Sound projection Flashcards

1
Q

INPUT channels

A

Handle Microphone/line level signals and also process them to some degree, with EQ and often other forms of processing.

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2
Q

INPUT channels routing

A

Routes the signals to FOLDBACK via the auxiliary system, and the GROUP OUTPUTS via the GROUP system. Routes to the recorder directly using DIRECT OUTS. Routes signals to the stereo mix.

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3
Q

MONITOR INPUT channels

A

used for monitoring audio and processing/routing sounds that have been recorded. Monitor inputs never have mic amp circuits as they’re post-input channels.

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4
Q

Stereo mix

A

The main feed out of the desk. Sent to both the stereo recorder, and the control room amplifier. [Can usually be addressed by INPUTS, MONITORS and GROUPS.]

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5
Q

Split Console Design

A

Physically separates the INPUTS (left) from the GROUPS and MONITORS (right)

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6
Q

Inline Console Design

A

To save space, monitor and group functions are embedded within the INPUT channel and therefore share its processing. Twice as many INPUTS and typically as many MONITORS as there are INPUTS.

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7
Q

Hybrid Design

A

A fusion of the split and inline design; Monitors are embedded like an Inline design, Groups are separate like a Split design.

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8
Q

Mixing desk basic functions

A
  1. Routing/processing monitor inputs as they are played back.
  2. Blending and processing all of the sound sources necessary to achieve a complete mix
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9
Q

Amplifying and processing Microphone and
Line level inputs.

A

Microphone inputs have different electrical requirements to line inputs. Occasionally condenser Microphones require 48v Phantom Power. Processing always includes a level fader, panning control and a destination selection. Almost all have EQ and occasionally Compression/Gating.

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10
Q

Routing inputs to a variety of outputs

A

The Auxiliary Output and Group Output systems handle channel routing. Typically for a large scale desk there is 4 auxiliaries and 8 groups.

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11
Q

The Auxiliary System

A

Used to route playback signals to musicians headphones or loudspeakers. Also used to route effect system signals, such as Reverb.

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12
Q

The Auxiliary System faders

A

PRE FADE mode = moving channel fader has no effect on the level sent to the auxiliary.
POST FADE mode = moving the fader OR the send level to the auxiliary will change the level sent.

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13
Q

The Grouping System

A

allows you to control multiple channels/tracks together as a single unit. This is useful when you want to apply the same processing, or to pan/change volume.

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14
Q

Routing and processing recorded signals

A
  1. Recorded signals are sent to the monitor channels.
  2. Monitor channels have less processing/routing capabilities than INPUT CHANNELS, but they do have the ability to change levels, via a knob/fader.
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15
Q

completing a mix

A

At this point, INPUT CHANNELS are used to process recorded sounds. Monitor channels are used as a spare alternative to the input channels.

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16
Q

Differentiating Tasks

A

auxiliaries = used to provide monitoring and feed effect units.
groups = feed to recorders and handle multiple channel levels.

17
Q

The path of a signal through the input channel

A
  • Pad - Gain - HPF - Phase -
  • Equalisation
  • Insert Send and Return
  • PRE FADE Auxiliary sends
  • Fader
  • POST FADE Auxiliary sends
  • Routing Matrix
  • Group ( or stereo ) fader
  • Group ( or stereo ) output
18
Q

Insert sends and returns

A

can be PRE or POST EQ.

19
Q

Reflex Cabinets

A

Is a baffle speaker with a hole in it which helps produces a more accurate bass response.

20
Q

Helmholtz Resonator

A

Is the phenomenon of air resonance in a cavity. In a ported speaker, the dimensions of the port and cabinet are calculated in order for the Helmholtz resonance to occur at the appropriate frequency and create a flat frequency response.

21
Q

Multi element speakers

A

Any enclosure with more than one loudspeaker inside it. This helps minimise phase issues with speakers of large size.

22
Q

Crossover

A

is a device for speakers that separates the input signal into two or more frequency ranges (like a multiband compressor). This helps produce a more accurate frequency.

23
Q

Phase plugs

A

is a physical intervention that seeks to guide sound waves along certain paths so that phase cancellation does not occur in either the clashing of multiple speakers, or due to the geometry of sound coming from a compression chamber.