Shankar Wider Listening Details Flashcards

(29 cards)

1
Q

Shunya by Indian Ocean – Structure

A

‘Alap’-like section played by sax. Bass entry gives a pulse mirroring the ‘Jor’ section

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2
Q

Within You Without You – Structure

A

Starts with slow sitar melody with a sense of free time (Alap)

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3
Q

Within You Without You – Sonority / Instrumentation

A

Features tambura drone، sitar، dilruba (bowed sitar) strict tabla rhythm and sustained strings

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4
Q

Within You Without You – Tonality

A

Written in a modal scale (Mixolydian)

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5
Q

Within You Without You – Texture

A

Uses a tambura drone with free vocals over a strict tabla rhythm

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6
Q

Within You Without You – TMR

A

Features tabla rhythms though less complex interaction than Shankar

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7
Q

Across the Universe – Sonority / Instrumentation

A

Western harmony/structure combined with Indian instruments (tambura sitar) and strings collaboration with Ravi Shankar

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8
Q

Norwegian Wood – Melody

A

Features ornate sitar part

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9
Q

Rag Desh by Anoushka Shankar – Structure

A

Traditional North Indian classical style – Alap followed by dominant tabla section no fusion

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10
Q

Magnetic by Tabla Beat Science – Structure

A

Build-up in texture instead of verse-chorus form

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11
Q

Magnetic by Tabla Beat Science – Sonority / Instrumentation

A

Fusion with electronic tabla and synth bass

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12
Q

Magnetic by Tabla Beat Science – Melody

A

Use of microtonal slides (meend)

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13
Q

Don’t Know Why by Norah Jones – Structure

A

Verse–chorus–bridge form similar to “Easy”

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14
Q

Don’t Know Why by Norah Jones – Melody

A

Jazz-influenced lyric-driven with gentle bends like Norah’s phrasing in “Easy”

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15
Q

Don’t Know Why by Norah Jones – Harmony

A

Rich jazz-colour chords (7ths 9ths) under floating vocal line like “Easy”

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16
Q

Don’t Know Why by Norah Jones – TMR

A

Steady 4/4 swing at relaxed tempo like “Easy”

17
Q

Come Away With Me by Norah Jones – Sonority / Instrumentation

A

Piano upright bass and sparse percussion support a warm vocal line

18
Q

Together by Singh and Kumar – Sonority / Instrumentation

A

Homophonic pop string accompaniment under sitar and tabla includes manjira

19
Q

Together by Singh and Kumar – Texture

A

Homophonic chordal pop string accompaniment under sitar and tabla

20
Q

Together by Singh and Kumar – Melody

A

Conjunct sitar melody with ornamentation (meends mordents oscillations)

21
Q

Together by Singh and Kumar – Harmony

A

Slow harmonic rhythm highlights sitar solo

22
Q

Traveller by Talvin Singh – Sonority / Instrumentation

A

Combines tabla and Indian instruments with synths and strings like BUW

23
Q

Nadia by Nitin Sawhney – Tonality

A

Blends Indian modes with Western harmony uses D minor loop and modal melody layering like “Burn”

24
Q

Nadia by Nitin Sawhney – Harmony

A

Static harmony with Indian modal melodies like Shankar’s “Burn”

25
Tides by Nitin Sawhney – Tonality
Modal tonality with underlying drone allowing melodic freedom like Shankar
26
Voiles by Debussy – Tonality
Whole-tone/modal ambiguity creates drifting tonality like “Easy”
27
Joy by Shakti – Harmony
Indian melodic ideas fused with Western jazz harmonies including extended and altered chords
28
Meetings Along the Edge – TMR
Explores complex tala cycles with syncopation and cross-rhythms like “Burn”
29
Symphony by Ravi Shankar – Harmony
Frequent chromatic inflections reflecting unconventional Western harmonic use