The Script Flashcards

(15 cards)

1
Q

Lumet comes from the theatre world where he describes the writer’s intention as [BLANK]

A

Sacred

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2
Q

True or false? The Dramatists Guild contract gives the writer control over absolutely everything?

A

True. The writer has final say over everything, casting, sets costumes, director including the right to close the play before it opens if he’s dissatisfied with what he sees on stage. 

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3
Q

When Lumet meets a screenwriter to discuss the script what three questions does he ask?

A

What is this story about? What did you see? What was your intention? 

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4
Q

Lumet feels that it is critical for the director and writer to agree upon the [BLANK] of the screenplay.

A

Intention

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5
Q

In drama the story must reveal an elucidate the [BLANK]

A

Characters

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6
Q

Lumet believes that it is important to go through the script line by line with the writer to break it down. Why?

A

Because there is nothing more embarrassing than an actor asking the meaning of a line and the director is unable to answer. 

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7
Q

What does it typically say in most directors contracts in regards to which script they shoot?

A

The contract usually states that the director will direct the film based on the final shooting script approved by the studio or production company.

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8
Q

What rates does the studio have in relation to script changes?

A

The studio usually reserves the right to change, modify, or revise the script at any time—even during production.

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9
Q

True or false Lumet says “Pacino isn’t terrifically articulate, but he’s got a built-in sense of truth. If a scene or line bothers him, I pay attention. He’s probably right”

A

True

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10
Q

What is he referring to when he talks about a kick the dog scene?

A

Lumet used this phrase to describe a moment where a character does something unkind or morally questionable early on. This might be a way to establish a character’s toughness or darker side, but it risks alienating the audience.

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11
Q

What is he referring to when he is talking about a putting the dog scene?

A

This is the opposite. It’s a moment early in a film where the character shows kindness or vulnerability, like gently petting a dog.
Lumet believed this is a smart way to win the audience’s sympathy and make a character more relatable and human, even if they have flaws.

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12
Q

Why did LUMET used this analogy of petting or kicking the dog in an early scene?

A

Sidney Lumet was a master of character-driven films, often about flawed, complex people in morally gray situations. He pointed out that filmmakers must carefully decide how to introduce a character’s personality to the audience.

If you kick the dog, you risk turning viewers off early.
If you pet the dog, you can earn audience trust and interest, which is crucial for emotional engagement

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13
Q

While LUMET use the analogy of kicking and petting the dog who did he actually attribute it to??

A

Who was Paddy Chayefsky?

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14
Q

Who is Paddy Chayefsky?

A

Paddy Chayefsky (1923–1981) was a legendary American playwright and screenwriter, renowned for his sharp, realistic dialogue and powerful storytelling. He is one of the few writers to have won three solo Academy Awards for Best Screenplay.

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15
Q

Paddy Chayefsky won Academy Awards for Best Screenplay for what three films?

A

Marty (1955) — Original Screenplay

The Hospital (1971) — Original Screenplay

Network (1976) — Original Screenplay

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