terminology Flashcards
(35 cards)
phonetics, phonology and prosodics
aspects of a spoken language- pitch, annotation, and volume etc.
lexis and sematics
how different associations of terms of address and characters lexical choices can present their identities.
grammar
how sentence types express characters attitudes and feelings. how lies are structured.
pragmatics
how assumptions and inferences can be made by characters and audiences through the writers language choices.
discourse
how the playwrights use the conventions of the dramatic genre to structure their play and use typical features of naturally occurring speech to represent characters intentions.
iambic pentameter
10 syllables. an iamb is a pair of syllables in which the second syllable is stressed.
dramatic conventions
- plays= dramatic genre and as such playwrights follow or adapt certain conventions to suit.
- this could be in the structure or organisation of the play into acts and scenes or in using a sub-genre such as tragedy.
- some decisions may be based on the playwrights context (the time they are writing) or because they have a particular statement to make.
structuring plays
the Roman poet Horace believed there should be 5 acts which Shakespeare adopts.
German playwright Gustav Freytag suggested plays adhere to the following narrative structure:
- exposition= introduce characters, setting, and a piece of action (before the complication)
- complication= a problem or dilemma rising (getting Cassio drunk and fired)
- climax= an actual crisis or change of fortune for the main character (Desdemona’s death)
- resolution= the outcome of the decision made to resolve the crisis (everything after the climax)
- denouement= the consequence- tying up the action (Lodovica showing the bed of dead people, Iago exposed, Cassio given power)
monologues
a natural speech function (transcripts) and a dramatic device used by Shakespeare.
soliloquy
a solo speech convention used by Shakespeare. the speaker is only addressing the audience and these speeches are used to reveal inner feelings and future actions.
aside
- no heard by other characters on the stage (just the audience) and provide a private insight to the audience and allow the character to share thoughts with them but not the other characters.
- popular with Shakespeare. are signalled in stage directions.
maxim of quantity (Grice)
when a character is saying more or less than they should (how much is said)
maxim of quality (Grice)
when a character is lying or not being truthful (the truth of what is said)
maxim of relevance (Grice)
when a character is not responding how the other character would like (the appropriateness of what is said to the topic)
maxim of manner (Grice)
when a character is showing more emotion than the other (the way it is said)
declaratives
often assertions or statements.
imperatives
commands.
interrogatives
questions or requests.
exclamatives
!
locutionary act
the utterance itself.
illocutionary act
the significance and pragmatic force of the utterance.
perlocutionary act
the effect of the utterance on the hearer.
directives (John Searle)
speech acts that trigger the hearer to take a particular action.
commissives (John Searle)
speech acts that pledge the hearer to future actions (promises).