The Reproduction Right Flashcards

(27 cards)

1
Q

What are the different types of licenses?

A
  1. mechanical license - reproduce and distribute licensed works in recordings for a royalty on recordings sold
  2. performance license - publicly perform for royalty
  3. Synchronization license - reproduce and distribute in audiovisual recording for flat fee/royalty
  4. print license - reproduce and distribute in printed form for royalty
  5. distribution license - distribute
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2
Q

True/False: mechanical license can be obtained regardless of whether the copyright owner gives permission

A

true

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3
Q

True/False: the copyright owner has absolute control over first recording of their song

A

true

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4
Q

True/False: compulsory license applies to non-dramatic works only

A

true

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5
Q

What is a master use license?

A

use sound recording

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6
Q

True/False: no changes are permitted in compulsory mechanical license

A

false; minor changes allowed

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7
Q

How would one obtain compulsory license?

A
  1. file notice of intent

2. Harry Fox

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8
Q

What is the rate for a mechanical license?

A

9.1 cents per song or 1.75 cents per minute, whichever is greater

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9
Q

Who are mechanical licenses usually negotiated by?

A

record company and copyright owner

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10
Q

What is the controlled composition clause?

A

agreement between artists and record companies stating that the artist licenses at a reduced rate (usually 75%)

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11
Q

What does Harry Fox commission?

A

6.75% of royalties

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12
Q

Why would one use Harry Fox?

A
  1. cost effective
  2. periodically conducts audits
  3. don’t have to request license from each publisher
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13
Q

What is the foreign royalty rate?

A

percentage of retail or wholesale price

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14
Q

What is the Digital Performance Right in Sound Recordings Act?

A

1995 - mechanical royalty paid for digital copies

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15
Q

True/False: you must pay royalties on digital phonorecords of music lasting less than 30 seconds for promotional purposes

A

False

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16
Q

When did federal copyright law protect sound recordings?

17
Q

What does the copyright in a sound recording protect?

A

the copying of the actual recorded sounds, not against the imitation of those sounds - “dubbing limitation”

18
Q

What are Digital Audio Tapes (DATs)?

A

allows for consumers to make near perfect copies of recordings

19
Q

What is the Audio Home Recording Act (AHRA)?

A

allows consumers to copy recordings of copyrighted music for private, noncommercial use

20
Q

What are the 3 main provisions of the AHRA?

A
  1. royalty system - required to pay royalty on sale
  2. copy protection - serial copy management system (SCMS) to prevent serial copying in recording equipment
  3. infringement exemption - exempts consumers from liability of direct copyright infringement for home taping
21
Q

What is sampling?

A

using part of an existing work in order to create a new work

22
Q

True/False: don’t need permission to use copyrighted work in sample

23
Q

What is a de minimis?

A

a very small or brief use of a copyrighted work that is too small to be important

24
Q

What is the purpose of a compulsory mechanical license?

A

to distribute to public for private use

25
True/False: mechanical licenses are used for audiovisual works
false
26
Are compulsory mechanical licenses commonly used?
No, usually negotiate mechanical licenses
27
How do they generally pay royalties for mechanical licenses?
on records sold, not used