Summative 1

Question 1

refers to the process of applying color
on a flat surface

Answer 1

Painting

Question 2

IS PERHAPS THE MOST COMMON FORM OF PAINTING. AS THE NAME IMPLIES, THIS INVOLVES
APPLYING COLOR TO A BOARD OR
CANVAS THAT IS FIXED ON AN
UPRIGHT SUPPORT CALLED AN EASEL.

Answer 2

EASEL PAINTING

Question 2

IS DESCRIBED AS A HUGE WALL-SIZED
PAINTING.

Answer 2

MURALS

Question 3

IS DESCRIBED AS A BACKDROP OR
BACKGROUND FOR THE STAGE.

Answer 3

TELON PAINTING

Question 4

PORTRAYS PEOPLE IN
DAILY ACTIVITIES. SUBJECTS
INCLUDE PLANTING AND HARVESTING
RICE, A YOUNG WOMAN SINGING FRONT OF GUESTS, BARONG BARONG,
VENDORS, AND FIESTAS

Answer 4

GENRE PAINTING

Question 5

THE HISTORICAL PAINTING DEPICTS A
SCENE FROM THE PAST

Answer 5

HISTORICAL PAINTING

Question 6

THIS REFERS TO PAINTING OF THE
SPACE INSIDE OF A PART OF A HOUSE
OR A BUILDING.

Answer 6

INTERIORS

Question 7

THESE PAINTINGS PORTRAY NATURAL
SCENERY OR URBAN SCENES.

Answer 7

LANDSCAPES

Question 8

THIS REFERS TO A PAINTING
PORTRAYING ONE OR MORE SPECIFIC
INDIVIDUALS.

Answer 8

PORTRAIT

Question 9

THESE ARE PAINTINGS THAT PORTRAY
THE UNCLOTHED HUMAN FIGURE.

Answer 9

NUDES

Question 10

COMMON SUBJECTS INCLUDE A LONE RELIGIOUS IMAGE, LIVES OF THE SAINTS, AND
SCENES BASED FROM THE SCRIPTURES
LIKE THE NATIVITY SCENE, AND THE
STATIONS OF THE CROSS

Answer 10

RELIGIOUS PAINTING

Question 11

THIS REFERS TO A PAINTING THAT
DEPICTS NATURAL OR MAN-MADE
OBJECTS THAT FORM A COMPOSITION
IN A NATURAL SETTING.

Answer 11

STILL LIFE

Question 12

THIS KIND OF SCULPTURE DOES NOT
HAVE A FLAT HORIZONTAL BASE. THE
FORM IS PROJECTED FROM A FLAT
SURFACE.

Answer 12

RELIEF

Question 13

THIS SCULPTURE IS FORMED BY
PUTTING TOGETHER MATERIALS SUCH
AS FOUND OBJECTS, PIECES OF
PAPER, SPONGES, WOOD, SCRAPS, AND OTHER MATERIALS. A GOOD EXAMPLE
OF THIS IS LAMBERTO HECHANOVA’S
MAN AND WOMAN

Answer 13

ASSEMBLAGE

Question 14

THIS IS CONSIDERED AS A SCULPTURE
IN MOTION BECAUSE THE ENTIRE
SCULPTURE OR SOME PARTS OF THE
SCULPTURE ARE MOVING WITH THE
WIND OR ARE VIBRATING WITH THE
SURROUNDING AIR. A MOBILE IS SAID
TO BE THE SIMPLEST FORM OF A
KINETIC SCULPTURE.

Answer 14

KINETIC SCULPTURE

Question 15

CREATING THESE SCULPTURES INVOLVE
THE PROCESS OF CONNECTING SHEETS
OF METAL TOGETHER BY USING AN
ACETYLENE OR ELECTRIC TORCH.

Answer 15

WELDED SCULPTURES

Question 16

RAMON ORLINA AND IMELDA PILAPIL
STARTED THE USE OF GLASS IN
SCULPTURE. ORLINA USED GLASS IN
TABLE PIECES, MURALS, AND
SCULPTURES WHICH ARE USUALLY
UNIFIED INTO A FRAMEWORK.

Answer 16

USE OF GLASS

Question 17

A GOOD EXAMPLE OF SYMBOLIC
SCULPTURE IS THE INTERPRETATION
OF ABDULMARI IMAO ON OKIR DESIGN, WHICH IS A MARANO DESIGN
TRADITION THAT IS TYPICALLY USED
IN WOODCARVING.

Answer 17

SYMBOLIC SCULPTURE

Question 18

THIS REFERS TO USING PAID SPACE OR TIME IN ANY OF THE MEDIA TO INFORM AND INFLUENCE THE PUBLIC.

Answer 18

ADVERTISING ART

Question 19

THIS REFERS TO WORKS MADE OF BAMBOO
THAT MAY BE USED FOR EVERYDAY PURPOSES
OF FOR DECORATIONS OR ORNAMENTS.

Answer 19

BAMBOO ART

Question 20

THIS REFERS TO THE ART OF
CREATING CONTAINERS BY WEAVING,
PLAITING, OR BRAIDING MATERIALS
INTO HOLLOW THREE-DIMENSIONAL
SHAPES THAT CAN EITHER BE USED
FOR CARRYING, STORAGE, AND
TRAPPING ANIMALS.

Answer 20

BASKETRY

Question 21

BOOK DESIGN INVOLVES STRUCTURING
AND REPRODUCTION OF BOUND PAGES
THAT ARE FILLED WITH TEXT AND /OR
IMAGES, AND ARE PROTECTED BY HARD
OR SOFT COVERS.

Answer 21

BOOK DESIGN

Question 22

THESE ARE GARMENTS, HAIRSTYLES,
AND ACCESSORIES THAT ARE WORN BY INDIVIDUAL MEMBERS OR GROUPS IN A PARTICULAR SOCIETY.

Answer 22

COSTUMES

Question 23

THIS REFERS TO THE ART OF
STITCHING ORNAMENTS ON CLOTH BY
HAND.

Answer 23

EMBROIDERY

Question 24

THIS INVOLVES PACKAGING AND/OR PRESENTATION OF FOOD IN AN ARTISTIC WAY.

Answer 24

FOOD ART

Question 25

THESE ARE DECORATIVE AND FUNCTIONAL OBJECTS WHICH ARE TYPICALLY FOUND IN A PUBLIC OR PRIVATE DWELLING OR BUILDING.

Answer 25

FURNITURE

Question 25

BOTH KOMIKS AND EDITORIAL CARTOON INVOLVE ILLUSTRATIONS OF STORIES OR EVENTS.

Answer 25

KOMIKS & EDITORIAL CARTOON

Question 26

IS USED IN RELIGIOUS RITUALS, FOOD WRAPPING, AND EVEN AS A FORM OF MODERN ARTISTIC EXPRESSION.

Answer 26

LEAF ART

Question 27

THIS REFERS TO THE ART OF "PLAITING STRIPS OF ORGANIC FIBERS INTO MATS."

Answer 27

MAT WEAVING

Question 28

THIS INCLUDES ALL OBJECTS MADE FROM METAL USING THE PROCESSES OF BRASS CASTING AND BLACKSMITHING, TINSMITHING, OR GOLDSMITHING AND SILVERSMITHING.

Answer 28

METAL CRAFT

Question 29

THIS PROCESS INVOLVES CASTING AND FORGING PIECES OF BRASS OR BRONZE. TOOLS, CONTAINERS, WEAPONS, AND OTHER ITEMS CAN BE CREATED USING THIS PROCESS. ANTING-ANTING OR AMULETS ARE ALSO CREATED USING THIS PROCESS

Answer 29

BRASS CASTING AND BLACKSMITHING

Question 30

THESE PROCESSES INVOLVES THE USE OF GOLD AND SILVER IN CREATING OBJECTS AND ORNAMENTS.

Answer 30

GOLDSMITHING AND SILVERSMITHING

Question 31

IS A GENERAL TERM FOR DECORATIVE AND USEFUL OBJECTS MADE FROM CLAY AND SET OFF AT HIGH TEMPERATURES.

Answer 31

POTTERY

Question 32

THIS TYPE OF POTTERY IS MADE FROM CLAY AND IS USUALLY TIRED AT 1,700-2,100°F

Answer 32

EARTHENWARE OR TERRACOTTA

Question 33

THIS TYPE OF POTTERY IS MADE FROM CLAY AND FELDSPAR. STONEWARE IS USUALLY FIRED AT 2,220-2,230°F.

Answer 33

STONEWARE

Question 34

THIS REFERS TO TRANSFERRING IMAGES FROM A FIRM SURFACE, SUCH AS METAL OR WOOD, TO A PLIABLE SURFACE, SUCH AS CLOTH OR PAPER, USING PRESSURE.

Answer 34

print making

Question 35

THIS REFERS TO BODY ADORNMENT PERMENENTLY ENGRAVED ON SKIN USING A SHARP INSTRUMENT AND PLANT DYES OF INKS

Answer 35

tattoo

Question 36

THIS REFERS TO THE PROCESS OF CREATING CLOTH BY INTERWEAVING A SERIES OF PARALLEL VERTICAL THREADS WITH ANOTHER SERIES OF HORIZONTAL THREADS AT RIGHT ANGLES.

Answer 36

TEXTILE WEAVING