Tempest Quotes Flashcards
(146 cards)
1
Q
1.1 what is this scene meant to be like
A
realistic
2
Q
1.1 Boatswain
A
“you mar our labour…To cabin; silence! Trouble us not”
Gonzalo: “remember whom thou hast aboard”
B: “None that I love more than myself…out of our way, I say!”
3
Q
1.1 Antonio to the Boatswain
A
“We are less afraid to be drowned than thou art”
4
Q
1.1 Antonio, uncaring, brave
A
“Let’s all sink wi’ th’ king”
5
Q
1.2 Miranda status
A
has been a spectator like the audience
6
Q
1.2 Miranda’s suffering
A
“O, I have suffer’d with those that I saw suffer”
7
Q
1.2 what does Miranda think was in the vessel
A
“a brave vessel–who had, no doubt, some noble creature in her” (kings etc but they are all evil)
8
Q
1.2 Miranda would have saved them if she had been
A
“Had I been any god of power”
9
Q
1.2 Why did Prospero do it
A
“in care of thee, of thee, my dear one, thee, my daughter”
10
Q
1.2 What does Miranda first ask Prospero
A
“If by your art, my dearest father, you have put the wild waters in this roar, allay them.”
11
Q
1.2 When does Prospero become human
A
“pluck my magic garments from me…lie there my art”
12
Q
1.2 Prospero description of his ultimate power
A
“I have with such provision in mine art
So safely order’d that there is no soul,
No, not so much perdition as an hair
Betid any creature in the vessel Which thou heard’st cry, which thou saw’st sink. Sit
down,
(merges two statements + a command, does not finish his first statement with “hurt” but instead finds a new way)
(JEsus assured his disciples that no hair would perish x3, Prospero has assumed the providential role of god. At this moment necessary)
13
Q
1.2 Prospero asks what Miranda sees in the past
A
he is startled that she “four or five women once that tended me?”
“what seest thou else in the dark backward abyss of time?”
14
Q
1.2 Prosper describes Miranda’s mother
A
“Thy mother was a piece of virtue”
faithful
her only real quality
legitimacy
virtue is a woman’s only importance. This is why she couldn’t have anything to do with Caliban
The image is the most important thing.
difficult to prove women are virtuous, he doesn’t really know
15
Q
1.2 Miranda’s melodramatic response
A
“O, the heavens!” x2
16
Q
1.2 Prospero demands attention
A
I pray thee mark me Dost thou attend me? thou attend'st not! I pray thee mark me Dost thou hear? -at the beginning and end of every bit -the attention he himself must give to combatting the existence of evil
17
Q
1.2 prospero’s focus on family
A
“My brother, and thy uncle, call’d Antonio”
“I lov’d”
“brother” x7
“my false brother”
“tell me if this might be a brother”
STRUGGLES TO UNDERSTAND HOW EVIL CAN BE EMBEDIED IN THE CLOSEST OF ALL RELATIONSHIPS
18
Q
1.2 Prospero’s skill in the liberal arts
A
“without parallel; those being all my study”
19
Q
1.2 Abandons his tasks
A
“The government I cast upon my brother, and to my state grew stranger” “rapt in secret studies” “dedicated to closeness and the bettering of my mind”
20
Q
1.2 What did Antonio do to Prospero’s subjects
A
“new created the creatures that were mine, I say: or chang’d ‘em or else new form’s ‘em”
(elisions become frequent)
(Antonio has usurped the role of God)
21
Q
1.2 comparison to ivy and tree
A
“The ivy which had his my princely trunk, and suck’d my verdure out on’t”
(Misapplied metaphor. Ivy does not suck out the sap, irrational attitude to Antonio. His fear of being overwhelmed by evil, not in possession of his own feelings”
22
Q
1.2 Prospero describes his trust as
A
“my trust…no limit, a confidence sans bound”
23
Q
1.2 Antonio’s actions
A
“of temporal royalties royalties HE thinks me now incapable” (present tense)
(Prospero never blames himself, was he incapable)
24
Q
1.2 Why the people did not destroy Prospero
A
Dear, they durst not, So dear the love my people bore me”
25
1.2 How they came ashore according to Prospero
By providence divine
26
1.2 What did Gonzalo furnish them wih
"necessaries" "furnish'd me from mine own library with volumes that I prize above my dukedom" (notice the present tense, he still prizes them above his dukedom, maybe it was all his fault)
27
1.2 PRospero's education of Miranda
"here have I, thy schoolmaster, made thee more profit than other princes" (she is the same status as a prince)
28
1.2 How does Miranda address her father
"sir"
29
1.2 How does Prospero describe the coming of the ship
"By accident most strange, bountiful Fortune"
30
1.2 Importance of the moment
"by my prescince I find my zenith doth depend on a most auspicious star; whose influence If I court not, but omit, my fortunes will ever after droop"
31
1.2 Puts Miranda to sleep
"Thou art inclin'd to sleep. 'Tis a good dulness, And give it way--I know thou canst not choose"
32
1.2 CAlling Ariel
Come away, servant, come.
I am ready now
Approach my ARiel. Come.
33
1.2 Ariel answers Prospero
All hail, great master, grave sir, hail! I come to answer thy bst pleasure"
34
1.2 What things can ARiel do
"fly...swim...dive into fire...ride on the curl'd clouds"
35
1.2 What does Prospero ask ARiel
"Perform'd to point the tempest that I bade thee?"
36
1.2 ARiel's performance of the task
"To every article"
"now on the beak, now in the waist, the deck, in every cabin,
I flam'd amazement. Sometime I'd divide
And burn in man places; on the topmast,
The yards and bowsprit would I flame distinctly,
Then meet and join"
"Jove's lightening" "mighty Neptune" seemed to make his "his dread trident shake"
37
1.2 Ferdinand response to the tempest, yelling as he was the first to leap
"Hell is empty and all the devils are here"
38
1.2 Ariel like JEsus, like Prospero's speech
"not a hair perish'd"
39
1.2 What does Ariel say about their garments
"not a blemish but fresher than before"
40
1.2 Prospero on the importance of time
"At least two glasses. The time 'twixt six and now must by us both be spent most preciously"
(two hours past noon the time a Jacobean play would be expected to start, and would be finished by six) the play now shifts to the present
41
1.2 Ariel thinks he's being over worked
"is there more TOIL? Since thou dost give me PAINS,
LET ME remember THEE what thou hast PROMIS'D"
"my liberty"
"I have done thee worthy service,
Told thee no lies, made no mistakings, serv'd
Without or grudge or grumblings. Thou did promise
To bate me a full year"
(an asyndetic list to show desperation and excitement)
(like a indenture servant)
42
1.2 Prospero's response to Ariel's demand
"How now? Moody? What is't thou canst demand?" (his power is being challenged)
"before the time be out? No more"
"Dost thou forget from what a torment I did free thee"
"and thinks't it much to tread the ooze of the salt deep...."
43
1.2 PRospero's opinion on Sycorax's magic
"mischiefs manifold and sorceries terrible"
44
1.2 Prospero calls Ariel his servant and Sycorax's
"Thou, my slave...was then her servant"
| notice he is his slave, but just her servant, Prospero over controlling?
45
1.2 Why was Ariel not a good servant for Sycorax
"thou wast a spirit too delicate to act her earthy and abhorr'd commands"
46
1.2 What does Prospero say Caliban was not honoured with
"not honour'd with a human shape"
47
1.2 What Prospero did for Ariel and what he will do
"What torment I did find thee in...Sycorax could not again undo. It was mine art...that made gape the pine and let thee out"
"I will rend an oak and peg thee in his knotty entrails till thou hast howl'd away twelve winters" (fear of the cold)
48
1.2 When Prospero has said that he will free him in 2 days, Ariel responds
"What shall I do? Say what: what shall I do?"
49
Slaves positioning
juxtapositioning of Ariel and Caliban
50
1.2 How does Miranda call Caliban
'Tis a villain sir, I do not love to look on
51
1.2 Prospero knows that Caliban benefits them
"serves in offices that profit us"
52
1.2 What does Prospero call Caliban
thou earth
thou tortoise
poisonous slave
got by the devil himself
53
1.2 Caliban first address (other than "there's wood enough within")
It is a curse that he summons "Drop on you both!"
| He follows this by "A south-west blow on ye and blister you all o'er!"
54
1.2 Prospero threatens Caliban with torture
"tonight thou shalt have cramps, side-stitches that shall pen thy breath up"
"Thou shalt be pinch's as thick as honeycomb, each pinch more stinging than bees that made 'em"
later after the argument "If thou neglect'st, or dost unwillinglyWhat I command, I'll rack thee with old cramps, Fill all thy bones with aches, make thee roar"
55
1.2 Caliban claims that he is the rightful heir to the island, placed directly after Prospero's torture threats
"This island's mine by sycorax my mother,
| Which thou tak'st from me..."
56
1.2 Caliban informs us that Propsero used to treat him well this is attached to the "this island's mine by..."
"..tak'st from me. When thou cam'st first
Thou strok'st me and made much of me"
(notice tak'st, cam'st, strok'st, which are all action words)
57
1.2 What did Prospero teach Caliban according to Caliban
full of opposites "bigger light" "the less"
| those that "burn by day and night" (childish)
58
1.2 What did Caliban show Prospero
"fresh springs, brine pits, barren place and fertile" (once against opposites, shows his excitement to show him everything)
59
1.2 Caliban's regret for helping Prospero
"Curs'd be that I did so! All the charms
| Of Sycorax, toads, beetles, bats light on you! (asyndetic list)
60
1.2 before Caliban was his subject he was
"first was mine own king"
| "you sty me in this hard rock, whiles you do keep me from the rest o'th' island"
61
1.2 Why did Prospero enslave Caliban
"I have us'd thee---
Filth as thou art-- with humane care, and lodg'd thee
In mine own cell, till thou didst seek to violate
The honour of my child"
62
1.2 Caliban shows no penitence for the supposed attempted rape
"O ho, O ho! Would't had been done!"
| "peopled else This isle with Calibans"
63
1.2 Miranda uses Prospero's language to address Caliban
"Abhorred slave, which any print of goodness wilt not take"
"thou didst not,savage, know thine own meaning"
"thy vile race--" (does not finish of her sentence)
64
1.2 Miranda spent lots of time with Caliban
"Took pains to make thee speak, taught thee each hour
| One thing or another"
65
1.2 Caliban's profit from language
"my profit on't is I know how to curse. THe red plague rid you for learning me your language"
66
1.2 Caliban on Prospero's power
"I must obey. His art is of such power
It would control my dam's god Setebos
And make a vassal of him."
67
1.2 Ferdinand mourning hears the music
"Allaying both their fury (the waters) and my passion with its sweet air"
"I have follow'd it, Or it hath drawn me rather"
"THis is no mortal business, nor no sound that the earth owes"
(a loving son, the power of ariel's music)
68
1.2 Ariel's song about Alonso
"Full fathom five thy father lies"
"Those are pearls that were his eyes"
"Sea nymphs hourly ring his knell" (all lies)
69
1.2 When Miranda first sees Ferdinand
"a spirit?..Believe me, sir, ... 'tis a spirit"
| "I might call him a thing divine, for nothing natural I eve saw so NOBLE"
70
1.2 Ferdinand's first question
"My prime request...you be maid or no?"
71
1.2 Ferdinand's promise
"if a virgin...I'll make you the Queen of Naples"
72
1.2 Prospero on love
"At the first sigh they have chang'd eyes"
"both in either's powers"
"I must uneasy make lest too light winning Make the prize light"
73
1.2 Ferdinand resists Prospero
"I will resist such entertainment till mine enemy has more power"
74
1.2 Prospero berate's Miranda for supporting Ferdinand
"My foot my tutor"
| "Silence! One word more Shall make me chide thee, If not hate thee"
75
1.2 Ferdinand will accept the punishment because
his threats are "but light to me, Might I but through my prison once a day Behold this maid"
76
1.2 Prospero is happy, anxiously needs Ariel
"Spirit, fine spirit, I'll free thee within two days for this"
"Delicate Ariel. I'll set thee free for this"
"It works"
"Thou shalt be as free as mountain winds; but then exactly do All points of my command"
77
2.1 Gonzalo is happy
"be merry. You have cause-- So have we all -- of joy"
| "for the miracle -- I mean our preservation --few in millions can speak like us"
78
2.1 Finishes Each other's sentences
```
s; the old cock
A: the cockrel
S: Done. the wager?
A: A laughter
S: A match!
```
short sentences they know what they are talking about, doesn't make sene to us. Finishes each other's sentiments but not their sentences. Their is no fluidity.
Shakespeare's in tune characters finish each other's lines, these are just sentiments being finished.
79
2.1 Gonzalo and Antonio on life
Gonzalo "Here is everything advantageous to life"
| Antonio "True, save means to live"
80
2.1 Gonzalo and Antonio on the grass
Gonzalo "How lush and lusty the grass looks! How green!
| Antonio: "the ground indeed is tawny"
81
2.1 Gonzalo on how fresh their clothes are
Antonio and Sebastian disagree
| "our garments are now as fresh as when we put them on first in Afric",
82
2.1 Gonzalo talks to Alonso about his clothes being as fresh as when he first put them on at his daughter's marriage, Alonso's response
"You cram these words into mine ears"
"would I had never married my daughter there for coming thence My son is lost"
and "she too, who is so far from Italy remov'd I ne'er again shall see her"
83
2.1 Sebastian is rude about the loss of Ferdinand and Claribel
Antonio says he's sure Ferdinand is gone, Alonso is pessimistic and says "no, no,, he's gone"
"Sir, you may thank yourself for this great loss"
rather than "BLESS OUR Europe with YOUR daughter" we have "LOSE her to an African"
"The fault's your own"
84
2.1 Sebastian on how Calribel had no choice
"Weigh'd between loathness and obedience"`
85
2.1 Gonzalo on loosing Ferdinand and Claribel, response to Sebastian
"The truth you speak doth lack some gentleness...you rub the sore when you should bring the plaster"
86
2.1 If Gonzalo were the "king on't" the island" what would he do
x7 "no" or "none"
no: traffic, letters, riches, poverty,
"contract, succession, Bourn, bound of land, tilth, vineyard, none"
"all men idle, all, and women too, but innocent and pure; No sovereignty"
"nature should bring forth of it own kind all foison, all abundance to feed my innocent people"
"T'excel the golden age"
Sebastian "yet he would be king on't"
- not actually a demonstration of imbecility but his lack of concern for such a position, he hasn't even thought of himsef assuming such a position
87
2.1 Gonzalo shows he knows exactly what the two Machivellian villains are like
"laugh at nothing"
Antonio "Twas' you we laughed at"
"am nothing to you; so you may continue, and laugh at nothing still"
"you are gentlemen of brave mettle"
88
2.1 Antonio quick to think of usurpation
"O what might--? No more"
"My strong imagination sees a crown dropping upon thy head"
Sebastian says it is sleepy language, that he is asleep with eyes wide open and speaking
"Antonio: "Thou let'st thy fortune sleep--die, rather"
89
2.1 Antonio and Sebastian on the nature of a younger brother
Sebastian "I am standing water"
Antonio "I'll teach you how to flow"
Sebastian "hereditary sloth instructs me"
90
2.1 Antonio's rhetoric
To convince him that Ferdinand is drowned
"no hope" "so high a hope"
"will you grant with me that Ferdinand is drown'd?"
Sebastian says the next heir is Claribel
"she that is queen of tunis; she that dwells Ten leagues beyond man's life;" she x 2 more
91
2.1 Antonio suggests murder
"Say this were death that now hath seiz'd them, why, they were no worse than now they are"
"what a sleep were this for your advancement"
"look how well my garments sit upon me"
92
2.2 Caliban's opening speech of this scene
"All the infections that the sun suck up
From bogs, fens, flats, on Prosper fall, and make him By inchmeal a disease!" (Spondee+ another stress, almost a mollossus"
monosyllabic, primitive.
93
2.2 Calibn's opinion of Prospero's curses
"For every trifle are they set upon me"
the list of the tortures culminate to "sometime am I All wound with adders, who with cloven tongues Do hiss me into madness
(sililoque in verse, sympathetic, this scene is not funny for him)
94
2.2 Stephano on monsters making a man in england
"There would this monster make a man-- any strange beast there makes a man when they will not give a doit to relieve a lame beggar they will lay out ten to see a dead Indian"
95
2.2 what does Caliban think the two men are
"these are devils"
| Stephano "This is a evil, and no monster" when Trinculo calls out Stephano's name
96
2.2 Stephano too is colonially minded, thoughts of profit (Trinculo doesn't necessarily, he only comments crudely on the depraved anture)
IF he can "get to Naples with him, he's a present for any emperor"
97
2.2 After drinking the liquor what does Caliban think of Stephano (he can only think in extremes)
devils --->
"That's a brave god, and bears celestial liquor. I will kneel to him"
(there is a lack of connection, shows irrational thought. Drunk) like prospero who gave Caliban with water with berries in it, they are giving him pleasurable and not torture
MAn in the moon "I do adore thee"
98
2.2 Trinculo's address of Caliban
"shallow monster...weak monster...credulous monster" in three lines
"puppy headed monster. A most scurvy monster! I could find in my heart to beat him--" this is continued throughout with punctuation after each (cruel, focuses on appearance the fool comments on the ridiculousness of the scene, Stephano "come kiss" wants power, the butler wants a power reversal)
99
2.2 Caliban promises to serve Stephano as he currently serves Prospero
"I'll show thee the best springs; I'll pluck thee berries; I'll fish for thee, and get thee wood enough"
"A plague upon the tyrant that I serve"
100
2.2 Caliban thinks he is free
"has a new master...Freedom high-day!" which he repeats in various orders (he will serve willingly Caliban wants a master who makes much of him, Trinculo only mocks him)
101
3.1 Ferdinand's approach to his labour
"some kinds of baseness are nobly undergone; and most poor matters point to rich ends" (like medieval chivalric fiction Ferdinand sets himself to earn the love of his lady) (meeting of innocence and experience)(Contrast to Caliban Ferdinand has a prize)
102
3.1 Ferdinand's praise of Miranda
"Admired Miranda Indeed the top of admiration, worth What's dearest to the world!"
"O you' So perfect
(Miranda is as complicated to Ferdinand as he is to her, they re both new to each other)
and so peerless, are created of eery creature's best"
103
3.1 Love between them
"Do you love me"
"I am your wife if you ill marry me; If not, I'll die your maid."
when he still does not answer her directly: "My husband then?"
she leaves nothing in doubt, for her the consequences are obvious
104
3.2 Why will Caliban no serve Trinculo
"he is not valiant"
105
3.2 Caliban suggests murder
"Batter his skull, or paunch him with a stake, or cut his weasand with thy knife"
106
3.2 Caliban on the spirits hating Prospero
"all do hate him as rootedly as I"
107
3.2 Stephano decides to murder, he imagines himself and Miranda
"I will kill this man. His daughter and I will be king and queen--save our graces!
Juxtaposition, unlikely
illusions of greatness
(seven deadly sins become apparent here) anger, pride, gluttony, envy, covetousness, lust, sloth, man =beast
108
3.2 Caliban's beautiful speech
"Be not afeard, the isle is full of noises, sounds, and sweet airs, that give delight and hurt not"
"when I wak'd I cried to dream again"
109
3.3 Gonzalo's opinion of the llusiory banquet
"though they are of monstruous shape, yet note
Their manners are more gentle- kind than of
Our human generation"
110
3.3 Sebastian does not think of the spirits but only of what he can gain
they have vanished
"No matter since They have left their viands behind"
(does not care for the spirits but only thinks about wwhat he can gain, like Caliban who must eat his dinner, materialistic
111
3.3 Ariel reveals the only way the three men can be forgiven
"nothing but heart's sorrow and a clear life ensuing"
112
3.3 effect of the appearance on Alonso
"did bass my trespass"
| his son " with him there lie mudded"
113
4.1Prospero calls Miranda his gift
"my rich gift"
"thine own acquisition worthily purchas'd"
"take my daughter" (legitimacy)
"she's thine own"
114
4.1 If Ferdinand breaks her virgin-knot
"barren hate, sour-eyed disdain, and discord shall bestrew the union of your bed"
115
4.1 Ariel on love
"Do you love me, master? no?"
116
4.1 Ferdinand will not break his vow of abstinence
"The white cold virgin snow upon my heart Abates the ardour of my liver"
117
4.1 The masque
"A contract of true love to celebrate"
| blame Venus or her son for "they did plot the means that dusky Dis my daughter got" (the end of the golden age)
118
4.1 The masque's spirits were enslaved by Prospero
"by mine art I have from their confines called to enact My present fancies"
119
4.1 Ferdinand thinks of the island as an Utopia
"Let me live here ever. So rare a wonder'd father and a wife Makes this place paradise"
120
4.1 Prospero remembers Caliban
"I had forgot that foul conspiracy Of the beast Caliban and his confederates against my life"
"Never till this day Saw I him touch'd with anger, so distemper'd"
"we must prepare to meet with Caliban"
Ariel "my commander"
121
4.1 transience of all human life
"These our actors As i foretold you, were all spirits, and are melted into air, into thin air, and like the baseless fabric of this vision, The cloud capp'd tower, the gorgeous palaces, the solemn temples, the great globe itself...shall dissolve"
"insubstantial pageant faded"
"We are such stuff
as dreams are made on, and our little life
Is rounded with a sleep."
"Sir, I am vex'd, Bear with my weakness, my old brain is troubled"
122
4.1 Prospero now thinks of Caliban as
"A devil, a born devil, on whose nature
Nurture can never stick; on whom my pains,
Humanly taken, all, all lost, quite lost;"
"I will plague them all, Even to roaring"
(contrast to Miranda miranda is rewarded for her subservience, Caliban is punished for his refusal)
(innaceptance of the irreducible bestial element, cannot be refined by the civilised, Caliban it the animal, sensual and the instinctive)
(Frustration of the renaissance humanist and educational theorist as the theory of nurture to change nature seems to have failed
123
4.1 Caliban is himself persuasive
"my king" (he's not the king yet
| "Do that GOOD MISCHIEF which MAY make this island Thine forever and I, thy Caliban, For aye thy foot-licker"
124
4.1 Prospero has ultimate control after he sets his spirits on the mischievous trio
"grind their joints with dry convulsions, shorten up their sinews With aged cramps" ---he adds torture detail
"At this hour lies at my mercy all mine enemies" (he gloats, terrifying image)
125
5.1 Ariel and time
"On the sicth hour, at which time, my lord
| You said our work should cease" (like Genesis
126
5.1 Ariel on affections and why
"YOUR charm So Strongly workS 'em
That if YOU now beheld them, YOUR affections
Would become tender"
"Mine would, sir, were I human"
("should, a veiled command, directive force in a declarative statement, paradoxical, is ariel superior to Prospero would is an indefinite article)
(Imagination is not just a manipulative force for fixing but one to understand each other. Sympathy then understanding. Prospero has enslaved this but it now holds moral sway over Prospero)
(With Ariel's release comes the assuming of compassion and responsibilities
(
127
5.1 Prospero questions himself and his motives
| he resolves on
"shall not myself, one of their kind... be kindlier moved than thou art?"
"with their high wrongs I am stuck to the quick"
"the rarer action is in virtue than in vengeance"
"They being penitent"
128
5.1 Prospero's great elves speech beginning
"Ye elves of hills, brooks, standing lakes, and groves..."
(a confession)
(soliloquy so honest)
taken from Medea's speech in Ovid's metamorphoses)
129
5.1 Prospero's great elves speech what he did to nature
"I have bedimm'd the noontide sun, call'd forth the mutinous winds"
"set roaring war" to the sea waves
(unnatural and unpeaceful, chaotic)
130
5.1 Prospero's great elves speech hubris
"rifted Jove's stout oak With his own bolt" (oak is the king of the trees and sacred to Zeus, mocking)
"Graves at my command
Have wak'd their sleepers" (command at end, at end is emphatic, graves is personified)
131
5.1 Prospero's great elves speech, he relinquishes his magic
the graves have opened
| "By my so potent art. But this rough magic I here abjure" (a repetition, climactic)
132
5.1 Prospero's great elves speech, what does Prospero decide to do to his magic
(acknowledgement of his own creaturely condition as opposed to the beginning of this speech, a new relationship with humans will begin)
"I'll break my staff, bury it certain fathoms in the earth, And deeper than did ever plummet sound I'll drown my book"(getting rid of evil perhaps, this is a death of sorts))
133
5.1 Prospero forgives Antonio
"Would here have kill'd your king, I do forgive thee, Unnatural though thou art." (against brotherly union, juxtapositioning)
134
5.1 Alonso asks for forgivness
"do entreat thou pardon me my wrong"
135
5.1 Prospero forgives but threatens the villains
"justify you traitors. At this time
I will tell no tales"
(he still has power over them
136
5.1 HAs Prospero really forgiven his brother?
"to call brother would even infect my brother, I do forgive thy rankest fault"
137
5.1 Miranda talks about chess
"you play me false" "for a score of kingdoms you should wrangle, and I would call it fair play"
(political game, F+M are chess pieces, rising to power is obtained through cheating, Miranda understands this, but Ferdinand says he "would not for the world" shows that he would not cheat her)
138
5.1 Miranda is amazed by the people
"How many goodly creatures are there here!
How beauteous mankind is! O brave new world
that has such people in't"
139
5.1 Gonzalo thinks it's the workings of a divine power
"Was Milan thrust from Milan that his issue
| Should become king of Naples?"
140
5.1 What shows That Antonio and Sebastian have not changed
S: "Will money buy 'em"
A: "One of them Is a plain fish, and no doubt marketable"
141
5.1 Caliban's lack of legitimacy
his demi-devil-- For he's a bastard one"
142
5.1 Prospero accepts Caliban
"this thing of darkness I Acknowledge mine"
resolves his problem
the animal must be accepted, the natural world not controlled"
143
5.1 Caliban asks for penitence
"I'll be wise hereafter, and seek for grace" (very christian)
144
5.1 Prospero must think about his sins
"Every third thought shall be my grave"
145
Caliban Trinculo and Setefano
Setefano is trying to "swear to that: kiss the book"
"Come on then, down and swear"'x3
Trinculo is accusing Caliban or replying to Stefano telling him to kiss the book
Caliban is telling him "I do adore thee" "kiss thy foot" x2 and promises to be "thy subject"
146
Trinculo gets excited about the garments
"O king Stephano! O peer! O king! O worthy Stephano-- Look what a wardrobe here is for thee"
