survey 1 final Flashcards

1
Q

Who was the first Greek playwright and was responsible for writing for a main actor in addition to the chorus?

A

Thespis

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2
Q

Rolling platforms, called ekkyklēma, were used during Greek tragedy because

A

Violent actions took place off stage, after which the results were rolled into view.

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3
Q

In Greek theatre, actors relied mainly on ___ to show action and emotion due to the simplicity of costumes, the use of masks, and the large space in which they performed.

A

gestures and mime

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4
Q

In Greek theatre, what took place in the amphitheater’s orchestra?

A

choral dancing

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5
Q

What does the deus ex machina refer to in greek theatre?

A

Both God who appears to pass judgment on the guilty and resolve conflict and Mechanical cranes used to hoist performers

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6
Q

Due to its pivotal role in defeating the Persians, __________ became the cultural and artistic center of the Greek city-states, and theater flourished there.

A

Athens

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7
Q

Comedies focus on __________, while tragedies emphasize __________.

A

Political and historical events/mythological and heroic events

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8
Q

Satyr plays

A

were written to provide the audience with comic relief at the end of a day-long performance of tragedies.

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9
Q

Greek tragedy may have originated from

A

“goat songs” (tragōidia) used in ritual practices involving the killing of goats and choral performers of dithyrambs who were known as tragōidoi, originating from hymns performed to the god Dionysus.

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10
Q

Sophocles and Aeschylus introduced a third actor to their plays because

A

this expanded the playwright’s options for conflict, complexity of plot and dialogue.

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11
Q

Choruses in Greek comedies differ from those in tragedies in that

A

in comedies animals and inanimate objects form the chorus, whereas in tragedies the chorus represents the public’s perspective.

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12
Q

What instrument played the most important role in the music composed for a drama?

A

flute

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13
Q

Who is the oracle in the play Antigone?

A

Tiresias

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14
Q

Which of the following would be an example of hamartia—the hero’s tragic flaw, or mistaken action or lapse in judgment?

A

Antigone burying her brother in spite of King Creon declaring him a traitor and forbidding his burial, according to Sophocles’s Antigone

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15
Q

Katharsis is best defined as

A

a release stirred up by fear and pity inspired in the audience by the hero’s wrongdoings and his display of extreme emotions

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16
Q

Which of the following is NOT included in Aristotle’s list of six crucial elements of any tragedy?

A

symbolism

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17
Q

The dramatic structure of a Greek tragedy includes:

A

prologue, parade of chorus, a series of episodes followed by commentary from the chorus, a hymn of allegiance to the gods, and an exit by the chorus

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18
Q

In addition to being a playwright, Sophocles held what position:

A

General

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19
Q

What god was honored by the annual Greek drama festival?

A

Dionysus

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20
Q

Greek festivals honored __________ while Roman festivals honored __________.

A

Dionysus / Jupiter

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21
Q

Roman theater was performed during festivals known as

A

Ludi

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22
Q

Early Roman comedy came from southern Italy in a burlesque form known as

A

atellan farce.

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23
Q

Which of the following is NOT a change made to theater by Roman playwrights?

A

Three-dimensional stage sets were introduced.

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24
Q

Which of the following is NOT true of Roman plays?

A

They were sometimes written by Roman senators and Christian moralists.

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25
Q

Horace proscribed all but which of the following elements for good theater?

A

A play should be written in common dialect rather than Latin.

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26
Q

Which Roman treatise made a large impact on Renaissance stage effects?

A

Vitruvius’s De Architectura

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27
Q

Action in a Roman play took place in the __________ part of the stage.

A

pulpitum

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28
Q

Who of the following was not a famous Roman playwright?

A

Euripides

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29
Q

Which character is the object of a love triangle in The Eunuch?

A

Thais

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30
Q

Terence was born in what part of the world?

A

Africa

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31
Q

Terence was a former

A

slave

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32
Q

The rise of the Roman Empire resulted from

A

The Punic Wars

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33
Q

Eunuchus was an adaptation of the play Eunouchus by what Greek playwright?

A

Menander

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34
Q

Luscius Lanuvinus accused Terence of

A

Contaminating the Greek original by adding characters from another source

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35
Q

The stock character of the sponger or hanger-on in Roman comedy is known as the

A

Parasite

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36
Q

The clever slave whose tricks often drive the plot and finds out the truth at the end of the play. He often speaks with alliteration and meter.

A

The Servus Callidus

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37
Q

What is problematic in Eunuchus?

A

Enslaved people and the treatment of women

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38
Q

Senecan closet dramas influenced

A

Renaissance playwrights

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39
Q

Closet dramas are those written

A

to be read or recited, not performed

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40
Q

Hrotsvit, a Christian abbess, used __________ as a model adapted for Christian subjects.

A

Terentian comedy

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41
Q

What was a major reason for the absence of organized theatre in the Middle Ages?

A

The Christian church denounced theater and spectacle.

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42
Q

Early theatre in medieval Europe consisted of

A

Touring performers and local pagan festivals

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43
Q

The Quem Quaeritis commemorated

A

Visit by the three Marys to Christ’s tomb

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44
Q

Which of the following is NOT one of Hrosvit of Gandersheim’s accomplishments?

A

First Mother Superior at the abbey of Gandersheim

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45
Q

Which of the following was NOT among the classical authors known to be read by Hrosvit?

A

Aristotle

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46
Q

Hrosvit’s works were rediscovered

A

In 1494 when Conrad Celtis found the Emmermau Munich Codex

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47
Q

What did Hrosvit say she wanted to reform in old dramatic models?

A

The shameless acts of lascivious women

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48
Q

Why did nineteenth-century scholars doubt Hrosvit’s authorship?

A

The thought that no medieval woman could have possessed her knowledge of classical literature

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49
Q

How did the rediscovery of Hrosvit’s manuscripts disrupt the prevailing narrative of medieval theater history?

A

They demonstrate a continuity between classical and medieval theatre.

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50
Q

During the Tang dynasty, Emperor Minghuang

A

opened the Pear Orchard Conservatory for Actors.

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51
Q

Which of the following distinguishes Yuan zaju plays from nanxi plays?

A

Yuan plays became a literary form of drama.

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52
Q

What purpose did tile districts serve?

A

They were urban amusement centers to provide entertainment.

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53
Q

What type of ending signified that a Yuan zaju drama was keeping with Confucian principles?

A

an ending in which justice is served

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54
Q

Chinese stages were

A

bare tile venues with a rear decorative wall panel.

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55
Q

Dramatists during the Yuan Dynasty were

A

Chinese scholars seeking work outside their former government positions.

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56
Q

Which character sings most of the songs in the play Snow in Midsummer?

A

Dou E.

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57
Q

How did the lack of props and formal settings influence Guan’s style in the play?

A

Language alone is used to direct action and indicate passage of time.

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58
Q

One of the main character differences between “judgment reversal” zaju and the more common form of zaju is:

A

Two villains are required rather than the usual single villain.

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59
Q

What did Dou Tianzhang trade his daughter for?

A

ten taels to pay off a debt

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60
Q

Where is Dou Tianzhang headed after he leaves Dou E with Mistress Cai?

A

to the capital for his examinations

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61
Q

Why does Doctor Lu attack Mrs. Cai?

A

He does not want to pay back the debt he owes to her.

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62
Q

What does Zhang request for having saved Mrs. Cai?

A

her hand in marriage

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63
Q

Why does Doctor Lou want to move to another city?

A

He wants to avoid the guilt associated with selling poison to Donkey.

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64
Q

How does Zhang die?

A

He is poisoned.

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65
Q

Who is physically beaten at the trial?

A

Dou E because she will not confess to the crime

66
Q

Why does Dou E request to be taken down the less conspicuous back road?

A

She does not want to upset Mrs. Cai.

67
Q

What does the snow during the execution signify?

A

the injustice being done to Dou E

68
Q

What does Dou Tianzhang investigate as a government official?

A

corruption among public officials

69
Q

How has the town been punished for the injustices?

A

three years of drought

70
Q

Who is Chinese Classical Theatre’s equivalent of Shakespeare?

A

Guan Hanqing

71
Q

Gigaku and bugaku theater, evolved from Buddhist practices, differ in that

A

gigaku is a masked processional, bugaku a courtly dance theater based on Asian dances.

72
Q

Sarugaku—a comic theater that later evolved into sarugaku noh—is best translated as

A

monkey entertainment.

73
Q

Props such as folding fans are used in noh drama to

A

symbolize emotions and other objects.

74
Q

Which of the following is NOT an element of Kabuki drama

A

It utilized dolls and puppets.

75
Q

Kagura is

A

a kind of dance theater that evolved out of Shinto ritual.

76
Q

What transpires during a noh drama’s climax

A

There is a ritualized dance.

77
Q

Which of the following is something Kanami did NOT do?

A

He introduced comedy and farce.

78
Q

The financial support and flourish of sarugaku noh arose as a result of what political change in 1192?

A

The emperor was deposed and the shoguns took over.

79
Q

What is true of the protagonist in a noh drama?

A

He is disguised in the first act and revealed in the second, He quotes Japanese literature, and He quotes Chinese literature.

80
Q

Zeami’s seven-volume text, titled Kadensho, defines yugen as

A

a theory of beauty and life’s impermanence.

81
Q

Hashigakiri function on the noh stage as

A

bridges that connect the stage with side passages.

82
Q

Protagonists in noh works were assigned to stand by the shite pillar because

A

it allowed the actor to announce his name when entering the stage.

83
Q

The nohgaku in dramatic works refers to

A

a program that took up to eight hours to complete.

84
Q

Noh dramas are divided into __________ categories.

A

5

85
Q

What was the main theme of plays performed during Muslim occupation on the Iberian Penninsula (Spain)?

A

Honor

86
Q

What made Calderón’s Love Is the Greatest Enchantment unique?

A

It had noteworthy special effects including hydraulics.

87
Q

Who took over the production of autos sacramentales after the mid-sixteenth century?

A

Munincipalities/ government

88
Q

Which of the following is NOT true of female performers after 1599?

A

They were retired prostitutes.

89
Q

What was unique about Sor Juana Inés de la Cruz?

A

She was a nun.

90
Q

Compañías de la legua (“companies of the road”) performed in the countryside because they

A

were comprised of actors who failed to gain employment with one of the few licensed troupes

91
Q

Who originally received licenses for the corrales (public theaters)?

A

organizations who raised money for hospitals and the poor

92
Q

Which god is honored in the opening lines of the loa?

A

God of Seeds

93
Q

What purpose does the character Religion serve in the play?

A

She represents Christianity.

94
Q

Which character is said to frighten all who look upon their face?

A

Zeal

95
Q

According to Religion, what mystery takes place during Holy Mass?

A

Bread and water transform into Christ’s body and blood.

96
Q

Religion states that the auto will be performed in ___________________.

A

Madrid

97
Q

Where did women sit in public Spanish theatres?

A

The cazeula, the gallery above the refreshment booth.

98
Q

In Spain, public theatre was performed

A

in corrales

99
Q

How many acts did comedia nueva, the most popular form of Spanish theatre, typically have?

A

three

100
Q

Who was not a Spanish Golden Age playwright

A

Racine

101
Q

Sor Juana was born as a “daughter of the church,” which means

A

she was an illegitimate child

102
Q

Why did Sor Juana join the convent?

A

Because she preferred a life of study over the prospect of marriage

103
Q

What did Sor Juana do that drew great criticism?

A

She wrote a letter critical of a Jesuit sermon

104
Q

What was Sor Juana’s punishment

A

She had to give up all of her books and renounce writing

105
Q

Morality plays were largely influenced by which fourth-century work that emphasized a competition between virtue and vice?

A

Prudentius’s Psychomachia

106
Q

What role did the sedes (mansions) and platea (place) play in the staging of Corpus Christi plays?

A

They represented stable and temporary stage environments during a performance.

107
Q

Tudor interludes are best characterized as

A

dramas performed for noble households, guild halls, and schools.

108
Q

Which of the following would NOT be an example of an allegorical character?

A

Pope Urban IV

109
Q

Why were mystery plays so named?

A

Guilds and craftsman groups sponsored them.

110
Q

Miracle plays commemorated the lives of

A

saints

111
Q

Catholics and Protestants used _________ to to dramatize their doctrinal and political disputes during the English Reformation.

A

morality plays

112
Q

How do morality plays differ from mystery cycles?

A

Morality plays are concerned with the individual Christian’s life, while mystery plays are concerned with sin and redemption in human history as exemplified by biblical characters and saints.

113
Q

What would you say BEST describes the theme of Everyman as laid out at the beginning of the play?

A

every person’s account of his or her life to God upon dying

114
Q

What does Everyman offer Death in exchange for one more day of life?

A

one thousand pounds

115
Q

Whom does Everyman go to first to invite to accompany him on his journey?

A

Fellowship

116
Q

What reason does Cousin give for not accompanying Everyman on his journey?

A

He has a cramp in his toe.

117
Q

What “precious jewel” does Confession give to Everyman?

A

Penance

118
Q

Knowledge gives Everyman a garment of sorrow, also called ______, to obtain God’s forgiveness.

A

Contrition

119
Q

When Everyman goes to Death, everyone abandons him EXCEPT ________.

A

Knowledge

120
Q

Who explains the moral of the play in the closing lines?

A

Doctor

121
Q

According to the closing lines of the play, what cannot take place after death?

A

repentance

122
Q

Why can’t Good Deeds accompany Everyman on his journey?

A

She is bound by Everyman’s sin and cannot move.

123
Q

The most popular commedia character. Masked servant who was skilled acrobat and dancer and carried a “slapstick”

A

Arlechinno

124
Q

One of two official companies in London at the time, led by the Burbage Family and William Shakespeare.

A

Lord Chamberlain’s Men

125
Q

An actor would invest a large sum of money and commit themselves to a company for a minimum number of years.

A

Shared or sharing plan

126
Q

“Rebirth”; following the Middle Ages, a movement that centered on the revival of interest in the classical learning of Greece and Rome

A

Renaissance

127
Q

Intellectual movement in which thinkers studied classical texts and focused on human potential and achievements

A

Humanism

128
Q

Where did the Renaissance begin?

A

Italy

129
Q

A tool invented by Johann Gutenberg in 1450. It helped spread the ideas of the Renaissance. This invention made information available to a many more people than before and allowed the Renaissance to spread because it made new ideas available to a much larger audience.

A

Printing press

130
Q

Rich merchant family, who ruled Florence during the Renaissance, became wealthy from banking, became a model for arts patronage, and controlled Florence for about three centuries.

A

Medici

131
Q

Wrote Dialogues on Scenic Representation, the first treatise on stage practices. Claimed the origins of theatre were in Hebrew scripture, not with the Greeks.

A

Leone di Somi

132
Q

The masque in Hamlet is an example of what kind of play?

A

Tudor Interlude

133
Q

Who granted licenses for plays, and could censor, arrest, imprison, and even torture playwrights in England for controversial material?

A

Master of Revels

134
Q

Since theater was banned in London, private theaters were built on __________ outside of municipal control.

A

liberties

135
Q

In Hamlet, the ghost reveals that he was killed by poison . . .

A

poured in his ear as he slept

136
Q

What type of play is Hamlet?

A

Revenge tragedy

137
Q

Which character in Hamlet is NOT avenging his father’s death?

A

Horatio

138
Q

What are the ghost’s instructions to Hamlet?

A

Kill Claudius but leave the Queen to God’s judgement

139
Q

Polonius believes Hamlet’s madness is caused by

A

love

140
Q

What is the cause of Ophelia’s death?

A

drowning

141
Q

What is Hamlet’s first line?

A

A little more than kin and less than kind.

142
Q

What company monopolized French theatre from the 1400s-1600s

A

Confriere de la Passion

143
Q

Who was responsible for starting the tradition of government subsidization for the arts?

A

Cardinal Richelieu

144
Q

Which of the following is NOT representative of neoclassical theater?

A

Cornielle’s Le Cid

145
Q

In French theatre, where did some high paying noble spectators sit?

A

on the stage

146
Q

What trade did Moliere inherit from his father early in his career?

A

furniture making and repair

147
Q

What problem did the church have with the profession of acting?

A

pretending to be another identity

148
Q

What was the name of the theatre company formed by Moliere?

A

Illustre Theatre

149
Q

Where were early popular theaters constructed in Paris?

A

former tennis courts

150
Q

French theatre developed later than other European countries due to the war between the Catholics and

A

the Hugenots.

151
Q

The decline of French theatre in the late seventeenth-century can be attributed to

A

King Louis XIV’s moved the court outside of Paris

152
Q

What is (are) the setting(s) of the play Tartuffe?

A

Paris, in OROGON’s home

153
Q

Following Roman and Neoclassical rules, Tartuffe is how many acts?

A

Five

154
Q

ORGON: What can I do About a servant with a mouth like that? The liberties you take! ______ you laugh at! I am not happy with you –
To what neoclassical convention does Orgon refer to here?

A

Decorum

155
Q

TARTUFFE: [noticing DORINE] Laurent, lock up my scourge and hair shirt, too. And pray that our Lord’s grace will shine on you. If anyone wants me, I’ve gone to share my alms at prison with the inmates there.
TARTUFFE’s line reflects:

A

Medieval Christianity

156
Q

Which two characters in Tartuffe eavesdrop on Elmire and Tartuffe?

A

Damis and Orgon

157
Q

Where does Orgon hide to spy on Elmire and Tartuffe?

A

under the table

158
Q

Why does Orgon spy on Elmire and Tartuffe?

A

Elmire demands him to.

159
Q

Which Roman stock character is Tartuffe most like?

A

Parasite

160
Q

As in many French plays, in Tartuffe scenes change when ___________________.

A

a character enters or leaves the stage.

161
Q

What leverage does Tartuffe have over Orgon?

A

He has convinced Orgon to sign over his estate and has paperwork that could implicate Orgon in a crime.