Scene 5 Flashcards

(40 cards)

1
Q

Catherine
You know where they went?

Beatrice
Where?

Catherine
They went to Africa once. On a fishing boat.
It’s true, Eddie.

A

I didn’t say nothin’.

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2
Q

Catherine
And I was never even in Staten Island.

A

You didn’t miss nothin’.

How long that take you, Marco – to get to Africa?

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3
Q

Marco
Oh . . . two days. We go all over.

Rodolpho
Once we went to Yugoslavia.

A

They pay all right on them boats?

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4
Q

Marco
If they catch fish they pay all right.

Rodolpho
They’re family boats, though. And nobody in our family owned one. So we only worked when one of the families was sick.

Beatrice
Y’know, Marco, what I don’t understand – there’s an ocean fulI of fish and yiz are all starvin’.

A

They gotta have boats, nets, you need money.

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5
Q

Beatrice
Yeah, but couldn’t they like fish from the beach? You see them down Coney Island –

Marco
Sardines.

A

Sure.
How you gonna catch sardines on a hook?

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6
Q

Beatrice
Oh, I didn’t know they’re sardines.
They’re sardines!

Catherine
Yeah, they follow them all over the ocean, Africa, Yugoslavia . . .

Beatrice
It’s funny, y’know. You never think of it, that sardines are swimming in the ocean!

Catherine
I know. It’s like oranges and lemons on a tree.
I mean you ever think of oranges and lemons on a tree?

A

Yeah, I know. It’s funny.

I heard that they paint the oranges to make them look orange.

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7
Q

Marco
Paint?

A

Yeah, I heard that they grow like green.

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8
Q

Marco
No, in Italy the oranges are orange.

Rodolpho
Lemons are green.

A

I know lemons are green, for Christ’s sake, you see them in the store they’re green sometimes. I said oranges they paint, I didn’t say nothin’ about lemons.

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9
Q

GAP, then:

Marco
Oh, no, she saves. I send everything. My wife is very lonesome.

Beatrice
She must be nice. She pretty? I bet, heh?

Marco
No, but she understand everything.

Rodolpho
Oh, he’s got a clever wife!

A

I betcha there’s plenty surprises sometimes when those guys get back there, heh?

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10
Q

Marco
Surprises?

A

I mean, you know – they count the kids and there’s a couple extra than when they left?

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11
Q

Marco
No – no . . . The women wait, Eddie. Most. Most. Very few surprises.

Rodolpho
It’s more strict in our town.
It’s not so free.

A

It ain’t so free here either, Rodolpho, like you think. I seen greenhorns sometimes get in trouble that way – they think just because a girl don’t go around with a shawl over her head that she ain’t strict, y’know? Girl don’t have to wear black dress to be strict. Know what I mean?

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12
Q

Rodolpho
Well, I always have respect –

A

I know, but in your town you wouldn’t just drag oft some girl without permission, I mean.

You know what I mean, Marco? It ain’t that much different here.

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13
Q

Marco
Yes.

Beatrice
Well, he didn’t exactly drag her off though, Eddie.

A

I know, but I seen some of them get the wrong idea sometimes.

I mean it might be a little more free here but it’s just as strict.

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14
Q

Rodolpho
I have respect for her, Eddie. I do anything wrong?

A

Look, kid, I ain’t her father, I’m only her uncle

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15
Q

Beatrice
Well then, be an uncle then.
I mean.

Marco
No, Beatrice, if he does wrong you must tell him.
What does he do wrong?

A

Well, Marco, till he came here she was never out on the street twelve o’clock at night.

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16
Q

Marco
You come home early now.

Beatrice
Well, you said the movie ended late, didn’t you?

Catherine
Yeah.

Beatrice
Well, tell him, honey.
The movie ended late.

A

Look, B, I’m just sayin’ – he thinks she always stayed out like that.

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17
Q

Marco
You come home early now, Rodolpho.

Rodolpho
All right, sure. But I can’t stay in the house all the time, Eddie.

A

Look, kid, I’m not only talkin’ about her. The more you run around like that the more chance you’re takin’.

I mean suppose he gets hit by a car or something.

Where’s his papers, who is he? Know what I mean?

18
Q

Beatrice
Yeah, but who is he in the daytime, though? It’s the same chance in the daytime.

A

Yeah, but he don’t have to go lookin’ for it, Beatrice. If he’s here to work, then he should work; if he’s here for a good time then he could fool around!

But I understood, Marco, that you was both comin’ to make a livin’ for your family. You understand me, don’t you, Marco?

19
Q

Marco
I beg your pardon, Eddie.

A

I mean, that’s what I understood in the first place, see.

20
Q

Marco
Yes. That’s why we came.

A

Well, that’s all I’m askin’.

21
Q

Catherine
You wanna dance, Rodolpho?

Rodolpho
No, I – I’m tired.

Beatrice
Go ahead, dance, Rodolpho.

Catherine
Ah, come on. They got a beautiful quartet, these guys. Come.

A

What’s that, a new record?

22
Q

Catherine
It’s the same one. We bought it the other day.

Beatrice
They only bought three records.
Must be nice to go all over in one of them fishin’ boats. I would like that myself. See all them other countries?

23
Q

Beatrice
But the women don’t go along, I bet.

Marco
No, not on the boats. Hard work.

Beatrice
What’re you got, a regular kitchen and everything?

Marco
Yes, we eat very good on the boats – especially when Rodolpho comes along; everybody gets fat.

Beatrice
Oh, he cooks?

Marco
Sure, very good cook. Rice, pasta, fish, everything.

A

He’s a cook, too!

He sings, he cooks . . .

24
Q

Beatrice
Well it’s good, he could always make a living.

A

It’s wonderful. He sings, he cooks, he could make dresses . . .

25
Catherine They get some high pay, them guys. The head chefs in all the big hotels are men. You read about them.
That’s what I’m sayin’.
26
Catherine Yeah, well, I mean.
He’s lucky, believe me. That’s why the water front is no place for him. I mean like me – I can’t cook, I can’t sing, I can’t make dresses, so I’m on the water front. But if I could cook, if I could sing, if I could make dresses, I wouldn’t be on the water front. I would be someplace else. I would be like in a dress store. What do you, say, Marco, we go to the bouts next Saturday night. You never seen a fight, did you?
27
Marco Only in the moving pictures.
I’ll treat yiz. What do you say, Danish? You wanna come along? I’ll buy the tickets.
28
Rodolpho Sure. I like to go. Catherine I’ll make some coffee, all right?
Go ahead, make some! Make it nice and strong. You wait, Marco, you see some real fights here. You ever do any boxing?
29
Marco No, I never.
Betcha you have done some, heh?
30
Rodolpho No
Well, come on, I’ll teach you.
31
Beatrice What’s he got to learn that for?
Ya can’t tell, one a these days somebody’s liable to step on his foot or sump’m. Come on, Rodolpho, I show you a couple a passes.
32
Beatrice Go ahead, Rodolpho. He’s a good boxer, he could teach you. Rodolpho Well, I don’t know how to –
Just put your hands up. Like this, see? That’s right. That’s very good, keep your left up, because you lead with the left, see, like this. See? Now what you gotta do is you gotta block me, so when I come in like that you – Hey, that’s very good! All right, now come into me. Come on.
33
Rodolpho I don’t want to hit you, Eddie.
Eddie Don’t pity me, come on. Throw it, I’ll show you how to block it. ’At’s it. Come on again. For the jaw right here. Very good!
34
Beatrice He’s very good!
Sure, he’s great! Come on, kid, put sump’m behind it, you can’t hurt me. Attaboy. Now I’m gonna hit you, so block me, see?
35
Catherine What are they doin’? Beatrice He’s teachin’ him; he’s very good!
Sure, he’s terrific! Look at him go! ’At’s it! Now, watch out, here I come, Danish!
36
Catherine Eddie!
Why? I didn’t hurt him. Did I hurt you, kid?
37
Rodolpho No, no, he didn’t hurt me. I was only surprised. Beatrice That’s enough, Eddie; he did pretty good though.
Yeah. He could be very good, Marco. I’ll teach him again.
38
Marco Can you lift this chair?
What do you mean?
39
Marco From here.
Sure, why not? Gee, that’s hard, I never knew that. It’s on an angle, that’s why, heh?
40
Marco Here. (He kneels, grasps, and with strain slowly raises the chair higher and higher, getting to his feet now and raises the chair over his head.)
OFF