

A

Oh, I’m sorry.

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14
Q

No, no, that’s a good thing. But write me a happy one next.

A

What if I don’t feel happy?

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15
Q

And we don’t get bombed every other week.

A

How’s, uh, your boyfriend?

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16
Q

Evan?

A

Yeah… How is he?

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17
Q

We’re kind of on a break now, though.

A

Yeah. That’s a good idea. Take a break for a year or so. Get some perspective.

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18
Q

You’re funny. He’s actually a really nice guy.

A

How long have you been together?

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19
Q

For modelling. Your whole career can depend on it.

A

Yeah. And what’s in it for Evan?

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20
Q

Are you jealous, Cosmo?

A

Why would I be jealous?

21
Q

Exactly. Write me a happy song. I need a laugh.

A

What if I don’t feel happy?

22
Q

We only have a half hour dinner window at my house.

A

Your parents give you a window to eat?D

23
Q

Definitely beats some of the others places I’ve been.

A

You don’t live with your parents?

24
Q

No.

A

Oh. Cool.

25
Q

You can ask where they are. I know you want to know.

A

Well…

26
Q

He got hit by a car.

A

Oh my God. Sorry.

27
Q

My mom’s in and out of the hospital all the time.

A

Why?

28
Q

No. She’s bipolar.

A

So, like, happy/sad?

29
Q

Evan likes to help me schedule my time.

A

Okay. When are you going?

30
Q

KRISTEN
Yes… I am.

A

What’s going on?

31
Q

They haven’t been able to find anyone.

A

When is it?

32
Q

We’re not ready.

A

We could be. We need a deadline. Something to prepare for.

33
Q

I thought you guys could write something. […] A good dance song.

A

No. We’re not going to write songs like that anymore. We’ve got to write how we feel.

34
Q

Well how do you feel?

A

Right now, I don’t know. Life is kind of, I’m feeling… happy/sad.

35
Q

How exactly am I supposed to market that?

A

We don’t need to market it. We’re not pop anymore.

36
Q

I just want to play.

A

That’s fine, be who you are, Ailis.

37
Q

How can you be two things at once? It makes no sense.

A

It means…
It means that I’m stuck in this place full of idiots and bullies and people trying to shit on your dreams, and I’m going to deal with it. Okay? It’s just “how life is now”. And I’m going to try and accept that and get on with it, and I’m gonna make some frickin’ art. I’m gonna be Promethean. That’s what it means.

38
Q

How will it affect our music then?

A

Positively.
[turns to Raphina]
I had this idea for a video. The last one before Raphina leaves. It’s about a guy standing halfway down a pier. And a woman walks past him. Towards the lighthouse. Half an hour later, she hasn’t come back. So he investigates, but she’s gone.

39
Q

The hell?

A

There’s nowhere to go. And yet, she’s not there.

40
Q

She’s killed herself.

A

Correct. She’s really sad.

41
Q

She’s dying to return to the water. To her friends. Where she belongs.

A

Yeah. That’s better.

42
Q

What are you guys called, the Twinkies?

A

Good one, Barry. Is someone getting these down? So much wit, you’re just like Oscar Wilde.

43
Q

I’m going to kill you someday, you know that?

A

No you’re not. Because you don’t even exist.

44
Q

BARRY
What?

A

You’re living in my world, I’m not living in yours. You’re just material for my songs.

45
Q

Be careful what you say. Unless you want another beating.

A

Go ahead, Barry. Beat me up while you still have the power. This is the best year of your life. But it’ll all come crashing down when you leave school. You only have the power to stop things. But not to create.

46
Q

And trying
to impress them with your fake-ass
band won’t change that.

A

I’m not trying to impress them. I’m
just making art. That’s what I do.
I create.

47
Q

Mr. Lawlor?

A

No, Brother.

48
Q

I can’t afford to stay here on my own.

A

So are you, like, getting a divorce?

49
Q

This is the first time I’ve seen you being actually nice to each other in ten years!

A

Maybe Brie’s right. Maybe this is what you needed to do. You know, to get back. Closer than before.

You can’t love this woman from work. You hardly know her. You got that job a few months ago. It’s just an excuse. A way of ending this relationship because you don’t know how to keep it together.