Spirituals Flashcards

(50 cards)

1
Q

Some inspiration for Black sprituals were… (4)

A

belief systems from Africa,
Christian teachings encountered in North America,
daily struggles,
and hope for deliverance.

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2
Q

Black sprituals were written during ________.

A

slavery

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3
Q

The difference between Black and White sprituals is that black spirituals were written without ________.

A

freedom

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4
Q

Slave Songs of the United States was written in ________.

A

1867

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5
Q

When were the modern recordings of spirituals made by John Lomax?

A

1933

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6
Q

A type of folksong that originated in American revivalist activity between 1740 and the close of the 19th century is known as a ________.

A

spiritual

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7
Q

In early American hymn collections, the term spiritual was applied to….

A

folk-inspired sacred music.

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8
Q

What’s the difference between a hymn/psalm and a spiritual?

A

hymns or psalms were more “learned” styles of religious songs

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9
Q

Who were “authentic” spirituals sung by?

A

black people who had contact with Christianity sometime before the end of the Civil War in 1866

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10
Q

The slave preacher, ________, led his congregation in ________.

A

George Liele
1773

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11
Q

The two classes of slave were ________ slaves and ________ slaves.

A

house
field

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12
Q

The class of slave that received the worst treatment was the ________ slaves.

A

field

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13
Q

Prior to ________(year), the vast majority of enslaved people had no experience with Christianity or formal worship.

A

1865

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14
Q

Spirituals are the legacy of “________” slaves.

A

Christianized

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15
Q

Dock Reed and Vera Hall’s recording of “Everybody Talkin’ About Heaven Ain’t Goin’ There” was recorded in the ________.

A

1950s

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16
Q

Spirituals were passed down through ________.

A

oral tradition

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17
Q

Due to the banning of drums, horns, and other loud instruments, enslaved blacks used ________ as percussion instruments.

A

their bodies

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18
Q

The ring in “ring shout” refers to…

A

women dancing in a circle.

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19
Q

________ were the main percussionists, ________ danced around in a circle, and ________ sang.

A

Men
women
everyone

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20
Q

Describe the call and response structure

A

the lead sings a line and teh backup singers respond in the form of an answer.

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21
Q

When were white spirituals originated?

22
Q

Scholars began studying white spirituals in ________.

23
Q

The first collection of white spirituals, “White Spirituals In the Southern Uplands” was published in ________.

24
Q

________ is the best known white spiritual.

A

Wayfaring Stranger

25
Wayfaring Stranger is in ________ form.
ballad, or narrative
26
The "folksong revival" that called attention to white spirituals happend in the ________ century.
20th
27
________ collected tunes, notated them, and published black spirituals in The English and Scottish Popular Ballads (1883 - 98).
Francis James Child
28
________ focused solely on white spirituals.
George Pullen Jackson
29
The official start of the U.S. folksong revival is usually dated by the commercial success of a vocal group called ________.
the Weavers
30
________ was an early folksong "revivalist" who sang both genres of spirituals.
Burl Ives
31
Tennessee Williams created the role of "________" in Cat on a Hot Tin Roof for Burl Ives.
Big Daddy
32
Almeda Riddle's singing is completely ________ in her version of Wayfaring Stranger.
unaccompanied
33
The shape of Almeda Riddle's melody in Wayfaring Stranger is like a ________.
rainbow (it starts low, goes high, and returns low)
34
What movie, released in 2000, began a new folksong revival?
O Brother, Where art Thou?
35
________, at the age of 75, won a 2002 Grammy for his O Brother rendition of the Appalachian spiritual, "O, Death."
Ralph Stanley
36
Maggie Greenwald's 2000 film, ________, also helped the 2000 folksong revival.
Songcatcher
37
________ is a harmonized version of American religious song that flourishes throughout the U.S. Harmonized white spirituals.
Shape-note singing
38
While distinct paths may be traced for racially separated trends, the truth is that "folk music is ________."
alive and grasping
39
List 3 shared qualities of black and white spirituals
"everyday" vocal tone, repetitive structure, pitch bending
40
What year did the Civil War start?
1861
41
At the outbreak of the Civil War, what percentage of Southerners were slaveholders?
25%
42
"The spiritual song tradition is neither white nor black, neither northern or southern, but ________."
American
43
________ is one of the best known spirituals and extended from S. Carolina to Florida.
Roll Jordan Roll
44
The "________" songs always began with the traditional "________" and went on to explain how the subject of the religious ballad, born in sin, experienced religion, was saved, and became a child of God.
experience come all yee
45
What does William Francis Allen write about the slaves’ ability to make the words fit the tunes?
“The ease with which they adapt words to music is sometimes surprising; the same tune being not unfrequently sung to half a dozen different sets of words.”
46
How loudly did the laborers sing work songs?
with a volume of voice that reached a square or two away
47
When do 'shouts' take place?
Sundays / praise nights
48
According to Prince Rivers, how is a new “sing” created?
his friends saw him get his ass beat, then they "worked it in" at praise night
49
Jackson uses ________ for the titles fo published tunebooks.
capitalized abbreviations
50
What were Miss Hataway and the Romish Lady (a Catholic girl) willing to give up for their religion?
Miss Hataway gave up her inheritance The Romish Lady gave up her life