The Things They Carried Flashcards

(30 cards)

1
Q

Imagination was a killer

A

Themes:
Psychological trauma
Fear and anticipation
The burden of storytelling
The blurred line between reality and perception
Emotional survival in war

Analysis:
The sentence is blunt and declarative, mirroring the stark emotional weight it carries.

O’Brien uses personification (“imagination was a killer”) to suggest that fear and what the mind creates can be just as deadly as physical threats in war.

It implies that anticipation, guilt, and memory—the products of imagination—can psychologically destroy a soldier, even if they survive physically.

In the context of war, imagination becomes dangerous: it fills silence with worst-case scenarios, amplifies fear, and resurrects trauma.

O’Brien critiques the romanticized idea of the soldier’s mind as heroic or disciplined; instead, he shows that the mind is fragile, and its freedom to imagine can be a curse.

It also links to his metafictional style — imagination, the same tool used for storytelling, is both a coping mechanism and a source of suffering.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

They carried the sky. The whole atmosphere, they carried it, the humidity, the monsoons, the stink of fungus and decay, all of it, they carried gravity.

A

Intangible weight
burden

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

There was a winner and a loser. There were rules.

A

Distinctness
Desire for simplicity
Alternate reality
Rules
Desire for order

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

The bad stuff never stops happening: it lives in its own dimension, replying itself over and over.

A

Burden
Imagination / memory
Never-ending trauma

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Forty-three years old, and the war occurred half a lifetime ago, and yet the remembering makes it now

A

Trauma
Memory / Remembering

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Courage, I seemed to think, comes to us in finite quantities

A

Courage

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

It offered hope and grace to to the repetitive coward

A

Courage
Cowardice
Hope

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

You can’t fix your mistakes. Once people are dead, you can’t make them undead.

A

Death
Mistakes
Burden
Regret

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

I was too good for this war. Too smart, too compassionate, too everything. It couldn’t happen. I was above it.

A

Identity
Value

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Run, I’d think. Then I’d think, Impossible. Then a second later I’d think, Run.

A

Escape
Panic
Dilemma

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

I survived, but it’s not a happy ending. I was a coward. I went to the war.

A

Cowardice
Survival
Contradictory nature of war

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

It was about something stupid … but even so the fight was vicious

A

Stupidity
Violence
Nature of the war

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

The truths are contradictory. It can be argued, for instance, that war is grotesque. But in truth war is also beauty.

A

Contradictions
Two-sidedness

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

Proximity to death brings with it a corresponding proximity to life

A

Life & Death

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

A thing may happen and be a total lie; another thing may not happen and be truer than the truth.

A

Truth
Lie

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

He sometimes slept with the stockings up against his face, the way an infant sleeps with a magic blanket, secure and peaceful.

A

Longing for home
Security
Peace
Safety

17
Q

The star-shaped hole was red and yellow.

A

Symbolism
National representation
Violence
Grotesqueness

18
Q

I received a long, disjointed letter in which Bowker described the problem of finding a meaningful use for his life after the war.

A

Life
Purpose
Consequences
Aftermath

19
Q

The night when Kiowa got wasted, I sort of sank down into the sewage with him… Feels like I’m still in deep shit.

A

Loss of identity
Death

20
Q

By telling stories, you objectify your own experience. You separate it from yourself.

A

Story-telling
Detachment

21
Q

The filth seemed to erase identities, transforming men into identical copies of a single soldier, which was exactly how Jimmy Cross had been trained to treat them, as interchangeable units of command.

22
Q

He preferred to view his men not as units but as human beings.

23
Q

In a funny way, it reminded him of the municipal gold course in his hometown in New Jersey.

24
Q

But all you could ever lose was the ball. You did not lose a player.

25
A stupid mistake. That’s all it was, a mistake, but it had killed Kiowa.
26
They felt bad for Kiowa. But they also felt a kind of giddiness, a secret joy, because they were alive.
27
Twenty years. A lot like yesterday, a lot like never. In a way, maybe, I’d gone under with Kiowa, and now after two decades I’d finally worked my way out. A hot afternoon, a bright August sun, and the war was over.
28
I felt something shift inside me. I was anger, partly, but it was also a sense of pure and total loss: I didn’t fit anymore. They were soldiers, I wasn’t.
29
It’s a hard thing to admit, even to myself, but I was capable of evil
30
We kept the dead alive with stories