The Hebrides (Fingal's cave) Flashcards

1
Q

Who is ‘Fingal’s Cave’ by?

A

Felix Mendellsohn.

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2
Q

When was ‘Fingal’s Cave’ written?

A

1930 (revised 1932)

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3
Q

What kind of programme music is ‘Fingal’s Cave’?

A

Symphonic poem

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4
Q

How is ‘Fingal’s Cave’ structured?

A

loose sonata form with an exposition introducing the two main ideas, a development toying with them and a recapitulation and coda to end.

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5
Q

How is the first idea of ‘Fingal’s Cave’ introduced?

A

It is introduced by the low strings. It is then played again in different keys by other instruments.

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6
Q

How is the second idea of ‘Fingal’s Cave’ introduced?

A

It is played first by the cellos and accompanied by violin repetition creating a peaceful sea setting.

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7
Q

How is the sea presented in ‘Fingal’s Cave’?

A

Crescendos an diminuendos on brass chords represent the swelling of the sea.

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8
Q

What represents seagulls in ‘Fingal’s Cave’?

A

Punctuated brass and woodwind chords.

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9
Q

In the development of ‘Fingal’s Cave’ what is the texture of the second idea?

A

Thin and homophonic. but it then develops becoming thicker with string ostinatos

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10
Q

In ‘Fingal’s Cave’ how are dynamics and tonality used to represent the Hebrides?

A

Frequent modulation and dynamic changes show unpredictable nature of the weather there.

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11
Q

What dynamic change occurs at the end of the development of ‘Fingal’s Cave’?

A

There is a huge crescendo to show a storm and lots of contrapuntal melodies and modulations to make the storm seem fierce.

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12
Q

How do the violins create a peaceful sea setting in ‘Fingal’s Cave’?

A

They repeat two notes of a chord in a semiquaver rhythm in multiple places throughout.

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13
Q

How does tempo show the weather in ‘Fingal’s Cave’?

A

Tempo changes suddenly at time to show weather is unpredictable.

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14
Q

How does the recapitulation continue on from the development of ‘Fingal’s Cave’?

A

It dies down quickly and the second idea is played beofre it speeds up and crescendos again with fast, scalic ostinatos from violins.

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15
Q

How is the first idea brought into the recapitulation of ‘Fingal’s Cave’?

A

It is passed between woodwind and brass.

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16
Q

How does the coda end ‘Fingal’s Cave’?

A

It diminuendos down to a solo clarinet.

17
Q

How are clarinets used in the recapitulation of ‘Fingal’s Cave’?

A

They play the second idea.

18
Q

How do the strings open the coda of ‘Fingal’s Cave’?

A

They play ascending scales with tremolo.

19
Q

How is the solo clarinet accompanied in ‘Fingal’s Cave’?

A

By ascending string chords.

20
Q

How is the solo flute accompanied in ‘Fingal’s Cave’?

A

By ascending brass chords.