SPCH 102 Final Flashcards

(50 cards)

1
Q

What are the six principles of communication?

Communication is…

A
  1. Limited
  2. Occurring on levels
  3. Contextual
  4. A process
  5. Irreversible
  6. Unavoidable
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2
Q

Why is communication unavoidable?

A

behavior carries messages and our brains are wired to process environmental cues

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3
Q

Why is communication irreversible?

A

once a message is received, it cannot be un-received

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4
Q

Why is communication a process?

A
  1. encoding
  2. sending
  3. decoding
  4. responding
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5
Q

Why does communication have limitations?

A

obstacles can limit the possibility of mutual understanding at any time (e.g. noise, perception, assumptions, bias, incorrect attributions, self-fulfilling prophecies, communication gaps)

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6
Q

Why does communication occur on multiple levels?

A

symbolic (verbal/nonverbal messages), scale (self-talk/mass communication), social (comfort level when sharing)

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7
Q

Why does communication occur in context?

A

depends on why (functional context), what (message), who (relational context), where (physical context), and when (chronological context)

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8
Q

What is feedback?

A

a response to a message; paraphrase, ask questions, be supportive, encourage, analyze, give advice

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9
Q

demographics

A

consider characteristics of a population (gender, age, edu, socio-eco status, etc.)

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10
Q

psychographics

A

consider attitudes, interests, values, beliefs, knowledge, etc.

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11
Q

specific purpose

A

can be an infinitive phrase beginning with “to inform my audience…” which explains what you want the audience to understand as a result of listening to your speech

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12
Q

thesis

A

a single sentence encapsulating the information you will share; more specific than your purpose statement b/c reveals concrete detail about the content of your speech

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13
Q

supporting material

A

citations from more specific sources of information you have consulted

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14
Q

plagiarism

A

using the words, ideas, or original material of another person without acknowledging the source

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15
Q

values

A

our intrinsic commitment to our ideas of what is right or wrong, good or bad; inform how we live in the world

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16
Q

major types of informative speeches

A

objects and places, people, processes, events, concepts

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17
Q

persuasive speeches can

A

challenge our audience’s beliefs, attitudes, or values

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18
Q

informative speeches

A

increase an audience’s knowledge about a specific topic; teach

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19
Q

the narrative paradigm

A

all meaningful communication is a form of storytelling

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20
Q

narratives are stories that present

A

spoken, visual, and/or written accounts of connected events

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21
Q

how to evaluate a primary source

A
  1. closely observe (who, when, where does your eye go first)
  2. look for key details (anything unexpected? powerful ideas expressed?)
  3. speculate about each source, its creator, and its content (what was happening, what was intention, audience, biases)
  4. does this source agree with other primary sources, or with what the students already know? (test assumptions, find other primary/secondary sources that offer support or contradiction)
22
Q

how to evaluate a secondary source

A
  1. date, coverage, authority, objectivity, accuracy

2. URL

23
Q

Why should you give credit to a source?

A

adds credibility; avoid plagiarism

24
Q

primary source

A

interview, survey, autobiography

25
secondary source
books, gov't docs, periodicals, academic and trade journals
26
introductions should include
attention-getter, thesis, credibility, preview of main points, transition
27
body should include
main points, subpoints, citations
28
conclusion should include
signal end, review main points, relate thesis, challenge audience, closing attention-getter
29
three rules for main points
1. unified to support thesis 2. arranged to be easy to follow 3. equalized in the amount of time spent on each main point
30
transition
words, phrases, or sentences connecting the different parts of the speech
31
why use transitions?
to move from intro to first main point, to move b/w main points, to move from body to conclusion
32
patterns of organization
problem-solution, problem-cause-solution, Monroe's motivated sequence
33
Monroe's motivated sequence (5 steps)
1. attention 2. need 3. satisfaction 4. visualization 5. action
34
modes of delivery
impromptu, memorized, manuscript, extemporaneous
35
vocal messaging
any vocal engagement used to express meaning; conveyed through pitch, tone, volume, and rate
36
pitch
the highness or lowness of sound
37
tone
the quality of sound
38
resonance
the prolonged sound through reverberation
39
volume
loudness/softness of a sound
40
rate
how rapidly or slowly you speak
41
vocal variety
diversifies expression to underscore your message and increase listener engagement
42
ethos
refers to a speaker's credibility; a speaker with good character gains the trust of an audience by speaking with authority and truthfulness
43
pathos
appeal to emotion; a speaker should understand what moves an audience and be empathetic toward their feelings on a subject
44
logos
logical appeal; a speaker should be able to provide sound reasoning when drawing conclusions, making inferences, and/or demonstrating the truth
45
every speech should aim for
simplicity
46
ethics
a system of moral principles governing appropriate conduct of individuals or groups
47
ethical sender
present messages in a way that shows respect for receivers; focus on establishing common ground and pursuing positive goals; invest time and energy in preparing a relevant message for the audience, research, prepare an outline, dress up, and rehearse
48
ethical message
a topic you know something about/what to learn more about; conduct research; be transparent regarding your intentions; invest in your ideas
49
ethical receiver
respect the sender; arrive on time, be rested, relieve yourself of distractions, focus on listening and understanding; listen empathetically and respond respectfully
50
stage fright
idea of presenting a speech in front of an audience has you nervous; rehearsal is the best way to prepare and diminish stage fright