terminology Flashcards

(35 cards)

1
Q

phonetics, phonology and prosodics

A

aspects of a spoken language- pitch, annotation, and volume etc.

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2
Q

lexis and sematics

A

how different associations of terms of address and characters lexical choices can present their identities.

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3
Q

grammar

A

how sentence types express characters attitudes and feelings. how lies are structured.

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4
Q

pragmatics

A

how assumptions and inferences can be made by characters and audiences through the writers language choices.

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5
Q

discourse

A

how the playwrights use the conventions of the dramatic genre to structure their play and use typical features of naturally occurring speech to represent characters intentions.

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6
Q

iambic pentameter

A

10 syllables. an iamb is a pair of syllables in which the second syllable is stressed.

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7
Q

dramatic conventions

A
  • plays= dramatic genre and as such playwrights follow or adapt certain conventions to suit.
  • this could be in the structure or organisation of the play into acts and scenes or in using a sub-genre such as tragedy.
  • some decisions may be based on the playwrights context (the time they are writing) or because they have a particular statement to make.
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8
Q

structuring plays

A

the Roman poet Horace believed there should be 5 acts which Shakespeare adopts.
German playwright Gustav Freytag suggested plays adhere to the following narrative structure:
- exposition= introduce characters, setting, and a piece of action (before the complication)
- complication= a problem or dilemma rising (getting Cassio drunk and fired)
- climax= an actual crisis or change of fortune for the main character (Desdemona’s death)
- resolution= the outcome of the decision made to resolve the crisis (everything after the climax)
- denouement= the consequence- tying up the action (Lodovica showing the bed of dead people, Iago exposed, Cassio given power)

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9
Q

monologues

A

a natural speech function (transcripts) and a dramatic device used by Shakespeare.

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10
Q

soliloquy

A

a solo speech convention used by Shakespeare. the speaker is only addressing the audience and these speeches are used to reveal inner feelings and future actions.

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11
Q

aside

A
  • no heard by other characters on the stage (just the audience) and provide a private insight to the audience and allow the character to share thoughts with them but not the other characters.
  • popular with Shakespeare. are signalled in stage directions.
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12
Q

maxim of quantity (Grice)

A

when a character is saying more or less than they should (how much is said)

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13
Q

maxim of quality (Grice)

A

when a character is lying or not being truthful (the truth of what is said)

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14
Q

maxim of relevance (Grice)

A

when a character is not responding how the other character would like (the appropriateness of what is said to the topic)

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15
Q

maxim of manner (Grice)

A

when a character is showing more emotion than the other (the way it is said)

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16
Q

declaratives

A

often assertions or statements.

17
Q

imperatives

18
Q

interrogatives

A

questions or requests.

19
Q

exclamatives

20
Q

locutionary act

A

the utterance itself.

21
Q

illocutionary act

A

the significance and pragmatic force of the utterance.

22
Q

perlocutionary act

A

the effect of the utterance on the hearer.

23
Q

directives (John Searle)

A

speech acts that trigger the hearer to take a particular action.

24
Q

commissives (John Searle)

A

speech acts that pledge the hearer to future actions (promises).

25
declarations (John Searle)
speech acts that make a pronouncement that change the reality of the situation.
26
assertives (John Searle)
speech acts that commit the speaker to the truth of what they're saying.
27
expressives (John Searle)
speech acts that express the speakers feeling and attitudes.
28
modes of addressing
the names characters call each other by.
29
agenda setting
which character directs the conversation.
30
turn taking
- which character has the most turns, longest turns - interruptions, overlaps
31
non-fluency
pauses, false starts, repairs
32
politeness principles
positive or negative
33
adjacency pairs
are expected patterns followed or broken (eg. greeting/greeting, question/answer, apology/acceptance).
34
parallelism
a conversation using similar words, clauses, phrases, sentence structure, or other grammatical elements to emphasise similar ideas in a sentence.
35
social deixis
- terms of address. - explore characters roles, identities, and relationships. - 'thou' and 'thee' ->indicates familiarity and a solidarity between speakers. - 'you' ->connotes social distance. - unequal encounters -> 'sir' could be used an an 'honorific' (a title that signifies social diference).