Streetcar and Malfi Essay Plans Flashcards

1
Q

Violence Paragraphs

A
  • Violence and sexuality linked
  • Women suffer at hands of violent males
  • Masculine rage ends in violence
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Violence and sexuality linked

A

[He picks up her inert figure and carrier her to the bed]’

(Ferdinand) ‘[Gives her a poniard]’

‘[Talk to me … or my imagination will carry me to see her in the shameful act of sin’

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Women suffer at hands of violent males

A

‘[She backs out of sight. He advances and disappears. There is the sound of a blow]’

‘[Dead man’s hand]’

‘[They strangle her (Duchess]’

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Masculine rage ends in violence

A

(Mitch ‘[Tears the paper lantern off the lightbulb]’

(Stanley) ‘[Crosses to the small white radio and snatches it off the table]’

‘I would have their bodies burnt in a coal pit with the ventilation stopped’

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Madness Paragraphs

A
  • Light imagery motif of inner turmoil
  • Foreshadowing lunacy
  • Insensitivity to madness
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Light imagery motif of inner turmoil

A

‘[Her delicate beauty must avoid a strong light]’

(Mitch) ‘[Turns on the light]’

‘What follows me?’ / ‘Tis your shadow’ (F)

‘Prays you gently neither torch nor taper shine in your chamber’ (F)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Foreshadowing lunacy

A

‘Because - as you must have noticed - I’m - not very well…’

‘The howling of a wolf is music to thee’ (F)

‘Oh let us howl some heavy note, some deadly dogged howl’ (Madmen)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Insensitivity to madness

A

‘Some canary-bird, huh!’ (S)

‘Regarded as not just different but downright loco - nuts’ (S)

‘Presented him with several sorts of madmen, which … forced him to laugh’ = Anti-masque

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Power Paragraphs

A
  • Women marginalised by masculine power
  • Cardinal and Stanley abuse their positions for corruption
  • Light imagery motif of being powerless against insanity
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Women marginalised by masculine power

A

‘[Red-stained package from the butcher’s]’ / ‘[He heaves the package at her]’

‘[Stanley gives a loud whack of his hand on her thigh]’

‘[She’s a young widow. I would not have her marry again]’

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Cardinal and Stanley abuse their positions for corruption

A

‘[He picks up her inert figure and carries her to the bed]’

‘He and his brother are lies plum-trees that grow crooked over standing pools’

‘I pray thee kiss me’

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Femininity Paragraphs

A
  • Males with feminine traits
  • Females embracing sexuality
  • Women seen as feminine are dominated by males
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Males with feminine traits

A

‘I gotta sick mother’ (M)

‘Hurry back and we’ll fix you a sugar-tit’

‘I’m all yours’ (A)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

Females embracing sexuality

A

‘Even the management of the Flamingo … requested (Blanche) to turn in her room key - for permanently!’

‘Diamonds are of the most value, they say, that have passed through most jewellers’ hands’

‘Lusty widow’ (F)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Symbolism Paragraphs

A
  • Light imagery symbolises inner turmoil
  • Sound used to convey tension
  • Setting symbolises approaching trouble
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Sound used to convey tension

A

‘[The varsouviana is heard, its music rising with sinister rapidity]’ (B speaking of boy she loves)

‘[Varsouviana is filtered into a weird distortion, accompanied by the cries and noises of the jungle]’

‘Thou art a dead thing’ / ‘Never see her more’ (Echo (of Duchess?))

17
Q

Setting symbolises approaching trouble

A

‘[Elysian Fields]’ = final resting place of heroic

‘[New Orleans]’ = reference to context, New World vs Old World

‘[At Court]’ = much corruption (context)

Rome = place of religion (where C has affair = corruption)

18
Q

Guilt / Innocence Paragraphs

A
  • Light imagery shows madness arising from guilt
  • Admirable characters show poor morals
  • Stella and Bosola do bad things and try, too late, to repent
19
Q

Admirable characters show poor morals

A

‘[Fumbling to embrace her]: What I been missing all summer]’

(Mitch) ‘Tears the paper lantern off the lightbulb’

‘I would wish you, at such time as you are non-resident with your husband, my mistress’ (Delio)

20
Q

Stella and Bosola do bad things and try, too late, to repent

A

‘What have I done to my sister? Oh, God, what have I done to my sister?’

‘[She sobs with inhuman abandon]’

‘I stand like one that hath taken a sweet and golden dream: I am angry with myself now I wake’ (B)

‘I’ll seek thee out, and all my care shall be to put thee into safety’ (B)

21
Q

Gender Paragraphs

A
  • Male dominance marginalises women
  • Males showing feminine traits
  • Women showing masculine traits
22
Q

Family Paragraphs

A
  • Abandonment of family in pursuit of love
  • Duchess finds love, Stella finds toxicity
  • Both plays end with male heir
23
Q

Abandonment of family in pursuit of love

A

‘You left! I stayed and struggled!’ (B to S)

‘I couldn’t believe her story and go on living with Stanley’

‘I’ll never marry’ (D to brothers)

‘[She puts a ring upon her finger]’

24
Q

Duchess finds love, Stella finds toxicity

A

‘[Stanley gives a loud whack of his hand on her thigh]’

‘She backs out of sight. He advances and disappears. There is the sound of a blow]’

‘She stains the time past, lights the time to come’ (A about D)

‘I’m all yours’

25
Q

Both plays end with male heir

A

‘[Eunice descends to Stella and places the child in her arms. It is wrapped in a pale blue blanket]’

‘Let us make noble use of this great ruin; and join all our force to establish this young hopeful gentleman in’s mother’s right’

26
Q

Women Paragraphs

A
  • Male dominance marginalises women
  • Women voice their sexuality but are criticised for it
  • Women show masculine traits
27
Q

Women show masculine traits

A

‘Sit down’ (B to Mitch)

‘[She precedes him into the room]’

‘[She puts her ring upon his finger]’

‘I have fixed it already’ (Duchess)

28
Q

Masculinity Paragraphs

A
  • Male dominance marginalises women
  • Males showing feminine traits
  • Women showing masculine traits