Television Flashcards

(77 cards)

1
Q

Frederick Winslow Taylor

scientific management; the theory of management that analyzed and synthesize workflows
• Main objective was improving economic efficiency

A

Taylorization

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2
Q

1936 comedy film written and directed by Charlie Chaplin
• Remediated silent movies when sound already emerged
• What is the relationship between technology, media, and human possibility?

A

Modern Times

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3
Q

Examination of Modern Times by Chaplin

A

Take note of the title “modern”:
• Associated with the notion of time (opening scene with ticking clock)
• Herd of sheep fade to workers
o Equates the sheep with workers all under the clock of time
• All communication is through media/sound (big boss on the screen)
o Humans are dependent on technology; maybe even foolish to do so bc it break down (i.e. the feeding machine)
o Disconnecting
o Surveillance (the boss in the bathroom)
• Chaplin goes through the machinery, the gears
o We become part of the machine
• 1% boss in the beginning reading a comic book
• We become it!
o Trained to be machine-like → Insanity
• So trained by TIME that we become SHEEP
• Economics/Efficiency which drives Innovation
• The use of humour
• critique of Taylorization

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4
Q

Modern Times Remediated in Lucy – Candy Scene

A

What does this example of remediation reveal about the nature of television?
• Both convey:
o Dehumanization
o Taylorization
o Humour
• Quantity over quality
• We can’t keep up to what technology is doing to us
• Function of Television:
o Critique in 1930s to being sold by the television to be consumers

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5
Q

Example of taylorization

A

i.e. Powerpoint as a point of taylorization
• closing down possibilities rather than opening them
• university system is dehumanizing us
• students are paying more

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6
Q
  • To entertain
  • To disseminate news and information
  • To market products *
A

Three Primary Roles of TV

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7
Q

Escape
Social comparison
Satisfaction of keeping up with what is taking place in the world; to gain cultural capital

A

Reasons why people watch tv

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8
Q

Television competes successfully for time with other activities because

A

Undemanding nature and convenience of access

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9
Q
  • Book called Keywords and gives their history

* Television (1974)

A

Raymond Williams

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10
Q

Williams critiqued McLuhan’s technological determinism

• Suggests that consideration of intentions is the way out of the technological determinism trap

A

Technological Determinism

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11
Q
  • Invention of tv was not a single event or series of event
  • There is no way the tv is creating a new society or new social conditions

i.e. European Inventions: Development of Television

A

Social History of Television as Technology

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12
Q

objectives and consequent technologies to meet those objectives operate within an already existing system
• This dictates to some extent the development of technology
Examples of this:
• expansion of tv was rapid c the patterns already est in radio business
• basic structures of national networks and local stations in place
• wide appeal of entertainment
• commercial advertising
• government licensing and regulation established

A

Social History of the Uses of Television Technology

Operational communication

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13
Q

Technology of specific messages to specific persons (telegraphy) vs sending varied messages to general public

A

Point-to-Point VS Broadcasting

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14
Q
  • Radio and tv as “mass communication”
  • Characterizes many people as “the mass”
  • Means of cultural power
A

The Concept of Mass Audience

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15
Q
  • Statistical thinking
  • Audience measurement
  • New science of sociology

i.e. Neilson boxes monitoring what and when you watch to gather stats

A

Requirements of Mass Audience

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16
Q
  • Obsolete – no such thing as mass audience
  • Simplistic –issues of taste and class, “taste segments” might be more accurate
  • Self-serving – study of audiences works further; mass audience is a commodity
  • Social character of the audience –
A

Criticisms of Mass Audience Concept

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17
Q

Criticisms of Mass Audience Concept

A

Audience Profile

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18
Q

• Your demographics are being sold

A

In television, the audience is the product

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19
Q

of having to do with television, especially the visual aspect of television program or broadcast

A

televisual

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20
Q

• Immediacy

• Transparency – concept of televisual news, particularly within the newsroom, is that is offers “a window on the world” (Walter Cronkite and that’s the way it is); Fiske and “The Transparency Fallacy” it is not transparency
o Examples: news/political coverage which raises issues about television’s complicity in the events portrayed

  • Flow – defining feature of broadcasting is planned flows (Raymond Williams)
  • Hybridity – tv is a “super-text”
A

What makes tv tv?

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21
Q
  • The Nuclear Family

* Utopian promise of increased social life and dystopian outcome of social seclusion

A

Audience Behaviour

The Honeymooners “TV or not TV”

Making room for TV

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22
Q

Marshall McLuhan: The Medium is the Message 1977

A

• MEDIUM is more important (i.e. print)
• Content is not important
• i.e. where the content is more important/just as important as the medium: The Bible
• the message is absolutely vital in some cases
• a search for identity through “violence” (disruptive)
o i.e. little girl saying she wants to be bionic woman (a media product)

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23
Q

Videodrome
• We are colonized by our devices
• Social manipulation and mind control
• About losing our bodies; putting devices into himself
• We take media forms (Prof Oblivion; we have different names; how we present ourselves on media such as our email addresses)
• “Tv is reality and reality is less than tv”
• How much of an emotional relationship are we building with the media form?

A

David Cronenberg

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24
Q

What is the message of TV? →

A

The Televisual

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25
flow; something only the tv can do
Televisual
26
What is the message of movies? →
The Cinematic
27
What is the message of gaming? →
The Ludology
28
the larger category of gaming
Ludology • What makes a video game a video game? • The academic study of videogames • Deriving techniques from literary and film theory • GTA and EverQuest as cultural artefacts *look at narratology and ludology slideshow
29
anything related to the narrative = study of the narrative • Stories • Russian fairytales • What is consistent across a genre • Unspecific to one story • In televisual and cinematic realm – argued that it works in different ways
Narratology
30
Three major historical developments in tv's early years helped shape it
technological innovations and patent wars wrestling control of content away from advertisers sociocultural impact of infamous quiz show scandals
31
based on radio waves
analog standard
32
until 2009, analog signals were replaced by
digital signals
33
digital signals offer highest resolution and sharpest image
HDTV
34
features segments - news, talk, comedy, and music - similar to content found in a general interest or news magazine of the day
magazine program
35
hours bt 8 and 11 pm where networks traditionally draw their largest audiences and charge their highest advertising rates
prime time
36
1950s to 1970s when networks gained control over TVs content
network era
37
first small cable systems; originated where mountains or tall buildings blocked TV signals
CATV (community antenna television)
38
providing of specialized programming for diverse and fragmented groups; provided access to certain target audiences that cannot be guaranteed in braodcasting
narrow casting
39
includes 100+ channel lineup composed of local broadcast signals, access channels (local government, education, general public use), regional PBS stations, and a variety of cable channels, such as ESPN, CNN, MTV, USA, Bravo, Nickelodeon, Disney, Comedy Central, BET
basic cable system
40
independent TV stations uplinked to a satelittle
superstations
41
wide range of special channels besides basic programming which lure customers with the promise of no advertising
premium channels
42
first offering recently released movies or special one-time sporting events to subscribers who paid designated charge to cable company, allowing them to view th eprogram
Pay-per-view (PPV)
43
service that enables customers to choose among hundreds of titles and watch their selection whenever they want in the same way as video; pausing and forwarding if desired
video-on-demand
44
transmits its signal directly to small satellite dishes near or on customers' homes
direct broadcast satellite (DBS)
45
began during VCR era; occurs when viewers record shows and watch them at a later, more convenient time
time shifting
46
computer screens are the third major way we view content; online viewing experiences
third screens
47
prior to day so f videotape, was through a technique called _____ a film camera recorded live TV show off a studio monitor; quality was poor, and most series that were saved in this way have not survived
kinescope
48
shot comedy skits' resurrected essentials of stage variety entertainments and played to noisy studio audience
sketch comedy
49
features recurring cast, each episode establishes narrative situation, complicates it, develops increasing confusion among its characters and then usually resolves the complications
situation comedy or sitcom
50
characters and setting more important than complicated predicaments; personal problems or family crisis i.e. Modern Family
domestic comedy
51
brought live dramatic theatre to tv audience; influenced by stage plays, teleplays (scripts written for tv) served the more elite and wealthy
anthology dramas
52
first used in radio in 1929 main characters continue from week to week, sets and locals remain the same two general types: chapter shows and serial programs
episodic series (abandoning anthologies)
53
self-contained stories with recurring set of main characters who confront a problem, face, conflict, and find a resolution often function as window into the hopes and fears of American pysche i.e. The Big Band Theory, Star Trek, CSI
chapter shows
54
open-ended episodic shows story lines continue from episode to episode cheaper to produce than chapter shows i.e. daytime soap operas
serial programs
55
stations that contract with a network to carry its programs
affiliate stations
56
reduced the networks' control of prime-time programming from four to three hours
Prime Time Access Rule (PTAR)
57
constituted the most damaging attack against the network TV monopoly in FCC history
fin-syn
58
required all cable operators to assign channels to and carry all local TV broadcasts on their systems ensured that local network affiliates, independent stations, and pulbic tv channels would benefit from cable's clearer reception
must-carry rules
59
required cable systems to provide and fund a tier of nonbroadcast channels dedicated to local education, government, and the public
access channels
60
citizens could buy time on these channels and produce their own programs or present controversial views
leased channels
61
electronic publishers
fill in
62
services that do not get involved in content
common carriers
63
bringing cable fully under the federal rules that had long governed the telephone, radio, and TV industries
Telecommunications Act of 1996
64
programs are funded through _____ production company leases the show to a network or cable channel for license fee that is actually lower than the cost of production; the company hopes to recoup this loss later in lucrative rerun syndication
deficit financing
65
pay broadcast networks to carry network channels and programming
retransmission fees
66
network-owned-and-operated stations
O & Os
67
leasing TV stations or cable networks the exclusive right to air tv shows critical component of the distribution process
syndication
68
popular old network reruns such as I Love Lucy
evergreens
69
programming immediately before evening's primetime schedule (early ____) and following the local evening news or network late-night talk show (late ___)
fringe time
70
commonly called reruns; older programs that no longer run during network prime time
off-network syndication
71
any program specifically produced for sale into syndication markets producers of these programs usually sell them directly to local markets around the country and the world
first-run syndication
72
distributors retain some time to sell national commercial sports in successful syndicated shows
cash-plus
73
new, untested, or older less popular programs
barter deals
74
statistical estimate expressed as percentage of households that are tuned to a program in the market being samples
rating
75
statistical estimate of percentage of homes that are tuned to a specific program compared to those using their sets at the time of the sample
share
76
corporations like Comcast and Time Warner Cable that own many cable systems
multiple-system operators (MSOs)
77
the industry's major players
multichannel video programming distributors (MVPDs)