The Lammas Hireling Flashcards

(14 cards)

1
Q

Duhig introduces his poem with a pleasant atmosphere, achieved through his description of the “___” and the farmer’s “___”. The lightness is juxtaposed in the following line with his “___” and the way he “___”. (The Lammas Hireling)

A

“fair”, “light heart”, “heavy purse”, “struck so cheap”

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2
Q

The hireling is presented to have an affinity for animals with how “___”. The caesura perhaps alludes to a separation of the hireling from humanity due to his unusual capabilities. (The Lammas Hireling)

A

“cattle doted on him:”

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3
Q

Profit ushered in by the hireling is demonstrated in the simile “___” and perpetuated by the following line, “___”. Duhig’s further use of caesura emphasises the rapid benefits the farmer obtains with the hireling. (The Lammas Hireling)

A

“fat as cream.”, “Yields doubled.”

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4
Q

A foreboding atmosphere is introduced at the end of the first stanza, emphasised by the use of caesura when the farmer “___”, suggesting an eerie isolation on the farm. (The Lammas Hireling)

A

“grew fond of company / That knew when to shut up.”

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5
Q

The second stanza begins with plosive alliteration, “___” to emphasise the abrupt disruption the hireling causes to the farmer’s isolated, quiet life and introduce a desperate search. (The Lammas Hireling)

A

“Disturbed from dreams of my dear late wife, / I hunted down her torn voice to his pale form.”

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6
Q

A queer reading could be debated, as the hireling is found “___” and described as having a “___”, and the farmer’s guilt towards the end of the poem may be due to the conflict between ___ and homosexuality. (The Lammas Hireling)

A

“Stark-naked”, “lovely head”, Catholic Ireland

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7
Q

The oxymoron “___” suggests that despite the physical light cast on the hireling’s true form, our understanding remains in the dark, creating a sense of ambiguity. (The Lammas Hireling)

A

“dark lantern”

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8
Q

The hireling is dehumanised in his captivity in the “___” and the description of his hare-form as “___”. (The Lammas Hireling)

A

“fox trap biting his ankle”, “a cow with leather horns”

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9
Q

Duhig’s use of dialectal terms, such as “___” and “___” further cultivate the atmosphere of mystery through the unfamiliarity of the language he uses to audiences outside of rural Ireland. (The Lammas Hireling)

A

“muckle”, “elf-shot”

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10
Q

The farmer “___” to kill the hireling under the moonlight and its “___”, suggesting his acts are being scrutinized by an undefined higher power and implying he may be hiding the truth in his retelling of events. (The Lammas Hireling)

A

“blew the small hour through his heart”, “yellow witness”

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11
Q

The end of the third stanza introduces the farmer’s remorse, as he “___” in a manner that suggests affection or guilt, before dropping him “___”. (The Lammas Hireling)

A

“carried [the hireling]”, “from a bridge”

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12
Q

Duhig’s mysterious atmosphere continues through his use of enjambment to emphasise that when the hireling dropped, “___”. (The Lammas Hireling)

A

“There was no / Splash”

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13
Q

The farmer’s initial profit is made useless by his fear and paranoia, leading him to spend his nights “___”, or using his money to make bullets. (The Lammas Hireling)

A

“casting ball from half-crowns”

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14
Q

Duhig ends his poem focusing on the farmer’s remorse and him seeking help from faith, closing with “___”. His repetitive search for absolution suggests his confession is insincere, reinforcing the poem’s ambiguity and unreliable speaker. (The Lammas Hireling)

A

“Bless me, Father for I have sinned. It has been an hour since my last confession.”

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