singing quiz Flashcards

(24 cards)

1
Q

Sound??

A

Complex wave consisting of
many simple waves (components/low
partials) with different frequencies.

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2
Q

Spectrum??

A

shows ‘how much’ each simple wave contributes to the sound

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3
Q

Spectrogram

A

spectrum over time

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4
Q

fundamental frequency f0

A

is the lowest frequency in a periodic wave

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5
Q

The harmonics or overtones

A

are integer multiples of the fundamental frequency f0

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6
Q

a sound source

A

vibrates in air to create a certain fundamental frequency (which is perceived as pitch) and its related harmonic frequencies (integral multiples of the basic frequency), which define the timbre ,or sound color;

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7
Q

a resonator

A

reinforces or amplifies the fundamental frequency and its harmonics

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8
Q

sound radiator

A

transfers the sound to free air space and on to a listener’s ear.a sound

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9
Q

Changing pitch on a violin

A
  1. Turn pegs: change tension
  2. Press string: change length
  3. Switch string: change tension
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10
Q

On vocal folds…

A

On vocal folds…
1. Stretch folds: increase stress and
length
2. Shorten folds: decrease length, of
course, but possibly: increase stress

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11
Q

Zacconi

A

voce di petto, voce di testa

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12
Q

Roubeou

A

M0 (fry), M1 (chest), M2 (falsetto), M3 (whistle)*

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13
Q

Consonants

A

Some (full or partial) restriction of air stream in the vocal tract

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14
Q

Vowels

A
  • No restriction in the air stream
  • Tongue shape determines the vocal tract’s resonant frequencies (formants)
  • distinguished by tongue height,

    tongue advancement, lip rounding, Tense-/Laxness
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15
Q

Articulators

A

Anything actively or passively involved in articulation: tongue, lips, teeth, alveolar ridge, palate, velum, uvula

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16
Q

Speech sounds

A

are the result of a transformation of the glottal source by the vocal tract

17
Q

Source —

18
Q

Filter —

19
Q

Source-filter theory: Independence assumption

A

Independence of source and filter:
The fundamental frequency (F0), produced by the source, 
 changes the harmonic spacing
While the shape of the spectrum (peaks at F1, F2, F3)
 produced by the filter, remains constant

20
Q

Formant clustering

A

Shifting F2 towards F1 results
in a spectral peak (duplex formant)

21
Q

How do opera singers get heard over an orchestra?

A

Clustering formants!

22
Q

Pitch

A

Music tends to use discrete pitches to form nonequidistant scales of < - 7 pitches per octave, often descending/arched contours composed of small intervals.

23
Q

Rythm

A

Music tends to use an isochronous beat
according to metrical hierarchies
based on multiples of 2 or 3 beats,
on which motivic patterns are
constructed using <5 durational values

24
Q

Explaining the arch

A

Because of how the vocal system works.
Rising contours are easier to produce
at the start of a phrase