Sensations and perception Flashcards

1
Q

Sensation

A

is the process by which our sensory receptors and nervous system receive and represent stimulus energies from our environment
is the detection of information by your senses and transmission of this information to your brain

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2
Q

perception

A

is the process of organizing and interpreting sensory information, enabling us to recognize meaningful objects and events
is the process by which your brain organizes and interprets sensory input
if selectively impaired for faces, this would allow you to recognize people from their hair, gait, voice, or particular physique, but just not their face

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3
Q

transduction

A

is the conversion of one form of energy into another
in sensation, this is the transforming of stimulus energies, such as sights, sounds, and smells, into neural impulses our brain can interpret

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4
Q

absolute threshold

A

is the minimum stimulation needed to detect a particular stimulus 50 percent of the time
would be tested for if a hearing specialist exposed each of your ears to varying sound levels and, for each tone, the test defined where half the time you could detect the sound and half the time you could not

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5
Q

difference threshold

A

is the minimum difference between two stimuli required for detection 50 percent of the time
is also known as the just noticeable difference

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6
Q

weber’s law

A

is the principle that, to be perceived as different, two stimuli must differ by a constant minimum percentage (rather than a constant amount)
law that accounts for the fact that if you add 1 ounce to a 10-ounce weight then you will detect the difference, but if you add 1 ounce to a 100-ounce weight then you probably will not
states that two lights must differ in intensity by 8 percent in order for an average person to perceive this difference
states that two objects must differ in weight by 2 percent in order for an average person to perceive this difference
states that two tones must differ in frequency by 0.3 percent in order for an average person to perceive this difference

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7
Q

sensory adaptation

A

is a diminished sensitivity as a consequence of constant stimulation
is occurring if, after standing for several minutes in a smelly room, you no longer notice the smell
is occurring if, after moving your watch up your wrist an inch and then waiting a few moments, you no longer feel it
is prevented from occurring when we stare at an object without flinching because our eyes are always moving
although it reduces our sensitivity, this offers an important benefit: freedom to focus on informative changes in our environment without being distracted by background chatter

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8
Q

perceptual set

A

is a mental predisposition to perceive one thing and not another
would be a belief that influences what you hear, taste, feel, or see
would be occurring if a newpaper caption about a monster creates in you an expectation that makes you see a curved tree truck in a photo as a monster
was occurring when a co-pilot, expecting to hear the usual “Gear up” command, raised the planes wheels when the pilot told him to “Cheer up”

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9
Q

wavelength

A

is the distance from the peak of one light or sound wave to the peak of the next
physical property of electromagnetic energy that varies from the short blips of cosmic rays to the long pulses of radio transmission
physical property of light waves that determines the dimension of color
property of waves that is inversely related to their frequency, where the lower the frequency of the wave is then the greater this will be

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10
Q

intensity

A

is the amount of energy in a light or sound wave as determined by the wave’s amplitude
physical property of light waves that determines the dimension of brightness
physical property of sound waves that determines the dimension of loudness

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11
Q

pupil

A

is the adjustable opening in the center of the eye through which light enters
part of the eye that has its size controlled by the colored muscles of the iris
part of the eye that dilates or constricts in response to light intensity and even to inner emotions
part of your eye that dilates and gives your eyes a darker appearance when you’re feeling amorous and interested in someone else
part of your eyes that dilates when you enter a darkened theater or turn off the light at night

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12
Q

lens

A

is the transparent structure behind the pupil that changes shape to help focus images on the retina
part of the eye that has its curvature and thickness changed to bring nearby or distant objects into focus on the retina

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13
Q

retina

A

is the light-sensitive inner surface of the eye, containing the receptor rods and cones plus layers of neurons that begin the processing of visual information
is a multilayered tissue on the eyeball’s sensitive inner surface

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14
Q

rods

A

are sensory receptors that detect black, white, and gray

are sensory receptors that are necessary for peripheral and twilight vision

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15
Q

cones

A

are sensory receptor that are concentrated near the center of the retina (fovea) and that function in daylight or in well-lit conditions
are sensory receptors that detect fine detail and give rise to color sensations

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16
Q

blind spot

A

is the point at which the optic nerve leaves the eye and there are no receptor cells located there
is responsible for normally creating a lack of sensation from an area of the visual field of each eye, but for which your brain automatically compensates by filling in this black hole

17
Q

young-helmholtz trich theory

A

is the theory that the retina contains three different color receptors - one most sensitive to red, one to green, one to blue - which, when stimulated in combination, can produce the perception of any color
theory that states that we see yellow by mixing red and green light, which stimulates both red-sensitive and green-sensitive cones
theory of color vision that has trouble explaining how people blind to red and green only (the most common type of color-blindness) can often still see yellow

18
Q

opponent-process theory

A

is the theory that opposing retinal processes (red-green, yellow-blue, white-black) enable color vision
theory of color vision that states that some cells are stimulated by green and inhibited by red, while others are stimulated red and inhibited by green
theory of color vision that was based on the observation that the afterimage produced by staring at red is green and vice versa

19
Q

frequency

A

is the frequency of complete wavelengths that pass a point in a given time (for example, per second)
physical property of sound waves that determines the dimension of pitch: a tone’s experienced highness or lowness
physical property of sound waves that when low is perceived as a low pitch note, and that when high is perceived as a high pitch note

20
Q

middle ear

A

is the chamber between the eardrum and cochlea containing three tiny bones (hammer, anvil, and stirrup) that concentrate the vibrations of the eardrum on the cochlea’s oval window
damage to this area of the ear will produce conduction hearing loss: hearing loss caused by damage to the mechanical system that conducts sound waves to the inner ear

21
Q

cochlea

A

is a coiled, bony, fluid-filled tube in the inner ear
is where sound waves trigger nerve impulses when they travel through its fluid and cause its hair cells to bend
is where the sensory receptors for audition - its hair cells - are located
damage to this area of the ear will produce sensorineural hearing loss (also known as nerve deafness): hearing loss caused by damage to this structure’s receptor cells or to the auditory nerves that exit it

22
Q

place theory

A

is the theory of pitch perception that links the pitch we hear with the place where the cochlea’s membrane is stimulated
according to this theory of pitch perception, higher frequency sound waves produce larger vibrations near the beginning of the cochlea’s membrane, while lower frequency ones do so near the end of the cochlea’s membrane
theory of pitch perception that cannot explain how we distinguish between low-frequency sound waves since the neural signals they generate are not so neatly localized on the basilar membrane

23
Q

frequency theory

A

is the theory of pitch perception that notes the fact that the rate of nerve impulses travelling up the auditory nerve matches the frequency of a tone
theory of pitch perception that cannot explain how we distinguish between high-frequency sound waves (greater than 1000 waves per second) since an individual neuron cannot fire faster than 1000 times per second

24
Q

sound localization

A

enables you to determine the spatial origins of auditory events
process that has two mechanisms: assessments of the relative timing and of the relative intensity of sounds that arrive at each ear

25
Q

skin receptor

A

type of sensory receptor that detects touch sensations

type of sensory receptor that has four basic variations: pressure, warmth, cold, and pain

26
Q

taste bud

A

contains 50 to 100 taste receptors which project antenna-like hairs that sense food molecules
there are 200 or more of these inside each little bump on the top and sides of your tongue
contains one of five basic types of sensory receptors: sweet, salty, sour, bitter, and umami

27
Q

olfactory receptor

A

type of sensory receptor that detects smell sensations
type of sensory receptor that is located at the top of each nasal cavity
type of sensory receptor that has many different types which are stimulated in combination to produce the 10,000 odors we can detect

28
Q

kinesthetic sensor

A

type of sensory receptor that detects the position and movement of individual body parts
type of sensory receptor that is located in your joints and tendons

29
Q

vestibular receptor

A

type of sensory receptor that detects your head’s (and thus your body’s) position and movement, and thus allows us to maintain balance
type of sensory receptor that consists of hair cells located in two structures of the inner ear: the semicircular canals for detecting the direction of head acceleration and the vestibular sacs for detecting the position of the head
type of sensory receptor that sends messages to the cerebellum at the back of your brain

30
Q

figure-ground

A

is the organization of the visual field into objects that stand out from their surroundings
is the organization of the visual field that would separate words from the background white paper they are printed on

31
Q

gestalt laws of organization

A

are the principles that explain our perceptual tendency to organize stimuli into coherent groups
rules, applied even by infants, that illustrate how the perceived whole differs from the sum of its parts
includes the principle of proximity: that we group nearby figures together
includes the principle of continuity: that we perceive smooth, continuous patterns rather than discontinuous ones
includes the principle of closure: that we fill in gaps to create a complete, whole object

32
Q

monocular cues

A

are depth cues available to either eye alone
type of depth cues that include relative height: how we perceive objects as being farther away if they are higher in our field of vision than other objects
type of depth cues that include relative size: how we perceive objects as being farther away if they cast smaller retinal images than other objects we assume to be similar in size
type of depth cues that include interposition: how we perceive an object as being closer if it partially blocks our view of another object
type of depth cues that include relative motion: how we perceive objects as being farther away if they seem to move less as we move
type of depth cues that include linear perspective: how we perceive parallel lines as being farther away the sharper the angle of convergence
type of depth cues that include light and shadow: how shading produces a sense of depth consistent with our assumption that light comes from above

33
Q

monocular cues

A

are depth cues that depend on the use of two eyes
type of depth cues that include retinal disparity: how the brain compares images from the retinas in the two eyes to compute distances

34
Q

phi phenomenon

A

is an illusion of movement created when two or more adjacent lights blink on and off in quick succession
illusion that a lighted sign would exploit if it creates an impression of a moving arrow
is also known as stroboscopic movement: the perception of continuous movement in a rapid series of slightly varying images
illusion that film animation artists create by flashing 24 still pictures a second
illusion that allows us to perceive motion in films, which are really just superfast slide shows

35
Q

perceptual constancy

A
is the perception of an object as unchanging even as illumination and retinal images of the object changes
includes color constancy: perceiving familiar objects as having consistent color, even if changing illumination alters the wavelengths reflected by an object
includes brightness (or lightness) constancy: perceiving an object as having a constant brightness, despite variations in its illumination, due to the relative luminance of its surroundings
includes shape constancy: perceiving the shape of familiar objects as constant even while we view them from different angles
includes size constancy: perceiving the size of objects as constant even while our distance from them varies