Source 4 Flashcards

(100 cards)

1
Q

Horror Films’ Purpose

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Horror films aim to evoke emotions like fear, disgust, shock, and terror. They often use various elements such as supernatural themes, violence, mutilation, blood, and death to elicit these responses. This makes horror distinct from thrillers, which focus more on suspense and human-driven tension rather than gore or the supernatural.

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2
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Cultural Perception of Horror

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Despite being financially successful, horror films have often been regarded as low-brow in popular culture. They are seen as less respectable than other genres like drama or science fiction. Some critics view horror as an outlier, akin to a rebellious child in cinema that is tolerated but not fully accepted.

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3
Q

Horror’s Historical Roots

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Horror has deep roots in Western literary traditions, with its origins traceable to ancient stories such as the Babylonian Gilgamesh. It has evolved through Gothic literature and Victorian-era fiction, with iconic characters like Dracula and Frankenstein continuing to inspire modern horror films.

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4
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The Genre’s Dual Nature

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The horror genre’s popularity is driven by both its financial success and its cultural impact. While it may be seen as lesser by some, its significant global fanbase and continued commercial success indicate that there’s a deeper psychological and emotional draw. The genre serves both as an outlet for dark emotions and as a source of entertainment, which explains its resilience in the film industry.

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5
Q

Disrespect Towards Horror Films

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The general disdain for horror films might stem from their “cheapness” in production, but this doesn’t account for the deep emotional connection that fans have with the genre. Horror films allow viewers to experience intense emotions like fear in a controlled, safe way. Despite their lower budgets, these films manage to provide an experience that many find compelling and exciting.

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6
Q

“It seems an unaccountable pleasure which the spectators of a well-written tragedy receive from sorrow, terror, anxiety and other passions, that are in themselves disagreeable and uneasy” (Hume, 1907).

A

Meaning: People enjoy feelings like fear and sadness when they are in a story, even though these emotions are usually unpleasant.

Importance: This helps explain why people like horror films, even though they make us feel scared or uncomfortable. It sets up the idea that fear can be enjoyable in a controlled setting.

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7
Q

“The horror film occupies in popular culture roughly comparable to that of horror literature. That is to say, it is generally ignored, sometimes acknowledged with bemused tolerance, and viewed with alarm when it irritates authority - rather like a child too spirited to follow the rules that rendition has deemed acceptable” (Etchison, 2011).

A

Meaning: Horror films are often ignored or looked at strangely, like a child who doesn’t follow the rules. People like it, but it’s still seen as less respectable.

Importance: This shows that, even though horror is popular, it’s often not taken seriously by critics or the film industry. It helps explain why horror is both loved and disrespected.

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8
Q

“A taste of horror is a taste for something seemingly abnormal and is therefore deemed to require special attention” (Tudor, 1997).

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Meaning: Liking horror is considered unusual, which is why it gets special attention and discussion.

Importance: This explains why horror is interesting to study. It’s seen as different from other genres, making it worth exploring.

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9
Q

“The current paper sets out to review the literature regarding the appeal of horror and why and how horror cinema exerts the effects that it does” (Cherry, 2009).

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Meaning: The paper will review existing research on why people like horror and how it affects them.

Importance: This shows that the essay is based on research and aims to answer why horror films work on viewers emotionally and psychologically.

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10
Q

What is the origin and meaning of the word “horror”?

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Origin: The word “horror” comes from the Greek word phryke, meaning “shudder,” and refers to the physical reactions of fear, such as shivering and trembling.
Analysis: This shows that horror has a strong connection to visceral, bodily reactions, not just mental or emotional experiences.

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11
Q

How does the passage define horror in terms of two types: genuine horror vs. art horror?

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Paraphrased: Genuine horror involves real threats to survival, while art horror (like in movies) comes from imagined or supernatural fears.
Analysis: This distinction highlights how horror as a genre can provoke both primal survival instincts and fantasy-based fears that are unrelated to actual danger.

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12
Q

According to the passage, what physiological responses can horror films trigger in viewers?

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Paraphrased: Horror films can cause viewers to experience physical reactions such as trembling, faster heart rate, and even changes in skin response.
Analysis: These responses show how horror films affect the body as much as the mind, creating an immersive experience that engages both.

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13
Q

How does Cantor (2004) describe the impact of horror films on viewers?

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Quote: “Approximately 46% of the sample reported experiencing sleep disturbances after the event and 75% reported having experienced anxiety.”
Analysis: This demonstrates the lasting psychological effects of horror films, showing how they can cause real anxiety and disrupt daily life long after the viewing experience.

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14
Q

What role does the presence of monsters play in horror films, according to Carroll?

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Paraphrased: Carroll argues that monsters are key to horror because they exist outside our understanding of reality—they defy the rules of nature and science.
Analysis: This idea emphasizes how horror films create fear by presenting the unnatural or the unknown, tapping into universal human anxieties about things beyond our control.

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15
Q

What does Freud mean by the “uncanny” in relation to horror?

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Quote: “Horror films also invariably present a Manichean view of the world, where good battles evil.”
Analysis: This reflects the idea that horror often explores a world where fundamental moral conflicts play out, adding depth to the narrative by framing it within the context of good vs. evil.

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16
Q

How does the film The Blair Witch Project fit into the horror genre?

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Paraphrased: The Blair Witch Project is an example of the found-footage subgenre, which uses a specific filming style to increase realism and create immersion.
Analysis: This style enhances the emotional impact by making the audience feel as if they’re experiencing the events firsthand, a key feature of the horror genre’s ability to elicit fear.

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17
Q

What is the significance of “priming” in horror film enjoyment?

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Paraphrased: “Priming” means giving viewers information about a film’s content before watching it, which can heighten their emotional response, such as fear.
Analysis: This suggests that horror films can be more effective at triggering fear if the viewer is already mentally prepared for the shock, showing how psychological factors influence the viewing experience.

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18
Q

What auditory devices are commonly used in horror films to create fear and suspense?

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Paraphrased: Horror films often use sounds like creaking doors, screams, or unexpected loud noises to make viewers afraid. A sudden loud sound after silence, like a jump scare, is particularly effective in creating tension.
Analysis: These sounds manipulate the audience’s anticipation and reactions, heightening emotional engagement with the film.

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19
Q

How is sound used in iconic horror films like Psycho and Halloween?

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Quote: “Carpenter has noted that when his film was screened without a soundtrack to a film executive ‘she wasn’t scared at all. I then became determined to ‘save it with music’” (Hayward, 2009).
Analysis: This shows how crucial sound and music are in horror films. Without these elements, even a well-crafted film might fail to create the same emotional impact.

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20
Q

What is the role of music in horror films?

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Paraphrased: Music in horror can influence how we emotionally interpret scenes, with certain music styles enhancing tension or fear. Discordant music, like the Devil’s tritone, is often used to create unease.
Analysis: Music in horror serves as a tool to shape how we perceive what’s happening on screen, manipulating our emotional responses to deepen fear.

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21
Q

What is the “jump scare,” and how does it use sound effectively?

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Paraphrased: A jump scare occurs when there’s a sudden loud noise after a period of silence. Often, the sound is disconnected from what’s shown, amplifying the shock value.
Analysis: The unexpected nature of the jump scare plays on primal fears, taking advantage of the body’s startle reflex to generate a powerful emotional reaction.

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22
Q

How does the startle reflex (SR) relate to horror films?

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Quote: “The first known example of a startle effect in horror film is seen and heard in The Cat People (1942)… when the sound of a bus door opening occurs just when the viewer is expecting an attack.”
Analysis: The startle reflex is a powerful tool in horror, making the audience jump in reaction to sudden, unexpected sounds. It highlights how auditory triggers can provoke intense physical reactions to what may otherwise be a non-threatening situation.

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23
Q

What is the relationship between fear and the startle reflex in response to horror stimuli?

A

Paraphrased: When watching fear-related content, the startle reflex (SR) is stronger. It reflects our emotional reactivity to perceived threats, amplifying the physiological response to fear.
Analysis: This connection shows how horror films tap into our emotional and physiological responses, using sound and visual cues to enhance the feeling of fear.

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24
Q

What scientific evidence supports the impact of auditory stimuli on fear?

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Quote: “Frightening music has been associated with changes in monoamine receptor activity in the caudate nucleus and right amygdala” (Zhang et al., 2012).
Analysis: This study suggests that horror music has a direct impact on brain activity related to fear, supporting the idea that auditory elements are crucial in shaping our emotional experience of horror films.

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25
How is suspense defined in horror films, and why is it important?
Paraphrased: Suspense is the buildup of tension before a threat is revealed. It refers to the uncertainty and fear about what might happen to the protagonist, and its resolution brings relief or euphoria. Analysis: Suspense is essential to horror films because it creates emotional engagement. The audience experiences fear while anticipating the outcome, which enhances the thrill when the threat is eventually resolved.
26
What does Zillmann's excitation transfer theory suggest about horror enjoyment?
Quote: "When a threat is resolved, our negative affect converts to euphoria and suspense ends" (Zillmann, 1996). Analysis: Zillmann’s theory highlights that the enjoyment of horror films arises from the emotional rollercoaster between fear and relief. The suspense amplifies negative emotions, which then transform into positive feelings when the threat is resolved.
27
How does Zillmann’s theory apply to the resolution of suspense in horror films?
Paraphrased: According to Zillmann’s theory, when the threat in a horror film is resolved, the audience experiences a shift from negative emotions to euphoria. If the threat remains unresolved, it leads to negative emotions continuing. Analysis: This model emphasizes that the satisfaction of horror films comes not only from the tension of suspense but from the emotional payoff once the threat is neutralized.
28
What challenges are there in applying Zillmann’s theory to horror films?
Paraphrased: Zillmann’s model struggles to explain why some horror films with unresolved threats (e.g., The Exorcist, The Omen) still provide enjoyment. Additionally, individuals high in empathy may experience negative emotions even if the threat is resolved. Analysis: This suggests that suspense alone may not fully account for why people enjoy horror films, and individual differences in emotional response play a significant role.
29
What does the Uses and Gratification Theory suggest about why people enjoy horror films?
Quote: “Enjoyment and seeking out material are determined by their specific need for stimulation and the satisfaction they derive following the achievement of gratification” (Katz et al., 1973). Analysis: This theory proposes that enjoyment in horror films comes from personal stimulation needs, such as the thrill of excitement or destruction, rather than from the resolution of the film’s threat. It also suggests that certain personality traits influence how much someone enjoys horror.
30
How does the physiological response relate to enjoyment of horror films?
Paraphrased: Studies like those by Sparks and Spirek (1988) show a correlation between emotional arousal (e.g., skin conductance) and the enjoyment of horror films. The physical arousal enhances the enjoyment of the film, regardless of its resolution. Analysis: The connection between physical responses and emotional reactions highlights that horror films provide a physiological thrill, reinforcing the idea that people may enjoy the arousal itself rather than just the narrative resolution.
31
What role does arousal play in horror film enjoyment, according to some theories?
Quote: “Arousal itself might be self-rewarding – the act of watching horror provides us with a thrill regardless of the resolution” (Tamborini, 1991). Analysis: This view suggests that the primary appeal of horror films lies in the physiological and emotional arousal they produce, making the experience enjoyable even if the story doesn't provide a satisfying conclusion or resolution of threats.
32
What is the central question Carroll (2003) raises about horror films and audience pleasure?
Quote: “How can horror audiences find pleasure in what by nature is distressful and unpleasant?” (Carroll, 2003). Analysis: This question challenges the conventional understanding of how we enjoy something inherently distressing like horror films, and much of the research attempts to uncover the psychological or emotional reasons behind this paradox.
33
What are some personality traits associated with enjoyment of horror films?
Paraphrased: Sensation seeking, empathy, theory of mind, need for affect, the dark tetrad, and individual factors such as age and sex are associated with horror film preference and enjoyment. Analysis: These traits highlight that people's varying emotional responses and cognitive characteristics can influence how they engage with and enjoy horror media.
34
How does individual exposure to violent media impact enjoyment?
Paraphrased: Research by Weaver and Wilson (2009) suggests that exposure to graphic violence in films may reduce enjoyment unless individuals specifically enjoy such content. For example, sanitized or non-violent versions of violent media tend to be more enjoyable for those who do not prefer graphic violence. Analysis: This suggests that people may not always enjoy violent content, even if they seek it out, and that personal preferences and past experiences can affect enjoyment levels.
35
What is sensation seeking, and how does it relate to horror film enjoyment?
Quote: "Sensation seeking is the 'seeking of varied, novel, complex and intense sensations and experiences...'" (Zuckerman, 1994). Analysis: High sensation seekers are more likely to enjoy horror films due to their craving for intense emotional experiences, often interpreting the negative stimuli (fear, tension) in horror as exciting rather than unpleasant.
36
How do the components of sensation seeking predict horror film enjoyment?
Paraphrased: Different aspects of sensation seeking—such as disinhibition, thrill seeking, and experience seeking—have been linked to enjoyment of horror films. For example, disinhibition is the strongest predictor of horror enjoyment, especially for women. Analysis: This suggests that specific factors within the sensation-seeking trait can influence enjoyment, and that these factors may differ by gender.
37
How does gender influence sensation seeking and horror film enjoyment?
Paraphrased: Studies show that sensation-seeking traits influence horror film enjoyment differently between men and women. For men, thrill and adventure seeking are better predictors, while for women, disinhibition is more important. Analysis: This emphasizes that gender plays a significant role in how sensation-seeking traits affect preferences for horror films, highlighting a nuanced understanding of why different individuals are drawn to this genre.
38
What did studies on sensation seeking in men and women reveal about why they attend horror films?
Quote: "The greatest predictor of film attendance was not sensation seeking but a desire to experience a satisfying resolution (especially by women) and to see destruction (men)." Analysis: This suggests that, beyond sensation seeking, emotional expectations—such as the desire for a satisfying narrative resolution or the thrill of destruction—are key motivators in choosing to watch horror films.
39
How does sensation seeking influence physiological responses to horror films?
Paraphrased: High sensation seekers show less physiological reaction (such as startle response) to threatening stimuli compared to those low in sensation seeking, who react more strongly to such threats. Analysis: This suggests that sensation seekers may have a higher tolerance for fear and violence in horror films, and they might experience less of a "startle" reaction compared to those who seek less intense experiences.
40
What are some limitations in the research on sensation seeking and horror film enjoyment?
Paraphrased: Limitations in horror research include heterogeneous samples, small sample sizes, and the variability in film selections, which make it difficult to generalize findings. Analysis: This highlights the complexity of studying horror film enjoyment, as individual differences and methodological constraints often make it hard to draw definitive conclusions.
41
How is empathy typically defined in relation to its components?
Empathy is generally divided into two components: a cognitive component (e.g., perspective-taking) and an emotional component (e.g., sympathy and concern for others). Model: One model includes four components: wandering imagination, fictional involvement, humanistic mentation, and emotional contagion (Tamborini et al., 1990).
42
What are Davis' (1983) four constructs of empathy?
Perspective taking Fantasy scale (ability to transpose oneself into fictional characters' emotions) Empathetic concern (sympathy for others) Personal distress (distress felt in interpersonal relationships) Note: Davis argued that empathy is not a single construct but a set of distinct elements that vary across individuals.
43
How does empathy influence horror film enjoyment?
People with low empathy tend to enjoy graphic horror films more. Studies show that those who score high on empathy scales (such as fictional involvement or humanistic mentation) find graphic horror less appealing (Tamborini et al., 1990).
44
How does empathy relate to responses to others’ distress after watching horror films?
In a study by Tamborini et al. (1993), participants who scored high in empathy provided more social support to others in distress, especially after watching a horror film. Key finding: People who watched horror films (compared to comedy) offered less support to a distressed confederate.
45
What is the relationship between empathy and enjoyment of suffering in horror films?
People high in empathy tend to enjoy danger and excitement but not suffering or pain shown in horror films. High levels of enduring negative affect (emotional distress) also correlate with less enjoyment of suffering in horror films (Hoffner, 2009).
46
What typology did Johnston (1995) use to categorize horror viewers?
Resolved-ending types: Prefer films with a satisfying closure. Thrill watchers: Enjoy being frightened and empathize with characters. Gore watchers: Enjoy destruction and graphic violence. Note: Thrill watchers have higher levels of empathy and adventure seeking, while gore watchers are lower in empathy and fearfulness.
47
How does the type of horror film ending impact viewer enjoyment?
Research (King & Hourani, 2007) showed that high gore and thrill watchers preferred traditional endings (where the antagonist is destroyed), while low gore and thrill watchers found teaser endings (where the antagonist is resurrected) more enjoyable. Key finding: The type of ending affected the predictability and frightening nature of the film.
48
How does the relationship between empathy and horror film enjoyment vary across studies?
Meta-analysis by Hoffner & Levine (2005) found that empathetic concern and personal distress were negatively correlated with enjoyment of horror films. However, inconsistencies arose depending on film content (e.g., horror films with torture or brutal violence).
49
What is "Need for Affect" (NfA) and how does it relate to horror film viewing?
NfA is a measure of how motivated individuals are to seek out emotionally engaging or challenging experiences. High NfA approach scores are associated with more intense emotions, including fear and disgust, while NfA withdrawal scores are linked to more negative evaluations of emotions experienced during the film (Bartsch et al., 2010).
50
How does NfA affect emotional responses to different types of films?
In a study, participants with high NfA approach scores had more intense negative emotions (e.g., fear, anger, disgust) when watching films like United 93 and The Omen. Note: People with high NfA withdrawal scores had more negative evaluations of the emotions experienced from these films.
51
What are the Dark Tetrad personality traits, and how are they related to horror film preference?
The Dark Tetrad includes: Machiavellianism – enjoyment of power and manipulation. Correlated with enjoyment of horror. Narcissism – not explicitly mentioned in relation to horror. Psychopathy – high psychopathy scores associated with a preference for graphically violent horror. Sadism – not explicitly discussed in the provided text. Key finding: People with higher Machiavellianism and psychopathy scores tend to enjoy more violent or graphically intense horror films.
52
What is repressive coping, and how does it relate to horror film enjoyment?
Repressive coping involves repressing negative emotions caused by stressors. Study by Sparks et al. (1999) showed that repressors had higher physiological arousal during horror film exposure (e.g., When A Stranger Calls) compared to non-repressors. Key finding: The relationship between repressive coping style and enjoyment of horror is unclear, and further research is needed.
53
What are the Big Five personality traits, and how do they relate to horror film enjoyment?
The Big Five traits are: Conscientiousness Openness to Experience Extraversion Neuroticism Agreeableness Key findings: Intellect/Imagination (Openness to Experience) predicts horror media consumption. Extraversion correlates with enjoying horror media more when shared with others. Agreeableness negatively correlates with being scared by horror media. Conscientiousness: High conscientiousness leads to less fear after watching horror media. Neuroticism: High neuroticism correlates with greater psychophysiological arousal during horror film viewing.
54
How does agreeableness affect enjoyment of horror films?
Low agreeableness is a predictor of greater enjoyment of horror films, as well as other genres like parody, animation, and cult films. High agreeableness is associated with being more easily scared and less likely to enjoy horror media. Key finding: This contrasts with video game research, where low agreeableness correlates with violent game enjoyment.
55
How does extraversion influence horror media consumption?
Extraversion has a small positive correlation with: Frequency of horror media use Enjoying horror media with others Being more scared when watching horror with others Key finding: Extraverts tend to enjoy the social experience of horror media consumption more than introverts.
56
How do conscientiousness and emotional stability affect reactions to horror films?
Conscientiousness: High conscientiousness leads to less fear after watching horror films. Emotional stability: Those with higher emotional stability are less easily scared than those low in emotional stability. Key finding: People higher in neuroticism tend to show greater psychophysiological arousal during horror film viewing.
57
What challenges exist in research on personality and horror film enjoyment?
Studies on the Big Five and horror film consumption have been limited in number and scope. Agreeableness: While low agreeableness has been linked to horror enjoyment, the findings are inconsistent. Methodological limitations: Some studies focus on general horror media (not specifically films), and others use passive viewing (films) versus active engagement (games).
58
How do violent video games compare to horror films in terms of personality traits?
Violent video games are active, engaging experiences where the player controls the action, while horror films are passive and involve no interaction. Sensation-seeking traits: Both forms of media attract people who seek high arousal, but the active versus passive nature of games versus films makes the two types of media different experiences.
59
What is the main biological difference between men and women in terms of horror film enjoyment?
Men typically enjoy horror films more than women, showing less fear and greater engagement with graphic or violent content. This difference is largely due to biological and social factors, including anxiety proneness and disgust sensitivity.
60
Why are women generally more disturbed by horror films compared to men?
Women are more likely to experience higher anxiety and fear responses due to both their greater susceptibility to anxiety-related disorders and heightened disgust sensitivity. These factors make violent or disturbing content in horror films more upsetting to them than it is for men.
61
Analyze the socialization theory's explanation of gender differences in horror film reactions.
Socialization theory suggests that men are taught not to express fear or vulnerability, which leads them to enjoy horror films more. In contrast, women are often socialized to express sensitivity and fear, which makes them more likely to find horror films distressing.
62
How do men and women react differently to horror films in terms of physical responses?
Women often exhibit stronger physical responses to horror films, such as holding onto someone, hiding their eyes, or feeling jumpy, whereas men are less likely to engage in these behaviors and may express less distress overall.
63
Quote the findings of Harris et al. (2000) regarding men’s and women’s responses to horror films on dates.
"Harris et al. (2000) found significant sex differences: 31% of women reported looking away from the screen, while only 7% of men did; 61% of women felt anxious, compared to 44% of men, and 80% of women reported feeling somewhat or very afraid, compared to 46% of men." How to use it in an essay: This quote can be used to provide empirical data supporting the claim that women experience more anxiety and fear when watching horror films compared to men. It is particularly useful when discussing physiological and emotional differences in gendered responses to fear in media.
64
What is the difference in genre preferences between men and women regarding horror films?
Men generally prefer action, adventure, and horror genres, with a stronger inclination for violent and graphic content. Women, on the other hand, favor genres like romance, drama, and comedy, showing less interest in intense or graphic horror films.
65
Quote one of the studies exploring sex differences in graphic horror film enjoyment.
"Men tend to prefer very graphic horror material more than women, who generally find such content disturbing. Men also report watching more violent television and attend more horror films" (Hoffner and Levine, 2005). How to use it in an essay: This quote offers direct evidence of the difference in preference for graphic horror between men and women. It is helpful to cite when discussing how men are more desensitized to violence or more engaged with intense content compared to women.
66
Analyze the link between disgust sensitivity and gender differences in horror film enjoyment.
Women’s heightened disgust sensitivity—linked to evolutionary survival mechanisms—may explain why they are less inclined to enjoy horror films, especially those with graphic violence. Men’s lower sensitivity to disgust makes them more tolerant of disturbing content, allowing them to enjoy it more.
67
Quote from a study by Tamborini et al. (1987) about sex differences in horror film victim portrayal.
"Men’s enjoyment of horror films was correlated with a preference for female victimization, while women regarded films with female victims as higher in violent content" (Tamborini et al., 1987). How to use it in an essay: This quote can be used to demonstrate how gender roles influence viewers' enjoyment and interpretation of horror films. It highlights how men and women may engage with gendered violence differently in film, with men showing a preference for female victimization.
68
What is "cinematic neurosis," and what did Ballon and Leszcz (2007) find about it?
Cinematic neurosis refers to abnormal stress reactions caused by exposure to horror films, requiring psychological or psychiatric intervention. Ballon and Leszcz (2007) identified only seven such case studies, suggesting the horror films acted as a catalyst for underlying, pre-existing psychological issues rather than being the sole cause.
69
What is the main argument presented by Ballon and Leszcz (2007) about the impact of horror films on individuals with pre-existing psychological conditions?
Ballon and Leszcz argue that the rare cases of "cinematic neurosis" were likely caused by underlying psychological issues, with the horror film merely acting as a trigger for pre-existing conditions, rather than being the direct cause.
70
How do horror films impact individuals who experience extreme reactions, according to the studies mentioned?
Some individuals, especially those with pre-existing psychological conditions, may experience extreme reactions like anxiety, insomnia, and distress. However, these cases are rare and often involve individuals with significant life stressors or psychological vulnerabilities, such as recent loss.
71
How does the case of "The Exorcist" support the claim that horror films can provoke distress?
The Exorcist is mentioned in multiple case studies where individuals reported extreme reactions, such as anxiety, nightmares, and even the belief they were possessed. Ballon and Leszcz (2007) found that five of the seven cinematic neurosis cases were triggered by this film.
72
What did Sparks (1989a,b) find about the lasting effects of horror films on viewers?
Sparks (1989a,b) found that around half of women and a quarter of men reported lasting fear after watching horror films. Women, in particular, were more likely to avoid horror films and reported higher levels of anxiety and fear in specific settings.
73
How do horror films affect sleep and eating habits, according to Harrison and Cantor (1999)?
Harrison and Cantor (1999) found that 50% of their sample of young viewers reported sleep disturbances and eating problems after watching particularly frightening films, demonstrating that horror films can have short-term effects on basic physical functioning.
74
What does the rarity of extreme psychological reactions to horror films suggest about their long-term impact?
The rarity of extreme psychological reactions requiring psychiatric intervention suggests that horror films, while designed to evoke fear, do not have significant long-term consequences on mental health in individuals without pre-existing issues. Any long-term distress is typically linked to other factors.
75
What common feature did Ballon and Leszcz (2007) find in individuals with "cinematic neurosis"?
Ballon and Leszcz found that all the individuals with cinematic neurosis had recently experienced a loss or potential loss of a family member and often held strong religious or cultural beliefs. These individuals also reported recalling imagery from the horror films they had seen.
76
What was the overall finding regarding the mental health effects of horror films on the general population?
While horror films can evoke anxiety and fear, especially in vulnerable individuals, there is no evidence that they cause long-term mental health impairments in people without pre-existing issues. Most individuals experience only short-term effects, such as disturbed sleep or heightened anxiety.
77
What changes occur in children's fear stimuli as they develop?
Children's fear stimuli change as they age. In infancy, fears are related to unfamiliar or threatening objects. In preschool years, fears shift to imaginary and symbolic stimuli. By school age, fears become more concrete and realistic, with injury and physical danger being prominent sources of anxiety (Hyson, 1979; Bauer, 1976).
78
What were the findings of Palmer et al. (1983) regarding children's responses to scary films?
Palmer et al. (1983) found that 24% of 7–8-year-olds and 13% of 11–12-year-olds reported having nightmares after watching scary films. Younger children, particularly girls, expressed more fear than older children. The study also noted that a significant percentage of children avoided scary films, with younger children avoiding them more than older ones.
79
What is the relationship between children's age and their coping mechanisms for fear, according to Cantor and Wilson (1988)?
Cantor and Wilson (1988) identified two coping mechanisms children use in response to fear: non-cognitive strategies (e.g., desensitization, gradual exposure) and cognitive strategies (e.g., talking through fears, reassurance). Desensitization, especially through gradual exposure, was found to be effective in reducing fear in younger children.
80
How do girls and boys differ in their emotional responses to scary content, according to Valkenburg et al. (2000)?
Valkenburg et al. (2000) found that girls experienced more fear than boys in response to scary films, and fear in both sexes decreased with age. Girls were more likely to use coping strategies like physical intervention, social support, and escape. Boys, on the other hand, were less likely to engage in these strategies.
81
What are the two physical coping strategies children use when faced with frightening stimuli?
The two physical coping strategies children use are "blunting" (avoiding or distracting from the threat, e.g., looking away) and "monitoring" (actively engaging with the threat). Studies show that children who engage in blunting strategies are less physiologically aroused by horror films compared to those who engage in monitoring.
82
How do children cope with fear through cognitive strategies?
Cognitive strategies include discussing fears with parents or reassuring children that the feared stimuli do not exist or are not harmful. However, younger children (4-5 years) may not respond well to verbal explanations, while older children can benefit more from these strategies (Cantor and Wilson, 1984; Cantor and Hoffner, 1990).
83
What did Hoffner’s (1995) study find regarding girls' and boys' coping strategies with horror films?
Hoffner (1995) found that girls were more likely to use momentary avoidance and interpersonal comfort as coping strategies for horror films, whereas boys preferred distraction and unreality. Girls also considered these strategies to be more effective than boys did, reflecting gender differences in coping preferences.
84
What role does empathetic concern and personal distress play in children's coping with scary films?
Hoffner (1995) found that children who experienced high empathetic concern were more likely to use coping strategies like interpersonal comfort, while those with high personal distress were more likely to use momentary avoidance or distraction. These emotional responses influenced how children coped with horror films.
85
What is the relationship between children's fear of horror films and their perceptions of the material's realism, according to Hoffner (1995)?
Hoffner (1995) found that children who perceived horror films as realistic were more likely to use coping strategies like distraction, unreality, and interpersonal comfort. Those who viewed the films as violent were also more likely to use all four coping strategies, including momentary avoidance.
86
What are some of the motivations for adolescents watching horror films?
Adolescents often watch horror for thrills, rebellion (against parental restrictions), or curiosity about violence and death. As they grow, their motivations shift from simply being scared to seeking out specific experiences like gore or excitement (Oliver, 1993).
87
How does the enjoyment of horror films change with age?
Research suggests that as people age, particularly after adolescence, their enjoyment of horror films declines. This decrease is thought to be linked to a reduction in sensation-seeking behaviors as individuals get older (Clasen et al., 2019).
88
What is the evolutionary explanation behind our fear responses to certain stimuli?
Evolutionary psychology suggests that humans are predisposed to fear certain stimuli, such as snakes or spiders, because these posed survival threats to our ancestors. This predisposition to fear helps us react quickly to threats in our environment (Öhman & Mineka, 2001).
89
"Boys were more likely to watch graphic horror because they were motivated to seek out gore, and they were also more likely to identify with the killer than were girls." — What does this reveal about gender differences in horror film enjoyment?
This quote highlights that boys tend to enjoy more intense, graphic horror content, likely due to a greater desire to explore violent themes. Their identification with the killer also suggests they may be more comfortable with the darker, more violent aspects of the genre (Johnston, 1995).
90
How does fear differ from disgust in the context of horror films
Fear is often linked to survival instincts, while disgust may be more related to avoiding contamination or harm. In horror films, both emotions are intertwined, particularly in response to violent or graphic content, where both fear and disgust can be triggered simultaneously (Davey, 1994).
91
"Fear motivates us to escape and escape very quickly from potential threat and threats to survival." — How does this relate to our responses to horror films?
This quote reflects the natural fight-or-flight response. However, in horror films, viewers willingly engage with fear-inducing content, knowing that the threat is fictional. This paradox explains why people seek out fear despite it being an evolutionary survival mechanism (Öhman & Mineka, 2001).
92
Why is fear considered one of the most studied emotions in science?
Fear is easily conditioned and observed in both humans and non-human organisms, making it ideal for scientific research. Its neuropsychology has been studied extensively, especially in non-human species, to understand how fear is learned and conditioned (LeDoux & Hofmann, 2018).
93
What role does the amygdala play in the experience of fear?
The amygdala is crucial in the recognition and experience of fear. It helps in the conditioning and maintenance of fear responses. This structure is frequently studied in the context of brain activation and fear-related stimuli (Martin, 2008; March et al., 2017).
94
What was the outcome of the study examining the effect of bilateral amygdala injury on fear responses to horror films?
In a case study by Feinstein et al. (2011), a woman with bilateral amygdala injury showed no fear response to horror films, despite recognizing that others would be frightened. This suggests the amygdala plays a critical role in fear response and horror appreciation.
95
How do empathy and fearfulness relate to the enjoyment of horror films?
People with lower empathy and fearfulness tend to enjoy horror films more. Empathetic concern and personal distress, particularly in response to torture themes, are negatively correlated with horror enjoyment (Oliver, 1993a,b).
96
"No study has systematically explored disgust sensitivity as a mediator in horror enjoyment and preference..." — What does this quote suggest about the research on horror films?
This quote highlights a gap in the research, indicating that while disgust sensitivity may influence horror enjoyment, no studies have conclusively investigated how it mediates the experience of horror (Oliver, 1993a,b).
97
How might screen size impact the perception and enjoyment of horror films?
Research suggests that larger screen sizes may enhance the visibility and auditory experience of horror films, potentially amplifying the fear response due to clearer visuals and louder sounds, creating a more intense viewing experience (Grabe et al., 1999; Lombard et al., 2000).
98
What strategies could help mitigate the intense fear reactions from horror films?
One possible strategy could involve introducing non-visual stimuli, like pleasant scents, to distract or elevate mood during the film. This idea is supported by some research suggesting that sensory diversions can alleviate fear (Martin, 2013).
99
How do cultural factors influence horror film enjoyment and preference?
Cultural background plays a significant role in horror film preferences. For example, Japanese horror tends to focus on supernatural elements, while European horror may emphasize different themes and aesthetics. Collectivistic cultures might also experience more fear from horror films than individualistic cultures due to cultural differences in psychological responses (Balmain, 2008; Alotaibi et al., 2017).
100
"Without psychology, the horror film does not exist." — What does this statement suggest about the relationship between horror films and psychology?
This quote by Dario Argento emphasizes that understanding the psychological mechanisms behind fear and emotional responses is essential for the creation and appreciation of horror films. Psychology helps explain how horror films evoke intense reactions in viewers (Adorno).