Terms for Final Flashcards

0
Q

How do pseudo-scientific hypotheses protect themselves from being testable?

A

Vagueness—If a statement is sufficiently vague, it will be impossible to verify or falsify it.
Ad hoc exceptions—a hypothesis that makes exceptions every time it meets counter examples.

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1
Q

Pseudo-science

A

Pseudo-science is fake science.

What distinguishes a pseudo-science is that it claims the status of science while lacking its substance.

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2
Q

Scientific method

A

Also known as Inductivism. What distinguishes science from non-science is a distinctive method.

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3
Q

Controllability

A

Varying only one factor at a time to determine its effect.

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4
Q

Measurability

A

Measuring the relevant variables. This adds precision and objectivity to the experiment.

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5
Q

Repeatability

A

The ability for others to repeat the experiment and confirm the results. This ensures objectivity.

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6
Q

Observation

A

Making observations and recording data during an experiment.

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7
Q

Problems with observation

A

Selectivity
Expectations
Expert seeing
The observer effect

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8
Q

Hypothesis

A

An idea or guess that tries to explain the observations.

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9
Q

Problems with hypothesis

A

Confirmation bias
Background assumptions
Argumentum ad ignorantiam
Under-determination

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10
Q

Prediction

A

How a phenomenon should “act” according to the hypothesis.

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11
Q

Law

A

A statement based on repeated experimental observations that describes some aspects of the universe
However, there is the problem of induction.

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12
Q

Theory

A

Explains and unifies various laws in terms of some underlying principles. A good theory explains why the laws are the way they are and provides a focus for further research.

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13
Q

Confirmation bias

A

People tend to look for evidence that confirms their beliefs and overlook evidence that goes against them.

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14
Q

Falsification

A

A theory that explains everything explains nothing.
According to Popper, there’s no such thing as a true statement, and scientists should spend their time trying to prove their hypotheses are false.
Any theory that resists our best efforts to falsify it should be provisionally accepted as the best we have for the time being.

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15
Q

Paradigm

A

An overarching theory shared by a community of scientists, which is used to makes sense of some aspect of reality.

16
Q

Propaganda

A

Information used to persuade, not inform.
Intentionally one-sided
Often trades on emotion (hate, fear, pride)
Political purpose that justifies distorting the truth

17
Q

Primary and secondary sources

A

Primary source—one that is written by someone who was there at the time.
The ‘bedrock of history’
Secondary source—a later, second-hand account of what happened.
To have any authority they must ultimately be grounded in primary sources.

18
Q

Problems with primary sources

A

Fallible eyewitness
Social bias
Deliberate manipulation

19
Q

Bias

A

Prejudice in favor of or against one thing, person, or group compared with another, usually in a way considered to be unfair.
Reasons why someone might think that history is more prone to bias than the natural sciences:
Topic choice bias
Confirmation bias
National bias

20
Q

Economic determinism theory

A

This theory claims that history is determined by economic factors, and its most famous exponent was Karl Marx.
According to Marx, it is not great individuals but rather technological and economic factors that are the engines for historical change.

21
Q

Great person theory

A

This theory holds that the course of history is mainly determined by great individuals.

  Collingwood drew particular attention to the importance of empathy and trying to understand a situation in the same way that a historical agent would have understood it.
22
Q

Chance theory

A

Accidents/small things
Chance events
Some people concluded that there is no meaning in history and it is governed by chance.

23
Q

River of history theory (Hegel)

A

You are floating down a portion of the river of history.
You can make limited choices, but ultimately the River Defines Who You Are.
As we float down the river, things will be resolved through Dialectic (spiral movement).
Thesis & Antithesis
Struggle, debate
Eventually come together
Synthesis

24
Q

Paradox of aesthetic judgment

A

On one hand, we take seriously the idea that there are standards of aesthetic judgment and that some judgments are better than others;
On the other hand, we say that beauty is in the eye of the beholder and there is no accounting for tastes.

25
Q

Aesthetics

A

A branch of philosophy which studies beauty and the arts.

26
Q

Intention of the artists

A

According to the attention criterion, something is a work of art if it is made by someone with the intention of evoking an aesthetic response in the audience.

27
Q

Quality of the work

A

A second criterion for distinguishing art is the intrinsic quality of the work and artist’s skill.

Beauty – content and form. A great work of art is a perfect marriage of form and content.

28
Q

Forgeries

A

The problem of forgeries is also relevant.
• If a painting is any good, why should its value depend on who painted it?
• Why is an exact copy of a painting worth far less that the original? Can this difference be justified, or is it simply an irrational prejudice?

29
Q

Response of the spectators

A

The third criterion for distinguishing between art and non-art is the response of spectators.
A work of art requires an appreciative spectator in order to complete it.
We might appeal to expert opinion to help us decide which works of art are genuinely worthwhile.

30
Q

Originality

A

A work of art may have a great deal of technical competence but lack originality. This is a criticism of the quality criterion.

31
Q

Disinterest

A

What distinguishes aesthetic judgments from personal taste is that they are disinterested. This means that we should try to go beyond our individual tastes and preferences so that we can appreciate a work of art from a more universal standpoint.

32
Q

Art as imitation/Mimesis

A

The imitation or copy theory says that the purpose of art is to copy reality. This is also known as the mimetic theory of art.
Since it requires great skill to paint well or to describe something accurately in words, the arts have for much of their history been driven by the desire to achieve a perfect likeness.
More sophisticated version of copy theory is thinking of art not is a lavish reproduction, but as a creative reinterpretation of reality. This says that great art helps us see the world with new eyes by drawing attention to previously noticed features of reality.

33
Q

Art as communication

A

It seems natural to think of an artist a trying to communicate a message to a spectator.

The art-as-communication theory has two dimensions:
• A horizontal one which enables us to explore the breadth of human experience (broaden scope of experience).
• A vertical one which enables us to explore its depth (concerned with communicating emotion).

34
Q

Art as discovered and/or invented

A

Generally, while scientific laws are discovered, works of art are invented, but this is not absolute.
Works of art not more precious than works of science, but there is an impersonal aspect to scientific discoveries that is lacking in the case of arts.

35
Q

Art as education

A

According to a third theory, the arts have a moral and educative role.
The arts broaden our awareness, develop our empathy, and sharpen our moral intuitions.

36
Q

Paradox of fiction

A

The fact that fiction is sometimes able to reveal deep truth about the human condition.