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G2061 > Sophie Sarbed > Flashcards

Sophie Sarbed Flashcards

(59 cards)

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1
Q

Kniffen 1965

A

American housing types, a tracking of material

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2
Q

Jordan 1989

A

Backwoods pioneers

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3
Q

Jackson 1989

A

Maps of meaning, movement towards ideas of meaning and social, economic and political scenarios that brought material things into importance

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4
Q

Lees 2002

A

re-associating materials and values, relating meaning and materiality

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5
Q

Whatmore 2006

A

ongoing relationship between the two, rematerialising allows for identifying worldly involvements of ideas

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6
Q

Williams 1981

A

engagement with capitalist systems and the objects that revolve in them

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7
Q

Miller 2010

A

People make things and things make people, subject-object dialect, actively making one another

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8
Q

Hitchings 2003

A

Actor Network theory, living alongside the inhuman

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9
Q

Whatmore 2006

A

Materials hold an acitve role in our environments

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10
Q

Thrift 2008

A

Non-representational theory - ideas of our bodies and how they act to space and materials, defined by an affect. Immaterial becoming material

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11
Q

Anderson 2014

A

life is already mediated through non-representational ideas. Responses and relations to spaces, body practice performance

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12
Q

Ritzer 2004

A

Globalisation: worldwide diffusion of practices, expansion of relations. Nothingness - controlled social form

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13
Q

Goodman 2007

A

What connects all in globalisation is consumption

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14
Q

Bigsby 1975

A

USA has become a superculture, Americanisation

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15
Q

Prendergast 2013

A

Coca-colonisation turning communism into capitalist

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16
Q

Miller 2011

A

Ubiquity of jeans, universal consumption

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17
Q

Ritzer 1993

A

principles of th fast food restaurant are coming to dominate more and more

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18
Q

Caldwell 2005

A

Mcdonalds around the world, adopting different ideas

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19
Q

Watson 1997

A

Glocalisation, absorbing locality into mcdonalds

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20
Q

Miller 1992

A

Trinidad Soap operas copying ideas from around the world

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21
Q

Miller 2011

A

Denim taking on different meanings globally - wealth

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22
Q

Friedman 1990

A

Le Sape in the Congo, European ideas in fashion - holds different meanings

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23
Q

Appadurai 1995

A

Most societies possess means for modernity, not western advancements

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24
Q

Cook et al 2004

Study These Flashcards
A

Following the thing becoming a common approach, simultaneous approaches to dis/connections

25
Appadurai 1986
Idea of the objects have social lives, exchanges creating value
26
Hooks 1992
race, otherness, and difference are articulated in ideas of mass culture and mass consumption
27
Jackson 1999
Cannibalism self satisfaction, decontextualising erasing knowledge, essentialisation reporoduction of stereotypes, desires bound up with orientalism and other
28
Domosh 1988
Skyscrapers represent power and authority in urban spaces
29
Kaika 2010
city of london power and imperial ideas
30
Jacobs 2006
residential highrise more expensive and powerful if higher up, ideas of verticality
31
Driver 1985
Panopticon prison ideas of moving power through architecture
32
Adey 2008
buildings are created through the activities within them, as well as the activities created by the architecture IKEA movement
33
Edensor 2005
natural thought and process can be defined by physical entities
34
Lees 2001
Vancouver public library -architecture is performative in the sense that it involves ongoing social practices through which space is continually shaped and inhabited
35
Goffman 1978
dramturgical social life, performance is about our presentation of ourselfs
36
Crang 1994
restaurants how we act an wait patiently, enjoy the atmosphere
37
Philo 2006
Conversation in cafes and part of atmosphere and the ideas of con
38
Cresswell 1996
acordance and order, who belongs and why, particular ideas of behaviour. Transgressiom
39
Borden 2001
re-performance in architecture, skateboarding an rewriting the use of space
40
Butler 1997
human performance is part of identity and wider social structures. Less about minutiae ideas
41
Gregson 2000
produce and subvert discourse and knowledge
42
Thrift 2008
role of practice in the everyday, life in flux, subject and the social/cultural/material environment. People and practice co produce
43
Simpson 2011
Busking, the performance is reliant on the ideas of the space. Immaterial contribute to the performance
44
Duncan 1995
Gallery space is more than a continer, liminal space cut off from the world, art and archtecture. Site of power
45
Pinder 2005
Performative art encapsulates and allows for temporary questioning/discussion, particularly in space
46
Rendell 2006
Critical engagements of space and place, reflection and imagination of different
47
Kaye 2000
location specific art is defined by its location, looses value when moveed
48
Sumartojo 2013
reworking of political identity through the fourth plinth and new artworks. May not be linked but are read to have a meaning.
49
Lacey 1987
Collaboration with the ordinary to form New Genre Public Art. Speaks of the day to day
50
McAuliffe and Iverson 2011
Graffiti is infoact a representatio of complex urban processes
51
Cresswell 1992
Subverting establishments and expressing marginalised views
52
Schecter 2008
Space of social discussion
53
Dickens 2008
movement of art creates connections and establishes ideas of links in the city
54
Hannam 1994
material things are mobile and can exist beyond typcial social boundaires
55
Peet 1989
new models and ideas of the world to represent new connectedness
56
Slater 1997
consumer culture is a description of consumption organised in societies
57
Fernandes 2000
reproduction of place through photgraphs, india. Reiterating nation states
58
Hudson 1979
Marxian/historical ways of thinking still needed
59
Law 2009
Material semiotics, material objects are invested with particular meaninngs

G2061 (2 decks)

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