The Baroque Era 1600-1750 Flashcards

0
Q

Created a culture of their own. Their music-making centered in the home, the church and the university group known as collegium musicum (which still functions on many campuses today) developed the comic opera and prose novel, which were filled with keen and witty observations of life.

A

Middle classes

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1
Q

Courts maintained elaborate musical establishments including opera troupes, chapel choirs, and orchestras. All art and culture served the ruler!

A

Absolute Monarch

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2
Q

The culture of the city - art lovers vied with the court in their devotion to splendor. Artist Peter Paul Reubens whose canvases exude a driving energy a celebration of life. His voluptuous nudes established the seventeenth century ideal of feminine beauty.

A

Merchant princes and financiers

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3
Q

Canvases were ablaze with color and movement. Artists usually functioned under royal or princely patronage, or like Johann Sebastian Bach, they might be employed by a church or city administration. In all cases artists were in direct contact with their public. A musical work or art was frequently created for a specific occasion - an opera for a royal wedding, a cantata for a religious service - and for immediate use. The composer wrote for a particular place and time, but the great ones created for the ages.

A

Artists

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4
Q

Kepler, Galileo and Copernicus in physics and astronomy
Descartes in mathematics
Spinoza in philosophy
William Harvey in medicine explained the circulation of blood
Sir Isaac Newton formulated the theory of gravity

A

An age of reason

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5
Q

A devout period - religion was rallying cry of some of the bloodiest battlefields in history
Protestantism in England, Scandinavia, Holland, and north Germany.
Catholics - France and Spain - fought one another and their Protestant foes
American colonies - Protestant refugees based their new society on religious principles
John Milton wrote paradise lost - the poetic epic of Protestantism.
Martin luther’s reform

A

Religion

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6
Q

A style in which the single melody stood out - “one song” music for one singer with instrumental accompaniment

A

Monody

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7
Q

A group of writers, artists, and musicians whose aim was to resurrect the musical - dramatic art of Ancient Greece. Their idea was that music must heighten the emotional power of the text. Soon realized that this could by applies not only to a poem but to an entire drama. This was the invention of opera. Some regard this (inventions of opera) as the single most important achievement of baroque music.

A

Camerata

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8
Q

Bass accompaniment with chords filled in above

A

Basso continuo so

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9
Q

Moved from major to minor and back again

A

Major-minor tonality

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10
Q

Modulation from home key to contrasting key and back became an important element in musical structure

A

Tonic and dominant

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11
Q

Enabled Bach to write in all twelve major and twelve minor keys. “The well-tempered clavier” - a two volume collection containing twenty four preludes and fugues, or one in every possible key

A

Equal temperament tuning adjustment

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12
Q

Baroque musicians used dissonant chords for emotional intensity and color

A

Dissonance

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13
Q

Regular accent. The steady pulsation never slackens until the goal is reached. This gives baroque music its unflagging drive. Rhythm pervaded the musical conception of the baroque, and helped it capture the drive and movement of a dramatic era.

A

Vigorous rhythm

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14
Q

Heightened the impact of the words. A movement may start with a striking musical figure that then spins out ceaselessly. Wide leaps and the use of chromatic tones helped create a melody that was extremely expressive.

A

Continuous melody

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15
Q

A passage uniformly loud will be followed by one uniformly soft, creating the effect of light and shade. Fewer expression markings.

A

Terraced dynamics

16
Q

Antonio Stadivari (1645-1737)

A

Master builder of violin

17
Q

The artificial male soprano or alto who dominated the operatic scene of the early 18th century

A

Castrato

18
Q

Singers and players added their own embellishments to what was written down (as is the custom today in jazz)

A

Improvisation

19
Q

The Union of music and poetry. Music ought to arouse the emotions or the affections - joy anger, love, hate, fear, or exaltation. By the late 17th century, the practice had evolved of building an entire piece or movement, even of instrumental music, on a single affection

A

Doctrine of the affections

20
Q

Women in baroque music

A

Women continue to play an active and expanded role in the music of the baroque - as composers; Francesca Caccini (1578-1638) is the first woman to composed an opera; Barbara Strozzi (1619-1677) a singer and prolific composer of secular and sacred vocal music. With the establishment of opera houses throughout Europe, the opportunity for the women to enter the ranks of professional musicians greatly increased. Some reached the level of superstars. Women also continued their important role as patrons of the arts

21
Q

Internationalism

A

The baroque was a culturally international period. National styles existed.

22
Q

Usually consisted of three movements; allegro - adagio - allegro (fast-slow-fast)

A

Solo concerto

23
Q

Based on opposition between a small group of instruments and a larger group in which they vie with each other. Like Bach’s Brandenburg concertos

A

Concerto grosso

24
Q

Was the greatest and most prolific of the many Italian concerto composers

A

Antonio Vivaldi (1678-1741)

25
Q

A fairly short piece based on the continuous expansion of a melodic or rhythmic figure

A

Prelude

26
Q

From the Latin “fuga” (flight) - based on the principle of imitation; a strong theme entering in one voice and then another; has a subject, answer, countersubject, episodes and recapitulation

A

Fugue